Banjo and accordion, some light processing through the modular synth, lots of reverb (of course). [more inside]
Made this somewhat experimental ambient-ish piece last night, feeling a tiny bit of hope about the world. It's based on slowed-down samples of a hang-drum, with a keyboard part doing most of the rest. [more inside]
Instrumental piece I recorded for the Short, "These Few Hours".
This short (1:16) instrumental ditty is what happened when I started learning a new recording platform that came with loops of instruments I'd always wanted to play or include on my recordings: pedal steel guitar (I was super excited about this especially -- I've wanted to work with pedal steel for a really long time), baritone guitar, and mandolin. And did I mention the bossa drums? Not sure if I went overboard but I had fun and liked the result. [more inside]
A quick demo of a short instrumental that was inspired by, written and recorded on and named after the red guitar I bought the other day and mentioned on the MetaGoodness thread.
björk cover [more inside]
I'm working on a set of songs/sounscapes for a friend's online comic project. This is a spooky ambient piece using some recordings I made of a guy moving chairs around in a cathedral in Vienna, some sleep breathing, some musical saw, and a weird broken African instrument a friend gave me.
A creeping tune the style of Melody Nelson era Serge Gainsbourg. Darcy Hancock from the Vancouver band Ladyhawk lends a squalling guitar solo.
Somewhat reminiscent of Sonic Youth's cover of the Carpenters' "Superstar", this song still seems to have a unique quality all of its own. When we recorded this Ummagma track, we didn't know about that cover but since then, this has been the feedback received and we also feel a similarity there too. What do you think? I'm also posting the lyrics here. [more inside]
Upbeat dancey-trancey music for driving fast and far away (from wherever you want to be far away from). Never mind the meter, you can dance to it!
New recording of my song Cold Dip. Many thanks to MonsieurBon, who recorded it and played drums. And here is a music video I made for it out of footage recorded a few years ago for something else. Features bowed banjo. As always, thanks for listening!
Here's a quickie for this months challenge to record a song you hate. Fix You, by Coldplay recorded as a really slow, lo-fi, slightly out-of-tune and very out-of-rhythm bedroom song. A tiny preview of my new pump organ makes it's way into this recording (which you can check out here) [more inside]
This is a song from the batch I recorded when I recorded Cold Dip and It Could Always Be Early. It has an absolutely ludicrous number of tracks for a song that has nothing but guitars and harmony, and I feel the need to just release it and see how others react to it. [more inside]
Another bite sized morsel of crispy guitar-driven instro-surf for you. [more inside]
Just sneaking this one under the wire for the Hallowe'en challenge. A thrown-together palate cleanser from the recent power pop -- a piece of Eastern European-flavored surf about the scariest thing I can think of. I actually gave myself the shivers when I was putting together the ending so it's probably worth sticking around for that. [more inside]
This is a cover (gah, feels like all I can do lately) of "My Roots are Strong and Deep" by the Microphones. Features my friend Taylor Bridges on heavily distorted banjo, and recorded in this wonderful, cement stairwell back at the school I used to attend. Anyone know of good, secluded, reverby spots in Portland, OR? The sort where people generally won't walk by, but if they do they won't snicker?
A cover, but unfortunately not a cover of Vogue by Madonna for the monthly challenge. This is the result of me trying to really know what I am doing with a song before I record, instead of just recording with a "I'll fix that later" approach and piling on more and more tracks. So this is one track, recorded on a USB mic in a pretty stairwell on my college's campus. I'm still stuck on the BbGCFABb tuning. I'd absolutely love any thoughts.
a slow and blatant abuse of out of phase & out of time--- a guitar song.
a piano song
In which I decide to stop candy butt-ing around it, and attempt to join the reverb drenched, echo cave sound of today. This doesn't really sound like anything I've done before, so I'd love to hear a couple reactions. [more inside]
An autumnal song about and for walking to work in the rain. Featuring the piano and a heaping amount of spring reverb. [more inside]
A demo that I later recorded and posted here. I'm posting this as a contribution along the lines of what others have done before me -- providing a window into my songwriting. Plus, I wouldn't be surprised if some prefer this version.
Some ambient-ey stuff I've been working on for a while. Somehow I think it could should actually be longer... [more inside]
Stuttery drums, blippy synths, lots of piano, copious crash cymbal, and a bucket load of reverb. [more inside]
Kind of a break from recording and re-recording songs to be played live this year, this is kind of a folksy, reverb and acoustic-heavy, simple and short composition. Harmonizing my vocals is such a bummer lately, since it reveals how limited one's range is... [more inside]
Quick solo acoustic cover of the My Morning jacket song. [more inside]
This is the last in the RPM 08 songs that I have done. I came down with the flu this last week, and work the next few days. Therefore, I have fallen short of the goal. Enjoy my failure! [more inside]
A short, wild song featuring my good friend John Bonham on the skins. [more inside]
Another quick song for RPM08. Not so happy with the mix, but I like the way the song turned out.
Another surf-y thing from my old band, the Brimstones. [more inside]
Melodic, slightly exotic, wistful surf music from Hell. [more inside]
I wrote this song in one night for a school assignment that was due the next day. The music was really just flowing out of me. I don't even remember writing most of this because I was so tired. It was created to be a score for a 9-minute short film that I made, but it's grown on me so much that I've decided to include it on my first album. It does need some work, though: the mixing is way off in some areas (and even distorted) and it's way too long to include on an album.
I made this song last summer (2006). It has the usual synth and drum machine, as well as the addition of a little guitar. Very fast-paced, yet relaxed. Oh, and, of course, it'll someday (maybe) have lyrics.
Very atmospheric. This song will always remind me Christmas, as I wrote most of it during the month of December. Just like my previous track, this will also have vocals someday.
Heavily manipulated wall of vocal harmony, runover, stabbed, and buried in a shallow grave.
Reprising the first version of this track, with a bit more zip at the end...
Quiet beats, with details hidden underneath blankets of filters
Balkan-tinged surf-rock ode to Gavril Princip from Cesare Gorgeous & The Strange Attractors. That's me (Cesare) on, um, everything. Previously in the same ilk: A Theory of Everything. More to come.
Twangsome surf-rock from The Strange Attractors, recorded when I should have been writing screenplays. That's me kicking the reverb tank at the beginning.