I'm happy to present my collaboration with not_on_display: this is our version of a neat little tune that was included in The American Songbag (a 1927 folk song collection by Carl Sandburg); the song there was itself derived from a late 19th-century song by William S. Hays. [more inside]
I had a great time collaborating with billiebee on a cover of this traditional folk song/sea shanty. The goal was to record a simple arrangement that was different from the more lively covers out there -- to borrow billiebee's phrase, a gentler version. I'm hoping our rendition highlights the lovely melody of the song. [more inside]
A Rob Ford-inspired tune from the earlier days of Crackgate [more inside]
Listening to some old songs of mine, I came upon this one from 2004. It's a rather sweet, romantic little thing written about a depressing period in my relationship at the time. [more inside]
Made famous by The Andrews Sisters in 1949, here I use a beautifully understated jazz guitar version by Pizzarelli and Vignola as backing. It's been a long while since I recorded something to post, so I hope you enjoy it!
An ode to women featuring guitars, piano, melodica, and lap steel. [more inside]
I wrote this after attending a concert late last year. Just finished (?) the recording. It's kind of a tribute to the musician I saw -- maybe you can guess who it is? Either way, it's a track that features guitars, pianos, fretless bass, vibes, drums, vocals and a lap steel part in the chorus that I'm really satisfied with. [more inside]
This is a love song I wrote for my girlfriend shortly after we met. [more inside]
No, seriously. Just for fun, I decided to do this cover song to test out some drum stuff. Thought I'd share this while I work on some new songs...
This track switches between three time signatures, and features an intro with a style of singing I guess one could call very vaguely eastern. It's a slow and gentle affair with softly distorted ebowed guitar, piano, and xylophone. It also includes a guitar solo in which a single note is played repeatedly. And lyrics that are pretty silly. [more inside]
Layers of soft guitar distortion with pseudo-indian instruments thrown in, under a falsetto vocal over a deeper background vocal going through a guitar amp. I'm kind of proud of the lyrics, which are about staying true. [more inside]
A cover some friends and I will be performing at a cabaret here in New York in a couple weeks. [more inside]
Lately I've been in a mood to sing vintage romantic standards in a very straight up way. Some day I want to do a version of this song inspired by Anita O'Day. This ain't it. You can still feel free to dance, though! [more inside]
Rehearsing some totally new Gershwin torch songs. Well, not new for the Gershwins. They're pretty dead. New for me, though. :) [more inside]
Spur-of-the-moment lo-fi live cover of the Radiohead song off Hail to the Thief, to which I added a couple of equally rough overdubs and some reverb. The guitar is out of tune and poorly played, but the vocal melody tweaks are kind of fun. [more inside]
Yes, it's Disney, with some nice jazzy guitar as background courtesy of Adrian Holovaty...I tried to add a few touches of my own, I hope you enjoy.
A short, lyrically strange new song partly based on a dream. [more inside]
I was walking around in the garment district at night on valentine's day years ago, and spotted a beautiful woman walking alone across the street. Despite being glamorously dressed up, she looked like she had lost all faith in men. She was carrying a heart-shaped balloon and huge flowers. This song is sort of about that. [more inside]
This is about one of those times when you know you really shouldn't, but you just can't help yourself...;) [more inside]
An atheist's song about the nature of politics and religion in the U.S.
Guitar-based melancholy song with vocals. I've had this around for several years, and keep thinking I'll continue to dabble with the outro. I think it's time to just let it out. I wrote this after the breakup of a 7 year relationship. I like the lyrics, and the little solo, and many other things about it. The long fade-out ending is over-indulgent and a bit off-key, but imperfect as the song may be, it has heart.
A simple cover of a song from Animal Collective's newest album, which MetaFilter greeted with a great deal of enthusiasm. I was kind of reluctant to upload this one, because there are some things about the singing that I don't like (mostly timing and range), but I'm curious to hear what you guys think of it.
This is a lazy pseudo-live cover of the Bruce Springsteen song, recorded on a whim a couple of years ago.
late night meeting with a street musician, near saint anne, in Montpellier. Lots of things to say, many songs in his bag, mostly sharing the same chords (!?). Nice feeling.
rambling RPM Challenge song.
This downtempo "weirdo-falsetto" number is a track by Clearspeaks featuring edlundart. The music was written and produced by Clearspeaks while I wrote the lyrics and vocal melody. I also performed the vocal and created the vocal snippets used in the background, similar to what I did on "elevate."
A calm and smooth falsetto song with lyrics lifted from an emergency first aid poster (with some additions turning it into a love song). Features guitar, bass, piano, and electronica-style rhythmic vocal snippets.
A slow and sad song I wrote and recorded after a breakup/separation a few years ago. Features a falsetto chorus and acoustic guitar, including an e-bow undercurrent.