"Won't shake it at the Mardi Gras, why don'tcha come home and shake it all for me!" Americana and Second-Line rhythms combine in a character piece about a bayou boy skeptical of the charms of the Big Easy. The upcoming album, Tales from the Crescent, is a New Orleans-themed song cycle that crosses multiple genre lines in its quest to musically capture the complicated creature that is the Crescent City.
As humans explore beyond the solar system and add themselves to the wider galactic population, they bring with them their cats. Likewise, the humans' cats bring with them their parasites. Over time, toxoplasma gondii alters its effects on humans and other sentient species, imparting a sense of spiritual enlightenment, thus leading to a new galactic religion. [more inside]
Odd, never-quite-finished, repetitive something which I concocted years ago using PS1 MUSIC 2000's default instruments and some short vocal samples. [more inside]
This was my submission to a project in which various artists covered songs from Nine Inch Nails' Pretty Hate Machine using at least one circuit bent or modified instrument (Soundcloud link). This one uses a reklus-modified Korg DDD1 and Monotribe (along with a sweet ring modulator he built).
I had a bit of fun with this: it's about a relationship gone wrong. I believe that the dual bass part is rhythmically interesting. Double bass and synth bass rhythmically intertwine and are coupled with a synth trumpet. There may be some Brian Eno influences a la The Drop. My album is available for $5 download at CD Baby: The Dividing Range. http://www.cdbaby.com/cd/theseedsofautumn
This song has been sitting around for most of the past year or so, unfinished and untitled, waiting for possibly a little more instrumentation (it's definitely a missing electric uke solo), some lyrics, and a re-recording of the drums with a real kit. I'm not good at playing fake drums. [more inside]
Here is my entry into the "Educational Song" challenge from March of last year. (THIS IS AS FAST AS I WORK, PEOPLE.) It is a searing exposé / sing-along waltz that reveals the truth about early arctic exploration. My dad plays trumpet, my friend Jessica plays trombone and sings, my wife Sue sings just a little bit, and MeFi's own dubold and Pecinpah sing as well. Lyrics and (yes!) citations are inside. [more inside]
new technique [more inside]
Fleshing out my drone-y trumpet [more inside]
Trumpet, now with more happy [more inside]
Practice with a simple trumpet loop.
more fun with multitrack trumpet music [more inside]
Minute-long experiment with some multi-track trumpet recording [more inside]
Hooved animals and plants high in starch or methyl cellulose may want to avert their attention now. Kindergarteners, or any other fans of library paste, do we have a track for you! from Step Outside, released 20 November 2011 [more inside]
My first recording at my new house in Albuquerque is a very brief trumpet sketch dedicated to the late Peter Falk. [more inside]
A bit of semi-long form semi-ambient semi-minimalist semi-something something something. Unfortunately, this is at a stupidly low bitrate because it's 22 minutes long, so higher bitrate MP3 and FLAC are available. [more inside]
Who Hit John tries our hand at this old standard. [more inside]
It's Valentine's Day, and I wanted to do a song about fighting against heartbreak. Naturally, I could not resist The Temptations. [more inside]
A little test of my new setup, with me on piano and trumpet. [more inside]
He died once... [more inside]
A song from Lucy Jane about a girl who's not very happy. [more inside]
This song began as a test song for two things: stomping/clapping/snapping out a typical breakbeat and messing around with my new Ashbory Bass. It grew quite a bit from there. I've been sitting on this song for a few months and finally decided today to rerecord some of the trombone bits, though they're still pretty sloppy.
