MeFi Music songs tagged with 110bpm

Talk Dirty To Me by nosila

nosila — Sat, 15 Aug 2009 13:07:58 -0800

Completely inspired by this AskMe thread from yesterday. All of the sung lyrics are taken from it. It is...well....as dirty a thing as I have ever made.

Metafilter Orchestra - Pandora's Music Box by Karlos the Jackal

Karlos the Jackal — Mon, 01 Jun 2009 21:19:56 -0800

Metafilter Music Collaboration #2 is finished! This song involves 20 MeFites collaborating on an original song -- Exquisite Corpse style, which means that each contributor only got to hear one other contribution. Full credits and details inside.

Together (You are not alone) by sputgop

sputgop — Wed, 18 Mar 2009 00:09:28 -0800

Short, vaguely uplifting sample-based beat.

How Jesus is Made or Thank You and Goodnight by tehloki

tehloki — Fri, 09 Jan 2009 07:51:55 -0800

I haven't made anything in awhile; I guess I just used up all my stored inspiration.

I Overshot You (Demo) by allaboutgeorge

allaboutgeorge — Sun, 04 Nov 2007 19:47:11 -0800

This one is probably about reiterated obviousnesses and vain hopes regarding poorly plotted relationship trajectories, but what do I know, I just wrote and sung it. Oh, and the guitar tuning was EADGBD, capoed to the fourth fret.

Yow by 31d1

31d1 — Sun, 23 Sep 2007 21:04:49 -0800

I finished this with about 5 minutes to spare before turning 30.

The Biggie Blues by ageispolis

ageispolis — Fri, 04 May 2007 12:49:29 -0800

What do you get when cross Notorious B.I.G, Geeshie Wiley, and a subsonic dnb bass? You get The Biggie Blues my friends.

AND by loquacious

loquacious — Sat, 02 Dec 2006 03:49:17 -0800

Acid-ambient space dub loops. This is a live jam I did with a friend while visiting him in Seattle. The rig was comprised of me playing small and very slow beat loops in Traktor at BPMs relationally fractional to a master tempo of 110 BPM, while my friend looped samples in Live, both from prerecorded and live samples from mixboard outputs and sends. There is a Macbook microphone involved in the sampling of the room and as a feedback and reverb source. There is no shared MIDI clock in use - all tempo/pitch control is manual, and listen for long beat-count tempo-drifts of loop components, which are manipulated and intentional. The majority of this dub takes place as variations of two beats in one "measure", sometimes four but never more. This cut of the track is the last ten minutes of approximately one hour of play and loop building. It is pre-release version intended for derivitive works, remixes and redubs. (If you wish to remix, sample, splice, loop, fuck, deconstruct or otherwise destroy this track, I would vastly prefer that you please contact me via the email in my profile for the uncompressed and unprocessed file and the full Creative Commons license. Please do not use this low-bitrate file.)