Quiet plucked acoustic guitar and vocals. This song completes the lyrical cycle that includes "My Cirripedian Friends" and "A Brand New Fabrication". [more inside]
A reverse audio postcard to a friend on vacation.
Mainly testing out a new mike. Acoustic guitar, sequencer and some cheesy drums. Oh, and a singing bowl...
It's my mom's birthday today. She's awesome and she puts up with a lot from me in terms of my being a random, vagrant son who doesn't call home enough. Happy Birthday Mom! Miss you, Love you - B
Another impromptu song. [more inside]
Old-time fiddle tune performed by the usual gang at The People's Pint in Greenfield, Massachusetts. [more inside]
The lyrical counterpoint to "My Cirripedian Friends". [more inside]
Back in 2007 I posted this same song (a studio version) which eventually made its way onto my 2009 CD release, Roomful of Ghosts. Here's a live version of the tune, recorded June 25, 2010, at Super Deluxe in Tokyo. Video of this same performance here at YouTube, and just for good measure, here's the video for that studio version as well.
This is a song about drowning at sea, denial and adventure. [more inside]
An old-time chestnut on guitar, mandolin, and my new Menzies tackhead banjo [more inside]
I posted a solo version of this tune back in January 2010, but this is the Medicine Bone version, recorded at a gig the other night right here in ol' Tokyo town. Video at YouTube.
Mrs. Archivist and I are collaborating on musical project. Recording includes acoustic and electric guitars, synths, traps, accordion, and cello. [more inside]
A new song, hot off the presses, recorded live in concert just a little more than 24 hours ago, as of this posting. Video of this same performance at YouTube and Vimeo.
This is the first thing I have almost finished from my trip out to the middle of nowhere. [more inside]
Cover of the Ewan McColl classic, at the original speed for once. So I know covering a classic like this is pretty dumb -- how you gonna compete with Johnny Cash, Peggy Seeger and Roberta Flack? But I was really curious about something I read, so I wanted to try an experiment. [more inside]
This is what Slipknot would sound like if they were only one guy in his bedroom and didn't yell so much.
Only took me fifteen years to finish this song. Story inside. [more inside]
I hate this damn spill in the Gulf, and it's obvious they were cutting corners to save a buck. They had to know that would eventually go wrong. [more inside]
Another semi-autobiographical 1995 slice of cheerful melancholia. But a pretty guitar riff and one of my favorite choruses to sing, even if I never really could hit the last note. There's an electric version of this with more of a Big Star / Matthew Sweet feel, but darned if I can find it and anyway I like this one. [more inside]
Another tune from the same recent Medicine Bone show as this one, with special guest Ken Kawashima on harmonica. Video at YouTube and Vimeo.
Me, a 4-track, a guitar, some cigarettes and some booze. Probably the most autobiographical thing I've ever written. That I'll cop too, anyway. And one of my favorites too. [more inside]
Cover of cage the elephant's song aint no rest for the wicked.
A heart-breaking tale of love, loss and relatively famous Antipodean sirens. [more inside]
Triibute dedicated to Bret Michaels. Rock on, brother.
A rendering of a theme, to start thinking about what it could be in a song. Kind of happy.
I can't tell if the glass is half full or half empty on this song. But that's ok. Ambiguity is all right. [more inside]
Solo, live at CAY in Aoyama, Tokyo, April 14, 2010, accompanying myself on the strumstick. Video of this same performance at YouTube or Vimeo.
Recorded April 7, 2010, in a conference room in Ichikawa, Chiba, Japan. For this tune I'm using one of my sardine can sanzas. Video of this same performance may be seen at YouTube.
The recent announcement of Virginia's "Confederate History Month", and this comment in particular, in a Mefi thread about it, inspired me to write this song. [more inside]
Recorded April 7, 2010, in a conference room in Ichikawa City, Chiba, japan. The instrument is a kind of mouthbow, although it's not actually bow-shaped: it's one of these. Video of this same performance at YouTube.
A brand new song, from a gig I did on March 25, 2010, at Super Deluxe here in Tokyo. Video of this same performance at YouTube here.
Another live recording from my new band, Medicine Bone (previously). This is one of band-mate Ken Shima's songs, which he's singing here. I'm on walking drums. I love drumming to this tune. Video of this same performance on YouTube.
acoustic Joy Division cover [more inside]
A very short little song wherein I take the harshly honest route toward an old friend. [more inside]
Really quick and dirty, from memory. R.I.P Alex. [more inside]
This is my other brand new band, the Ghost Steppers. We do old-time, early blues, jug band, mountain music: all traditional stuff, no originals. Here's our rough-and-ready take on an old favorite, originally written and recorded by the Mississippi Sheiks, that's been interpreted by many, many folks over the years. I've changed the lyrics a bit (maybe more than a bit) but that's part of the longstanding folk tradition, of course. Video of this same performance at YouTube here.
A tribute. [more inside]
This is a live recording of my new song Shangri-La. The audio was recorded on a handheld recorder by one of the audience members. Apologies for the dodgy sound quality...but I just had to post my first bootleg! [more inside]
Here's my new band, Medicine Bone, from our official first gig at Velvet Sun in Ogikubo, Tokyo, February 27, 2010. Ken Shima is on guitar, and sings plenty of his own tunes in the band too: it's a collaborative effort. This is one of my tunes, though, a blues. Video of this same performance at YouTube. [more inside]
An acoustic/alt-country (I suck at picking a genre) song off my album I recorded last year. [more inside]
Love song meets murder ballad. [more inside]
Tumbalalaika, a traditional Russian Jewish love song. Generally sung in Yiddish, presented here in English. [more inside]
This month's challenge isn't much of a challenge for someone who plays oldtime music anyway, but I figure I get extra points for recording this American Civil War era tune on my new gourd banjo. [more inside]
One for the 'traditional' challenge. [more inside]
The acoustic, live version of my song Easy Street. [more inside]
This fast and dirty recording is from the mic on a Sony CyberShot camera. It's no audiophile's dream, for sure, but I just felt like getting some recent jaw harp tunes down to live video the other day, as I had a free hour in a big conference room. The room is definitely present in the recording. Anyway, video of this performance can be seen at YouTube and Vimeo. [more inside]
i keep thinking there's something i need to do - and i keep not doing it... Recorded live in performance at Nana Hari, Hachobori, Tokyo. Here I'm accompanying myself on the strumstick. Video at YouTube and Vimeo. [more inside]
...we're all in Folsom Prison, but there ain't no Johnny Cash... Recorded live in performance at Nana Hari, Tokyo, on January 17, 2010. For this song I'm playing the Vietnamese jaw harp known as the Dan Moi. Video of this performance at YouTube and Vimeo. [more inside]
Recorded live in performance at Nana Hari, Tokyo, on January 17, 2010. Accompanying myself on the strumstick. Video at YouTube and Vimeo. [more inside]