I think the term remix is a big put off for many people and, if measuring according to the number of remixes out there that are just so standard dance-floor filler, it's understandable why there is such a stigma attached to this word. But there are moments of light shooting through when a producer or gifted musician manage to 'reconstruct' a song rather than just 'remix' it. Likely that's where the term 'rework' has started to become used more and more often.... to set them apart. Whatever you want to call it - here is one such track that differs significantly from the original in all it's stunning rework/remix glory. Kudos to Japanese producer Shintaro Haioka for this gift to Ummagma.
Well, what you've really got here is 'Beautiful Moment' by Ummagma, which is a lofi acoustic/electronic blend with passionate and melodic male vocals and also 'Micro Macro', which begins in neo-ethno-folk territory but ends up with a burst of indietronica. To boot, here is Ummagma 'Lama (Irregular Disco Workers Remix)' to really throw a wrench in this acoustic lofi approach to making music :)
Imagine if you could depict a season through music. This track would be somewhere between the blossoming bliss of spring and the hazy threshold of summer, when you are just itching to dance your butt off. This is indietronic.
The vocals from the original version of River Town are scaled back and quite a few new dynamics added, but this remix embodies the same dreaminess as the source version nevertheless. This is virtually a rework more than a remix in any case.
Dreamweaving is a game that is often best played in the musical realm and this song is a perfect case in point. Skipping, wishing, gazing, tripping, and flight. It's all here. [more inside]
The Road to Nowhere? No, the road to somewhere magical and fantastic, enjoying every moment encountered on the way. That is the idea guiding this song and the windy change-ups and ambient indietronic delights emerging as the song progresses.
When you dig the original of a song so much that you can't imagine how anybody could possibly ever dissect it and re-embody it in an alternate format, sometimes you are pleasantly surprised when indeed someone comes along who capably does just that - with flair, good taste and a handful of cards up their sleeve, dealt ever so cleverly within the remix they have created. That's what we're talking about with this Sounds of Sputnik take on Ummagma's 'Lama'.
Tides and lilts, ebbs and flows. Something romantic, yet superfluous permeates 'River Town', with a spacious element opening up for sweepingly dreamy female vocals. At least that's how we see this Ummagma track. [more inside]
Synthpop, Electronica, Indietronica, Electro bliss by the earful and here for the taking. Although it will be a while until this track will be published on any official release, you might enjoy this sneak preview.
Sometimes the original version of a song can be so cool that you think that any remix might just destroy it… and then someone thrills your tits by creating something new from it that sucks you write in a smooches you from the first note. This is one such rework.
I love it when one talented artist can take the work of another talented artist, creatively metabolize it, and then craft output that is impressive in it's own right. This remix takes a quirky electro approach to Ummagma's track 'Lama'. Hope you enjoy it. [more inside]
This is one Ummagma track that has been totally turned on it's head, taking what was a dreampop folkrock-ish track and utterly transforming it into an whirling electro-dance track with traces of vocals from Shauna McLarnon. One slight change from the previous version. [more inside]
This is one Ummagma track that has been totally turned on it's head, taking what was a dreampop folkrock-ish track and utterly transforming it into an whirling electro-dance track with traces of vocals from Shauna McLarnon. [more inside]
If you ever thought that there was no place for a little drum n' bass in the world of shoegaze and dreampop, hopefully this song will prove you wrong :) Somewhat of a feel like Stereolab, Broadcast and Lush rolled into one. [more inside]
The rustling of leaves, the sweetness of birdsong and the movement of blood within your body… all of these have conspired to influence the creation of this song. Hope you gather something natural from this.
Reminiscent of the Peter Gabriel and Deep Forest contribution to the film "Strange Days", this Ummagma track offers an eclectic earful of modernity meets tradition, complete with Carpathian whistle and balanced out with successive male and female vocals. [more inside]
Kiev-based electronic instrumentalist Dunaewsky69 (a.k.a. Oleksandr Gladun) is one of Eastern Europe's most productive DJs. Otherwise dubbed as the "electronic pilot", his most recent EP "Termination Voice" was nominated for the Qwartz Electronic Music Award. This is his latest remix for Ummagma "Lama". This remix is a departure from the original Ummagma version of "Lama", but hopefully you can also appreciate this remix. [more inside]
A while back, Ian Baird (A*Star, Spring Clock Wonder) did an awesome remix of Telling You (T.Y. Ian Baird Remix) by SPC ECO, Dean Garcia's main musical project since leaving Curve. Fortunately, he would eventually remix our song "Lama" by our duo Ummagma. Hope you enjoy this upbeat track.
Indietronic ethno-ethereal fusion is how I would describe this Ummagma track, which is the first Ummagma song you've heard here with male vocals. I feel like this tune has a strong gypsy fusion lifeline running to it from some mysteriously brilliant source, call it what you will. :) Once again, any feedback is appreciated. We've also ventured into indietronic a little here.