These are the greatest days, and this is optimism rock from The Forget.
Putting the "b" in "subtle," Detroit's LISBOA pens a political power-pop tune that pulls no punches. Alliteration is always awesome. Sounds like: Kansas City's best (i.e., only) Cheap Trick cover band meets Propaghandi at an after-hours bingo parlor. In drag. Dig the horns, dudes and lady-dudes.
Another slice of power-pop rock from LISBOA's self-produced 2005 LP Live from the Grand Hotel Abyss [iTunes link], with a title indirectly inspired by a mefi thread of all things! By the way, you should totally pick up a copy of the mefi compilation CD: it features another track from LISBOA as well as a bunch of great tunes from some genuinely talented mefites, too. Plus, proceeds go to, you know, the kids.
I wanted to end the 23rd Century song posts on an upnote, so here ya go. This is also our Queen tribute, so be ready for my bad Brian May impersonation. Sorry for posting so much, I hope it hasn't been too irritating.
Another track from the new 23rd Century Album, and because you demanded it, one more song after this one. You can DL the whole album for free from our website.
A song from a recording session I did with my brother's band (He's the singer). The band is called Beautiful Blonde Pineapple!
The second to last song I plan to post here, this one was intended to be fun, not work. Thanks very much for the kind words on the previous songs, everybody!
The second song from the new 23rd Century album. This one is written by The Platypus.
The first song off of the new 23rd Century album - "Will The Moon Explode In...The 23rd Century?" The entire album (and our first album, as well) can be downloaded here.
Hey all, this being my first post, I'll go ahead and explain the situation, for the sake of future songs. I write the music in FL and my friend Dave from back home in TX does the vocals in this yet unnamed project. We're still trying to acquire a sound, so we're knocking simple stuff out of our system first. This song is our (poorly mixed) cliche love song, only about a MySpace stalker. The amount of cheese should make you smile.
me, my guitar, and a computer microphone. Simple but sweet.
As long as songs about colored dinosaurs are on the front page, I thought I'd add mine. This song is about 8 years old (hence the junky analog recording). It's about a little orange dinosaur I loved when I was a kid.
A happy song about new love and late summer nights. I'm not sure that the arrangement for this is done, really, but I've been leaving it alone for a while now. Features keyboards, bass, drums, slide guitar and vocals.
Trip hop or something. At its core it is still a singer/songwriter sort of deal, but this features -- in addition to regular vocals -- opera samples, moaning girls, reversed strings, synth bass, subtle sustained guitar feedback, scratching, acoustic slide guitar, tambourine, crumbly noises, and whatever else. Includes the F-word right at the start, if that concerns anyone.
Easy going, pop rockin' goodness. Like many folks posting here, this is one of my old band's songs. This one in particular was written by my good friend (and then bandmate) Chris Knott - who recently moved to NYC with his band, Commas.
Un-seasonal uplifting powerpop from Farrah.
This is an acoustic cover of the wonderful TMBG song Ana Ng, done on a four track recorder many years ago. Though I did once see "I don't want the world, I just want your half" painted on a bridge (it was really surprising and cool to discover), we substituted "Homies '88" in its place because we had recently seen that on a bridge and thought it a bit absurd that someone took the time and effort to paint such a doofy message.
Off my band's demo.
A pretty catchy melody, I think -- starts slow like most of my songs, but then picks up and becomes more of a rock track. Sample lyric: "Sleeping with you is still fiction, so missing it must be a contradiction." Features vocals, guitars, piano, drums, strings.
The city outside your bedroom window doesn't care if you're lonely. I guess this song is about the feeling of hopelessness. Slightly more uptempo than my previously posted songs, this one features slide guitar, non-slide guitars, drums, piano, strings, and guest appearances by Riadsala (bass) and kerry and casio (background vocal).
This is an acoustic cover of the very excellent They Might Be Giants song Welcome to the Jungle. As a gag, the beginning instrumental bit copies the Guns N' Roses song Welcome to the Jungle. Though my old "band" did this, just about every instrument on this track (including the backup vocals) was done by one bandmember.
A slow and sad song I wrote and recorded after a breakup/separation a few years ago. Features a falsetto chorus and acoustic guitar, including an e-bow undercurrent.
Gargoylehead is a silly song about a statue in a family's house that comes to life when the family leaves for the night. It trashes the house and eventually falls asleep while watching a movie on cable. The family comes home to a great surprise. The song was performed by the band I was in in high school (we are long-defunct now) and this recording was done several years ago for fun. I hope you like it.
A quiet, pretty song about online dating. Features guitars, vocals, and pseudo-orchestral touches.
A cluttered and messy rock song from our record Uh-Oh. I play guitar and sing in this band (and play the singing saw on this track!).
It's a slow starter, and once it gets going it's incredibly repetetive. But, uh, I like it that way. Features moi on vocals (through a simulated guitar amp) and all instruments.
kind of an untraditional sea shanty about the end of the world and being thirsty. from my band pocket novel mystery's first full length, 8 days in the life of grace, which will finally be released (now that most of the original lineup has dissolved) on august 29th through our new record label, cloud 13 records.
The first protest song I've ever felt compelled to write for my band Pocket Novel Mystery. This is a rough draft, but we'll probably use this one on our next full-length, in one form or another.
A recent recording of a slow and maybe a little creepy song I wrote a couple of years ago. I'm responsible for all vocals and instruments minus the bass, which was recorded by my Scottish buddy Riadsala.