Sometimes a song's strength lies in its lyrics or in the nuances of the vocalist's delivery and tembre… Sometimes the instrumentation speaks volumes all on its own. This is one of those times… This is Ummagma. [more inside]
Love generates love generates love. Beautiful Moment seems to capture an element worthy of such progeneration. Harmony, peace, smooth dreaming and a swirl of energy-filled ethereal waves. [more inside]
There is such a thing as light-imbued melancholy. This song shows that @Ummagma is among a cozy handful of bands nowadays who seem to thrive on achieving that combination. You can find Ummagma here too. [more inside]
This track makes it a lot easier to imagine how the classical work of J.S. Bach could be meshed into a dreampop track, something that is rarely seen or at least, that is rarely pulled off well (The Verve and The Farm come to mind as other successful cases of this happening). [more inside]
The lyrics to this Ummagma song seem very timely considering what is happening in the world these days, with a bed of music that drums up intensity. You might particularly enjoy the ending.
When a band "dances" on the border between 6 or more musical genres and one of them happens to be progressive rock, the listener is often in for a delightful surprise. Hopefully this song qualifies as one of them. This is "Outside" by Ummagma. [more inside]
For anyone who loves Tortoise and especially the fired up drive of their first two albums, or maybe Sputniks Down, you will likely love an ear-scoop of this Ummagma track. [more inside]
Imagine a carefree diva singing in a non-chalent way as she looks out the window of the passenger side during a road trip. The soundtrack to her ride is based on an indie rock slide-guitar laced tune, which builds in intensity throughout the ride until bang - confusion and collision. That is this Ummagma song in a nutshell, message and all. [more inside]
Psych rock is a genre that spans worldwide, ignoring such arbitrary delineations as man-drawn borders. This song is a case in point, with Nameless (UA, Ternopil) taking the lead in this song - the only hint of the Eastern bloc here is reflected in their language. Ummagma provides the icing on the cake.
Peter Gabriel meets Daniel Lanois and Chicane. Here in this song, I'd say that Ummagma comes closest to having a Peter Gabriel moment. Somewhere in between his Sledgehammer and Passion phase. Fortunately, the other elements making this track unique kick into play and it's hard to put your finger on anything else. So just listen instead...
While the term space rock is kicked around quite often these days, there is something else out there: space pop. This song epitomizes that term, as reflected in the title itself. Poppy, spacey and ethereal trip to the cosmos. [more inside]
"Titry" translates into English as "credits", as in for a film. It was inspired by the idea that this would make a great intro or outro song for the listing of film credits, whether or not we actually decided to pitch the song for that purpose. Maybe we will one day :)
Sometimes various musical genres blend together to create something fresh and brilliant - the old with the new, analogue with digital, with styles and sounds intermeshing to create a new fabric. That is what we were after with this song, which has got to be the Ummagma song that leans most towards folk-rock. A little hiatus from dreampop. [more inside]
A little Mezzanine-era Massive Attack and Stereo MCs blend with something more ethereal - throw in both male and female vocals… and then some more depth that is indescribable in words. So says me. :) Titled "Upsurd" because a little absurdity can also have an upwards drive to it. Right?
For some of the best things in life, intensity builds as anticipation kicks in. That is what this Ummagma track is for me - with layer on layer, building a sort of icicle/sand castle that never melts or washes away. It just builds and then takes flight. I hope you will feel the same. Of course, there is that The Smiths thing happening - happy music, depressing lyrics. Rightly so. Spot on - have a read. [more inside]
The rustling of leaves, the sweetness of birdsong and the movement of blood within your body… all of these have conspired to influence the creation of this song. Hope you gather something natural from this.
The shoegaze scene is really abuzz this year with so much good music out there, the new MBV album and Medicine's reunion. This song vibes in this same department - it's an instrumental with lots of reverb. What do you think of this track?
Reminiscent of the Peter Gabriel and Deep Forest contribution to the film "Strange Days", this Ummagma track offers an eclectic earful of modernity meets tradition, complete with Carpathian whistle and balanced out with successive male and female vocals. [more inside]
Kiev-based electronic instrumentalist Dunaewsky69 (a.k.a. Oleksandr Gladun) is one of Eastern Europe's most productive DJs. Otherwise dubbed as the "electronic pilot", his most recent EP "Termination Voice" was nominated for the Qwartz Electronic Music Award. This is his latest remix for Ummagma "Lama". This remix is a departure from the original Ummagma version of "Lama", but hopefully you can also appreciate this remix. [more inside]
A while back, Ian Baird (A*Star, Spring Clock Wonder) did an awesome remix of Telling You (T.Y. Ian Baird Remix) by SPC ECO, Dean Garcia's main musical project since leaving Curve. Fortunately, he would eventually remix our song "Lama" by our duo Ummagma. Hope you enjoy this upbeat track.
Somewhat reminiscent of Sonic Youth's cover of the Carpenters' "Superstar", this song still seems to have a unique quality all of its own. When we recorded this Ummagma track, we didn't know about that cover but since then, this has been the feedback received and we also feel a similarity there too. What do you think? I'm also posting the lyrics here. [more inside]
It's funny how sometimes it takes all but a few minutes to write a song, while the development of another song can really stretch out. This was one of those stretches - "Risky" was a song that was written "in chunks" - the basic instrumental bit was written in Kyiv, Ukraine before a big move to western Ukraine and then to Canada, where the rest was written & recorded before finally being dragged back to Ukraine, where it was properly mixed and mastered. The time span from start to finish: 5 years. All that moving around was us, by the way, not just the tracks bouncing around in cyber space. Thus is the history of this track. I'm posting the lyrics too if anyone wants to have a go at them or "sing along" …. yeah, right… any feedback is welcome. Peace. [more inside]