I am one of those people who, when I listen to a remix of any given track, set the bar really high and I'm pretty much hoping for a total transformation of the song into another creature, so to speak. That is exactly what happened with this recreation of Ummagma 'Kiev' when put in the hands of master Swedish remixer Copycat. I hope you enjoy the result just as much.
Just as the seasons can see a categorical change in all the features embodied in this one unifying phenomenon we call 'the weather', so too can a song be totally turned on its head from the original version, doing a near about-face.... that is what happened to this track in this remix by Malcolm Holmes, famous for his participation in legendary synthpop group Orchestral Manoeuvres in the Dark (OMD). [more inside]
A love song transcending space and very much linked to a time, a feeling of weightlessness. I'll let the lyrics speak for themselves: Cosmic lover Made up my mind I’m not going home This is where I’ll stay With you Long as you’ll be here So will I In our space In our space Orion is closer Now than ever Get to know the universe Around us I can feel your movement When I see you Every morning Every moment Every motion Whenever we drift away
So much music, so little time. Even in the mind of the remixer, likely that expression would sound something like "So many remix options, so little time"… which is why we're lucky there are so many different great remixers in this world (yes, there certainly are a lot of terrible ones too)… But here we have a wonderful remix by Brazil's Mind Movies of Ummagma's track 'Lama'. Certainly do hope you will enjoy this vision too.
Another cover of a Depeche Mode song penned by Vince Clarke. I took some ideas from Röyksopp's recent cover. [more inside]
A mix of cultures often results in something beautiful - interesting art, world views, beautiful babies and intriguing music. And you don't have to be from either of those cultures to appreciate how wonderful this can be. This song represents a melange of two cultural infusions - from Canada and Ukraine. This is Ummagma. Enjoy. [more inside]
I can't believe you've done this. Electro-dance-pop. [more inside]
Whenever someone writes cross-genre, it always leaves you wondering what flavor their potpourri will take. When you see post-rock and shoegaze together, you might also have an idea of what you'll be hearing, but throw a piano in there, and you've caught everybody off kilter. That's what this song does, but nicely so. [more inside]
An atmospheric rendering of the classic Jonathan Richman song. [more inside]
Words can only be twisted so many ways, but the same words can sound to a host of melodies. That's what happens when you dabble in the world of remixes too, such as this one by Ummagma. Really impressed with the transformation from the original track. [more inside]
In honor of tomorrow's blu-ray release, I recorded a new take on the classic Lynch/Badalamenti theme, "Falling," from Twin Peaks. [more inside]
Eastern European countries are home to remarkably sounding native folk music, and it is particularly welcome when any element, or even remnant, of that is mixed in with any form modern music. What a grande fusion it can be. That is what we feel happened with this song.
Dreamweaving is a game that is often best played in the musical realm and this song is a perfect case in point. Skipping, wishing, gazing, tripping, and flight. It's all here. [more inside]
Synthpop, Electronica, Indietronica, Electro bliss by the earful and here for the taking. Although it will be a while until this track will be published on any official release, you might enjoy this sneak preview.
This is one of the better (at least one of the favourite) Ummagma tracks out there to date and currently the subject of a whack of forthcoming remixes. Stay tuned! [more inside]
A cutesy synthpop commentary on basic human nature, fears, religion, why we think what we think and do what we do, and our place in the universe. [more inside]
Eastern Europe has long been known as a mysterious place when it comes to music, spanning multiple genres, including music with a particular ethno-folk component. This is one of those songs. Well done Ummagma. [more inside]
I love it when one talented artist can take the work of another talented artist, creatively metabolize it, and then craft output that is impressive in it's own right. This remix takes a quirky electro approach to Ummagma's track 'Lama'. Hope you enjoy it. [more inside]
Actors are always celebrated for their chameleonic ability to change characters and roles. Ummagma possesses this quality, among a small number of shape-shifting bands currently out there. This song is very different from anything else created by Ummagma. Hope you enjoy this. [more inside]
This is a song about an artist dying for attention. From the forthcoming album First World Problems by Resistor. [more inside]
Perhaps the most Cocteau Twins' inspired song by Ummagma to date, this song also features a strong pulse-driven effect inspired by Pink Floyd. Need I say more?
