I decided to work up a Bach Bourrée (BWV 996) as a belated "do what scares you" challenge, since I don't usually try to play classical music. Soon after I learned it, I couldn't stop myself from messing with the groove, adding touches of swing and Cuban rhythms. [more inside]
What scares me? Playing music in front of other people, that's what! So here, for my MeFi music debut, is a slow jam to one of the greatest sitcom closing theme songs ever. [more inside]
Challenge: Do what scares you? I'm scared of death and the concept of eternity. While I'm NOT about to DO that, I could write a song distilling my fears about said subject matter, yes? Yes. OK, it's a deal, then.
I sampled Morphine's classic 1992 number You Look Like Rain for this one. This is my Dec/Jan #MeFiMusicChallenge and #DoWhatScaresYou entry. [more inside]
A thanksgiving experiment, which turned out quite nicely, I think. [more inside]
Q: What scares you? A: Freddy Kruger [more inside]
For a storytelling project, I made six variations of a three note motif, to represent the personalities of six different characters. Each little theme is less than ten seconds long, so even when I put all six of them together it adds up to less than 60 seconds. I hope to post the whole project someday, but at least this version counts for the November Music Challenge!
For this month's 60-second-or-under challenge. [more inside]
A jazzy/funky/noisy/weird tune written for the 60 second challenge. Just sort of stops instead of ending. [more inside]
In the past couple of weeks, I found myself going back to a piece that I'd started working on a few years ago -- probably because it's in a slower triple meter that's somewhat calming for me. This is a condensed one-minute version, featuring piano and guitar, for the 60 Seconds and Under #2 MeFi Music Challenge. [more inside]
My entry for the November Challenge. It is not new, but it has been waiting for this challenge to finally have an appropriate home. [more inside]
A wrote a little pep talk, for myself and for anyone else who needs one, as we wade through the fuckedness of all this. Catchy and short and angry and upbeat and exactly a minute long. [more inside]
Here's my submission (finally) for the assignment I got for the Great Raffle Request Challenge a few years back. The request: "Record a song (cover or original) on an instrument you don't really know how to play." This one's for Secretariat! [more inside]
Please, shake your booty for 60 seconds
This is for the 60 second Metafilter November Music Challenge. My software, the Platonic Music Engine, generates 6 glorious seconds of avant-garde electronic beeps and boops for your listening pleasure! Many, many, many more details inside. [more inside]
I needed this challenge to get away from the song I've been slowwwwly working on otherwise. I recorded some of it last year, but heavily edited and added onto it last night, and then trimmed it down to a slim fifty-seven seconds. Song 14 in my Unu Kanto Po Semajno series.
Verbatim cover of the Peggy Scott & Jo Jo Benson classic [more inside]
As humans explore beyond the solar system and add themselves to the wider galactic population, they bring with them their cats. Likewise, the humans' cats bring with them their parasites. Over time, toxoplasma gondii alters its effects on humans and other sentient species, imparting a sense of spiritual enlightenment, thus leading to a new galactic religion. [more inside]
Pop protest song for the current Music Challenge. [more inside]
This is a poem fragment from Sappho set to music using Ancient Greek music theory as best as I understand it and generated by my Platonic Music Engine which generates music using every musical idea that has ever or will ever exist. [more inside]
WARNING: Not Safe For... anyone, anywhere. Seriously. (For the MeFi Cover Challenge.) [more inside]
For GregNog's Mefi Cover Challenge and Song #7 in the Unu Kanto Po Semajno collection, I roped greenish and her awesome set of pipes all the way in from across the ocean! [more inside]
Santa put a new saturation plugin in my stocking. I......may have overdone it a bit on this quick song about appreciating life and what you have - just in time for the New Year. [more inside]
This medieval English carol is certainly not cheerily optimistic-sounding, but might not quite qualify as pessimistic. "Somber" is better - a mood rarely evoked for Christmas. [more inside]
New Years. Listlessness and Watching Your Life Go Bye. But there is Love and Hope nestled deep in in the chorus. [more inside]
Short piano solo: Snow falls on the prairie.
A song about the winter weather or lack thereof, the defining El Niño of my childhood, family troubles, a metaphor about my lack of perspective, and an impression of a musical sheep. [more inside]
Loops of slow disorienting guitar noises, and other sound wierdness. Sections fade in and out of one another, building and cresting. I picture it akin to an adult version of riding on Willy Wonka's fucked-up boat ride. [more inside]
Sonic equivalent of a child smashing toy cars into each other for the anniversary of when a man did a speech and August/September Music challenge. [more inside]
Cover of the Beatles' 'Michelle' as recorded by The Lucky Sperms, a band I was in with Daniel Johnston and Jad Fair. From our Jagjaguwar Records release Somewhat Humorous. [more inside]
Sample reduced synthetics, atonal feedback, and other fancy marginally (ir)relevant musical gibberish. It's loud, and isn't that really all you wanted? [more inside]
A song about Huntsville, AL, for the City Songs challenge. [more inside]
One more 1865 banjo tune for the city songs challenge trifecta! This is another Frank B. Converse composition. Fretless banjo and tambourine, a bit of reverb for extra stateliness.
Another 19th century banjo tune for the City Songs Challenge, this one from Frank B. Converse's New and Complete Method for Banjo With and Without A Master. [more inside]
For the May/June/July Music Challenge, billiebee and I collaborated on a Joni Mitchell cover. [more inside]
An ode to Havana in a mongrelized "guagancó" rhythm. It's badly sung in Spanish, and awkwardly played using congas, bongos and a batá. I've included my original lyrics in Spanish and an English translation. [more inside]
Getting in just under the wire for the May/June city song challenge, this is a short little banjo tune from Buckley's New Banjo Method of 1860. Fretless minstrel banjo, parlor guitar, bones and tambourine.
My entry for the May/June 'City Songs' challenge. [more inside]
Whereupon we invite an algorithm to make mincemeat of a rather squalid song and out comes happy accidents. [more inside]
Felt inspired to throw together a cover of an old favorite for the May/June challenge. [more inside]
not actually, but kinda [more inside]
A rough vocal for a rough congregation. [more inside]
Not a complete theme song, more like the theme of a theme song. It makes mundane tasks like checking the mailbox seem urgent and full of import.