My raffled request came, I am told, from ODiV, who wanted to hear the "Are You Being Served?" theme song. I hope this is the version he heard in his dreams (because it is, roughly, the one I heard in mine). [more inside]
Dub synth techno. [more inside]
Meat Beat Manifesto-like breaks with cheesy porn samples. May not be safe for work.
More noisy electro/break bitmuxing. (beta mix)
Remix/remaster of "this is what it sounds like when you shrink a lowrider down and go cruising around for circuits to listen to on in a motherboard and then there's an earthquake" for better bass and mixdown. [more inside]
this is what it sounds like when you shrink a lowrider down and go cruising around for circuits to listen to on in a motherboard and then there's an earthquake
Amen Break + Synthesizer-Playing Chemistry Major + Guitar-Playing Chemistry Major = We blow roofs off shows like supercritical reactions blew the top off Chernobyl.
Virgil's The Aeneid and Coronet Films' The Powers of Congress sampled over a breakbeat, with some chopped-up classical music thrown in. [more inside]
Found this on an old CD, but it's about as good as anything else I've done so I'm sticking it out there. A simple, upbeat jungle-technoy thing with layered breakbeats and a nasty synth lead dominating the second half.
A breakbeat/big beat spy song -- one part Propellerheads ripoff, one part Space Ghost nonsense. [more inside]
I lifted a three second sample from an Ol' Dirty Bastard track to produce this remix. [more inside]
remixing some acoustic guitar with a breakbeat
Funk to put it nicely. I guess an intreptation on what robots grudge humping might sound like. [more inside]
Mix Master Mike frequently samples the intro to Killing In The Name for his sets. I decided to sample the outro, where Zach de la Rocha is yelling "ALL OF WHICH ARE AMERICAN DREAMS". The bass line is spliced out of Evil by Interpol since Carlos Dengler has got some crazy tone. This is a pretty slow jam, so it borders on the line between hip-hop and dance. Enjoy.
A little noisy, a little groovy. It's got breakbeats, wailing guitars and nasty feedback. It reminds me of a cross between Moby and Flying Saucer Attack, hence the name. There are a lot of interesting automation things going on here.
So many drums, so little time.
This is a track from an upcoming album where every track is an instrumental based on samples of international folk music. The chopped up melodies on this one come courtesy of China. Thanks, country of China!
I like them so much. However, when I eat hot cheetos I get crazy.
A friend told me all I ever write is ambient stuff (ie) and since she's right but I don't want to admit it, I wrote this. The title comes from a PBF comic I glanced at while trying to think of what to call it. What do you think? Should I stick to my day job?