This is one Ummagma track that has been totally turned on it's head, taking what was a dreampop folkrock-ish track and utterly transforming it into an whirling electro-dance track with traces of vocals from Shauna McLarnon. One slight change from the previous version. [more inside]
This is one Ummagma track that has been totally turned on it's head, taking what was a dreampop folkrock-ish track and utterly transforming it into an whirling electro-dance track with traces of vocals from Shauna McLarnon. [more inside]
William is 4 years old and a big fan of synthy dance-pop. His parents are so cool that they commissioned a song for his birthday today! Happy birthday William! Let's count to 4! [more inside]
Some synthpop kids cover Just Can't Get Enough. Others cover Photographic. I'm in the second group. [more inside]
Resistor celebrates springtime with a lush new single, "Everyone I Know." This hook-laden dance-pop number is seasoned with Resistor's cynical charm, pondering whether originality can exist if a person is merely a product of his environment. Of course, the existentialism lurks beneath many layers of burbling synths, glitchy drum machines, and boy-girl harmonies. [more inside]
The ethereal with the ethical and ironic - that sums this sum up at the superficial plane, but there is so much more depth to this Ummagma track. Definitely one of the more Cocteau Twins inspired deliveries, this song is laced with a pulsation more rooted in Pink Floyd. Another track in the style of early 4AD. Whirrrrrllll.. [more inside]
For some of the best things in life, intensity builds as anticipation kicks in. That is what this Ummagma track is for me - with layer on layer, building a sort of icicle/sand castle that never melts or washes away. It just builds and then takes flight. I hope you will feel the same. Of course, there is that The Smiths thing happening - happy music, depressing lyrics. Rightly so. Spot on - have a read. [more inside]
Reminiscent of the Peter Gabriel and Deep Forest contribution to the film "Strange Days", this Ummagma track offers an eclectic earful of modernity meets tradition, complete with Carpathian whistle and balanced out with successive male and female vocals. [more inside]
A while back, Ian Baird (A*Star, Spring Clock Wonder) did an awesome remix of Telling You (T.Y. Ian Baird Remix) by SPC ECO, Dean Garcia's main musical project since leaving Curve. Fortunately, he would eventually remix our song "Lama" by our duo Ummagma. Hope you enjoy this upbeat track.
A love for the golden 4AD era, Pink Floyd and the likes of David Sylvian have all been woven into the thread of this music. "Lama" was both inspired by these bands and reflects their contribution to a new generation of musicmakers. Looking forward, but knowing where our roots lie… I sincerely hope you will all enjoy this Ummagma track. [more inside]
It's funny how sometimes it takes all but a few minutes to write a song, while the development of another song can really stretch out. This was one of those stretches - "Risky" was a song that was written "in chunks" - the basic instrumental bit was written in Kyiv, Ukraine before a big move to western Ukraine and then to Canada, where the rest was written & recorded before finally being dragged back to Ukraine, where it was properly mixed and mastered. The time span from start to finish: 5 years. All that moving around was us, by the way, not just the tracks bouncing around in cyber space. Thus is the history of this track. I'm posting the lyrics too if anyone wants to have a go at them or "sing along" …. yeah, right… any feedback is welcome. Peace. [more inside]
"If You Don't Cry" by Resistor (originally performed by The Magnetic Fields).
Another bit of synthpop metacommentary in the form of the funny-cause-it's-sad-cause-it's-true inner monologue of a cynical artist. [more inside]
My take on the McCartney Christmas tune. [more inside]
The 11th entry in the monthly series of homemade synthpop singles from Resistor, "Narcissist" does what it says on the tin. [more inside]
A simple electro-ukulele ode to solitude and song. [more inside]
The lovely closing track of OK Computer, re-imagined as some sort of throwback synthpop thing. [more inside]
This one is a sparkly nugget of synthpop about the bitter, self-sabotaging adolescent lurking within all of us. Or at least within me. It's classic Resistor. [more inside]
A homemade synthpop tune about the myth of the meritocracy and the pain of being an artist without an audience, like something Stephin Merritt could've come up with on a dreary evening in an alternate universe where The Magnetic Fields never got popular. [more inside]
This is an electro version of the theme song to the children's show "The World of David the Gnome," which aired in the US on Nickelodeon from 1987 to 1995. [more inside]
A new synthpop song from Resistor about all the lies we agree to believe in so we can make it through the day. [more inside]
A synthesized take on the Beach Boys by Resistor.
A minor-key waltzing synthpop lament of being unemployed and underappreciated. [more inside]
Resistor vs. Lana Del Rey [more inside]
This song is a portrayal of identity crisis — yet not just in the expected expression through lyrics. A snarling electro beat attempts to warp itself around jazz-inspired harmonies and progressions as the speaker explains his own crisis. [more inside]
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