More concertina and bayan based minimalist weirdness, this time with trombone! Noisy bits are just clickety clacking the bayan's keys, and crumpling some paper.
Voices, echoes, splices
Post-rock always seems embedded with the sense that something is dire; however, shake it up a bit to get a kind of post-rock indie shoegaze vinaigrette and Sounds of Sputnik is likely what you would come up with. This is Ambiguous Sense of the Future.
moody experiments. it's another evil night. requires good speakers or good headphones for the full experience (leans heavily on low bass tones). [more inside]
Some shifting noise and randomness. [more inside]
A late-night drone piece, composed from the manipulation of a single sample. [more inside]
Mine is the last voice you will ever hear.
A curious alien has snatched one of our spacecraft from orbit and sent back a very strange signal...
Something a spacecraft might hear on the edge of the solar system
In the soundtrack to my life, this song is the last two days. [more inside]
A dark, drone/noise piece that develops slowly
A relaxing drone; noise waveforms are dominant again
Dark and moody. Lots of reverb. This is my fourth generative piece.
Endcaps of warbling drone punctuated by bass stabs, and a middle section of high rhythmic complexity [more inside]
Acid-ambient space dub loops. This is a live jam I did with a friend while visiting him in Seattle. The rig was comprised of me playing small and very slow beat loops in Traktor at BPMs relationally fractional to a master tempo of 110 BPM, while my friend looped samples in Live, both from prerecorded and live samples from mixboard outputs and sends. There is a Macbook microphone involved in the sampling of the room and as a feedback and reverb source. There is no shared MIDI clock in use - all tempo/pitch control is manual, and listen for long beat-count tempo-drifts of loop components, which are manipulated and intentional. The majority of this dub takes place as variations of two beats in one "measure", sometimes four but never more. This cut of the track is the last ten minutes of approximately one hour of play and loop building. It is pre-release version intended for derivitive works, remixes and redubs. (If you wish to remix, sample, splice, loop, fuck, deconstruct or otherwise destroy this track, I would vastly prefer that you please contact me via the email in my profile for the uncompressed and unprocessed file and the full Creative Commons license. Please do not use this low-bitrate file.)
Dark ambience with strange, swelling synths. Okay, I admit it, I can't even remember recording this track.
Here's one of my earlier experiments in drone music. It's electric guitar, played live through delay, fuzz and volume pedals.