Me and MeFi's own Minus215Cee. I play the squishy trumpet and scratchy electronics toward the right, he plays the sharp sax toward the left. [more inside]
a free improvisation - trumpet, double bass and percussion. slightly groovy near the end. sort of. [more inside]
A short but epic song that dares to ask: Is our only hope in this war against the great space darkness the love of an ageless, gender neutral couple? Will their love be enough? [more inside]
This Borges-inspired track appears on the new Steve Goldberg and the Arch Enemies EP, Labyrinths, available now for streaming and download. The demo was posted here. [more inside]
Poppy-ska song I wrote a couple years ago about being afraid to ask a girl out. (I did, eventually, but not in the song). [more inside]
This is the lead-off track from the forthcoming EP, Labyrinths, by Steve Goldberg and the Arch Enemies, to be released 1/7/10. It's a wistful slice of indie-pop about insomnia, suburban isolation, and the boredom of hometowns. [more inside]
Demo for a song about my neighborhood here in Los Angeles...with mouth trumpet!
Everybody driving by my window the last three weeks has been blasting Michael Jackson, I couldn't help myself. Maybe got a bit carried away. Many apologies to James Jamerson. [more inside]
I've been working on this song for the past few months. This is the result of my trying to write something sad. Unfortunately, my recording computer died last week, so some bits final mix came out sounding a little more sloppy than intended as there were a couple things I wanted to re-record. Also, I'm terrible at writing second verses.
Although the song says the distinction is irrelevant, this is definitely the BROKEN hallelujah. [more inside]
Just another folk-rock song about Jorge Luis Borges. [more inside]
Doo doo doo, doo doo doo, la la la, la la la la. The new hit single from Steve Goldberg and the Arch Enemies. A chamber-pop meditation on time, aging, and death. [more inside]
So, for this year's RPM Challenge I have decided to go all out and write a rock opera. This is one of the few songs I have worked on so far, and the first one that has been completed. Granted, this should be somewhere in the middle or the rock opera, but, still, it's the first one finished, so I'm posting it anyway. [more inside]
MeFi's own es_de_bah takes over vocal duties on this one -- I didn't feel like I was the right person to sing it, and so I spent some time going through the "Music Collaborator" Mefi Wiki page until I found someone who would be. (It was his excellent song "a perfect preservative" which made me consider him in the first place.) In addition, my dad plays trumpet; I play Magnus chord organ, flute, and interesting percussion. It's a waltz. [more inside]
Free Jazz. Five trumpets, five drums. [more inside]
Zillion was a game for the Sega Master System. This is a song from the game (which you can see/hear here -- this song starts about 17 seconds in). I have, however, added lyrics, which are about the game's lack of a save function. With 77 tracks of tiny instruments, this song is probably my grandest musical venture yet. [more inside]
So, I was planning on recording my ukulele rendition of Holy Diver (yes, that one), but my allergies were acting up so I felt like crap. So, that's what this song is about. And it's NSFW. [more inside]
A tango-influenced setting of a hundred year-old poem by Trumbull Stickney, "Mnemosyne" is the title track of our new CD, recorded by Ljova and the Kontraband (music by Ljova, sung by Inna). Mnemosyne is the Greek goddess of memory, and this is a song of nostalgy and of memories that turn color like autumn leaves yearning for rebirth with a vibrant song in the spring.... We've long been looking forward to sharing this song with you all. [more inside]
Tonight, I created a really, really, really good remake of an old song of mine. I don't even know if I have a copy of the original anymore, but ... whoa ... this thing ended up being kind of epic. Features horns and toy pianos, a reed organ, both regular and electric ukulele, some drums. I even tried my hand at playing the bass. Short, simple lyrics within (of which I am also rather proud)! [more inside]
This is a much better version of a song I submitted a while back. Many of the chorus-related mistakes mentioned in the comments have been fixed, and I have added a few vocal layers, along with some horns. It's really quite probably the best song I've ever put together.
A Metafilter exclusive! This is the studio version of my contribution to the meficomp. It's the second track from my new album, which is available now.
This is the closing track of my debut LP, Steve Goldberg and the Arch Enemies, to be released 4/20/07.
A cluttered and messy rock song from our record Uh-Oh. I play guitar and sing in this band (and play the singing saw on this track!).