A song, or really any artform, can be born from one's happy place, just as it may be born of frustration. It seems these days, that a lot stem from the latter, but this song is notable in that it seeks the former by the end of the song. Doesn't everyone want a light at the end of the tunnel? This is Ummagma 'Kiev' . [more inside]
Dream dripping floating melting flying… All of these are feelings that might come to mind if you close your eyes while listening to this current track. Somewhere between the mellowest of Pink Floyd and the catchiest bit of Billy Bragg, I hope you'll enjoy Ummagma 'Colors'. [more inside]
Sometimes a song's strength lies in its lyrics or in the nuances of the vocalist's delivery and tembre… Sometimes the instrumentation speaks volumes all on its own. This is one of those times… This is Ummagma. [more inside]
Ethereal wave is what they call this genre, but you can definitely sense elements of early 4AD-era postpunk, darkwave, shoegaze and postpunk here. The mood is a bit heavier and there is an outpouring of philosophy, moral and emotional reaction. Enjoy! [more inside]
The lyrics to this Ummagma song seem very timely considering what is happening in the world these days, with a bed of music that drums up intensity. You might particularly enjoy the ending.
If you were to roll up some element of Brian Eno, Robert Fripp and Bill Nelson, and paint it with a slight shoegaze ethereal hue, this might be what you would get… Enjoy this Ummagma track! [more inside]
While the term space rock is kicked around quite often these days, there is something else out there: space pop. This song epitomizes that term, as reflected in the title itself. Poppy, spacey and ethereal trip to the cosmos. [more inside]
"Titry" translates into English as "credits", as in for a film. It was inspired by the idea that this would make a great intro or outro song for the listing of film credits, whether or not we actually decided to pitch the song for that purpose. Maybe we will one day :)
Sometimes various musical genres blend together to create something fresh and brilliant - the old with the new, analogue with digital, with styles and sounds intermeshing to create a new fabric. That is what we were after with this song, which has got to be the Ummagma song that leans most towards folk-rock. A little hiatus from dreampop. [more inside]
A little Mezzanine-era Massive Attack and Stereo MCs blend with something more ethereal - throw in both male and female vocals… and then some more depth that is indescribable in words. So says me. :) Titled "Upsurd" because a little absurdity can also have an upwards drive to it. Right?
The ethereal with the ethical and ironic - that sums this sum up at the superficial plane, but there is so much more depth to this Ummagma track. Definitely one of the more Cocteau Twins inspired deliveries, this song is laced with a pulsation more rooted in Pink Floyd. Another track in the style of early 4AD. Whirrrrrllll.. [more inside]
The rustling of leaves, the sweetness of birdsong and the movement of blood within your body… all of these have conspired to influence the creation of this song. Hope you gather something natural from this.
This remix of the track "Lama" does not outright flip the original version on its head, though it does dress it in a murkier shade of darkgaze (darkwave). The bright dreamy element from the original version spills over into this version too, so as to not detract from the original point of this song in the first place. I hope you enjoy it. Your feedback is most welcome.
Indietronic ethno-ethereal fusion is how I would describe this Ummagma track, which is the first Ummagma song you've heard here with male vocals. I feel like this tune has a strong gypsy fusion lifeline running to it from some mysteriously brilliant source, call it what you will. :) Once again, any feedback is appreciated. We've also ventured into indietronic a little here.
A love for the golden 4AD era, Pink Floyd and the likes of David Sylvian have all been woven into the thread of this music. "Lama" was both inspired by these bands and reflects their contribution to a new generation of musicmakers. Looking forward, but knowing where our roots lie… I sincerely hope you will all enjoy this Ummagma track. [more inside]
It's funny how sometimes it takes all but a few minutes to write a song, while the development of another song can really stretch out. This was one of those stretches - "Risky" was a song that was written "in chunks" - the basic instrumental bit was written in Kyiv, Ukraine before a big move to western Ukraine and then to Canada, where the rest was written & recorded before finally being dragged back to Ukraine, where it was properly mixed and mastered. The time span from start to finish: 5 years. All that moving around was us, by the way, not just the tracks bouncing around in cyber space. Thus is the history of this track. I'm posting the lyrics too if anyone wants to have a go at them or "sing along" …. yeah, right… any feedback is welcome. Peace. [more inside]