A mix of cultures often results in something beautiful - interesting art, world views, beautiful babies and intriguing music. And you don't have to be from either of those cultures to appreciate how wonderful this can be. This song represents a melange of two cultural infusions - from Canada and Ukraine. This is Ummagma. Enjoy. [more inside]
International ARPort: arpeggiating synths, warm pads, slow dubby drums
This is one Ummagma track that has been totally turned on it's head, taking what was a dreampop folkrock-ish track and utterly transforming it into an whirling electro-dance track with traces of vocals from Shauna McLarnon. [more inside]
Pretty self explanatory. Drug teens doing teen drugs. [more inside]
A theme for that girl who's hot and she knows it. [more inside]
All love, no hate. [more inside]
A 2011 track from The Sweetheart Contract's new album, Murderize. [more inside]
Millimeters of Mercury is back after the end of finals at USC to present this decidedly retro electropop song that bounces and pounds in B flat major, occasionally straying into harmonic minor and dabbling in diminished chords and flat sevenths. Enjoy. =]
Postal Service-like electronic pop track. Features my vocals for the first time! [more inside]
an original song. :) ever had a bad break-up? i have. [warning, there's some explicit language toward the end. okay, there's a lot of explicit language at the end. ;)]
It's a pop-type song (with streaks of metal) that tells the tale of a fish and his problems. Lyrics here. [more inside]
a song by my band, fm campers. don't really know where this falls, genre-wise... electronic rock noise-pop? [more inside]
Homesick synths, bittersweet beats. [more inside]
Demo of the first track from a dumbass pop concept album I'm working on.
My very first MeFiMuCh entry, this one is Halloween themed. It is dark and spookily minimalist electronic pop with ghostly vocals and lyrics about being at the end of the world (via zombie apocalypse) with a loved one and the logistics of love in the time of zombies. Interesting to note, this song was originally written on banjo as a folk song. But when trying to add some electronic elements to it experimenting with the recorded version I decided to make it a straight electronic song. [more inside]
This song is from the band I have been with for the longest, LOX-P, and was recorded at the same studio and under the same conditions as the last song I posted, War Waltz. On this recording I am the bass player, however I wrote the guitar line as well. Hope y'all like it. [more inside]
I met a guy who claimed he was a soldier from the future, here to save humanity. I wrote a song about him. It has been described as "derivative and campy" which may well be true. It's also up on YouTube. with pictures. [more inside]
Song from long ago about infatuation; remixed, remastered. Gratuitous orchestra hits at the end provided free of charge. [more inside]
A dancey pop kinda thing. I finished all the recording and rough mixes for my next album so I'm starting to enjoy making music again. Also: trying to be less of a perfectionist so I maybe don't go bonkers.
A simple, melancholy electro instrumental that I recorded a couple of years ago. Percussion ideas came from various hip-hop sources; the melody is my own. I use it as background music during a spoken-word segment of my live shows. [more inside]
This is a demo that my friend James Burnham and I co-wrote and co-produced last month in Cubase. The harmonies fall apart a little in the end, but I thought it was worth posting. We'll probably re-mix it soon. I'm singing; James programmed. - Tyler Massey
Another one from the Retrospective. Written when I was 15, I always considered this song to be a more or less blatant ripoff of Lush's “For Love.” The original lyrics were even more painfully awkward than these are, and I was stuck for years on how to improve upon them, but desperation finally took precedence over inspiration: I was literally scribbling them at stop lights on my way to the studio. Not a creative high point, then, but the production is among my sharpest. To their credit, the Science Park line-up of that time made a huge impact.
In the late '90s, I was the main guy behind an electronic art-pop band called Science Park. After suffering a nervous breakdown in the winter of 2000, I disbanded the group and retreated from the music industry for six arduous years. Now thirty, I've just issued a 15-year retrospective of my life in sound and have re-committed myself to my life's work with a raft of new projects. "Ascension Island" was first issued on a Japanese 7" single on Motorway Records in 2000, and later on my album Disinformation (Obscure-Disk). A tale of love, espionage, and violence always just out of sight, it features my trademark drifting electronics, shortwave radio interceptions, and cool, clean singing. Enjoy.
If I was to describe this song with sarcastic overtones, I would say this is a regular run-of-the-mill ageispolis techno song. Well, it's not. This song is anything but typical of what I usually produce. Vocals, emotion, melody, structure... christ, what's gotten into me!?
This is the first song of at least 6 that I will release on my first, self-released EP in the near future. I'm currently figuring out how to arrange a live set with my music as everything was played and/or arranged by myself. I now release my music under the moniker mixedtape. The Freudian Slipper was my old name :)
Some boppy electronic pop. Inspired by chip tunes.