This is a lo-fi demo of a new song I wrote recently. It was an experiment in seeing what I could sketch out with the least effort just using my phone. I doubled and harmonized with my own vocals in the chorus, but didn't have any multitracking software on my phone to do it, so I used a freeware app that let me record and mix a second vocal as input to the waveform of my original performance. [more inside]
A few weeks ago I was asked to play at the wedding of some friends. I don't really have anything appropriate, but was (against the odds) able to write something for it. This is it. [more inside]
Ambient bell arp single take performance phase music
5am ambient in dhoby ghaut, swingapore
Regarding wretched, manic suburban excess.
Quick and dirty recording of a song about using the proximity of other people in the bath at the gym as a substitute for relationships. [more inside]
A brief description of the song. Recorded 2015 early 2016 sometime and frozen away. Another song only ever played one time. Second motif arrives at midway. Layers sound better in headphones, better for the low end of the spectrum too.
I felt like destroying something so I destroyed this tune.
Sat down yesterday with my new uke, at a beach on the west cost of the Big Island, to revisit my Cohen/Elvis parody from several years ago.
This is a cover of a song my dad wrote (that I actually found via combing through his post history on Metafilter after he died) [more inside]
A short song on a new ukulele about a thing I saw from a helicopter in Hawaii. [more inside]
If you've ever watched Masterpiece Theater on PBS, you've heard this Rondeau by Jean Joseph Mouret. [more inside]
Inspired by a turn of phrase in the first episode of the podcast "Roderick on the Line" (http://www.merlinmann.com/roderick/ep-01-keep-moving-and-get-out-of-the-way.html), starts at around the 45min mark. The guy is saying to God, why have you cursed me to this absurd (in the Camus sense) existence and God answers, just give up. [more inside]
To illustrate a point I wanted to make in the Marvel Movie Music thread I started playing around with Kontakt cinematic patches, but by the time I'd finished I'd sort of forgotten what my point was and decided to upload it anyway because I've got no self control at all.
About 24 years ago, between 1992--1995 or so, I played in a popular art rock band in Panama City, Florida, called Killing Darlings. An old friend recently gave me access to his stash of the lo-fi recordings we produced over the years with that band, and this is one of them. There's a longer playlist of recovered tracks over here on Sound Cloud. [more inside]
I work at BigCorp, which is having an internal contest to build songs for its hold music. This has finally given me the impetus to figure out how to actually make songs (rather than random sketches) with my newish OP-1. This one was built with an OP-1, along with a couple Pocket Operators (Arcade and Rhythm).
Bluesy jam, guitars, slide, e-bow, harmonica & field recordings of a storm and a cattle auction. [more inside]
I just bought FL Studio and started fooling around with it. I like trap music, so the beat is somewhat inspired by that. I have no idea how the rest of it fits in though. Warning: not a full song.
Night Train to Memphis by Roy Acuff Jr, recorded live by Corwin Bolt & the Wingnuts in Eugene, OR, 8/29/2016. Old time fiddle music with a washboard groove. [more inside]
A song that was sung at a wedding yesterday [MeTa thread]. Since I couldn't be there myself, I recorded this version for you using your officiant's restrung banjolin, a classical guitar, electric bass, my voice, and a tin slide whistle.
Another acoustic song! I'm really digging this thing where I limit myself to two strings, probably because I'm lazy.
Guitars, some slide. [more inside]
Original tune - not related to any others of the same name - for piano and electronics. Around 124 bpm, 4/4, lots of melody, lots of drama. The last track completed for my Migration album.
I song I wrote in up-state new-york. Instrumental guitar as is often the case...
Jessamyn bought me a really nice sounding small guitar, twenny bux with all the trimmings! I'd also just bought a really sweet Yeti Blue mic off Craigslist for $25. What a bargain! So this is how I tested the two out. [more inside]
Written for a recent SongFight, the challenge being: Song must feature an obvious flaw. Flaw cannot be lyrical. [more inside]
Short song about a night out at a bar. [more inside]
Some synth experiment from the vault...2nd half goes more analog...
At 0:32 I start ripping off a Goblin riff and I can't find the song that I am ripping off. It's not off of Roller or Profondo Rosso... Any insight would be appreciated.
Spun off an old Brian Eno song, "Zawinul/Lava". [more inside]
Pretty guitars and synths and lots of delay and a deep and lovely bass line to boot.
With all due respect to Steve Martin, you can play a sad song on the banjo. [more inside]
I've tried a couple different things with this progression, finally found something I can live with. Rock guitar, drum machine, and all that jazz. [more inside]
the big synth at the beginning is live-performed on a Roland JX-8P on the patch called "Van Halen"!!!
Another Frank Converse tune on fretless banjo - this one from 1865. [more inside]
I'm working on a set of songs/sounscapes for a friend's online comic project. This is a spooky ambient piece using some recordings I made of a guy moving chairs around in a cathedral in Vienna, some sleep breathing, some musical saw, and a weird broken African instrument a friend gave me.
Here's the B side "go with it" from my latest project, Instance. [more inside]
Featuring the voice of greenish as the Computer. I thought it would be fun to do it slower, using mostly analog instruments and a computer to record it, in juxtaposition to how Kraftwerk originally recorded it in 1981 (using computer instruments and I'm guessing analog tape). Also I was feverish with Lyme Disease while I recorded it. Song #11 in Unu Kanto Po Semajno.
A bit of a production experiment; rather than use a click track + programmed drums, I used a click-free guitar track as the bed, and layered performed keyboard drums on top. A slightly trickier process but thought it would result in more authentic feel/better pocket etc. An instrumental demo track based off Milton Nascimento's "Cravo e Canela". Recorded in the fall of 2015 in Rosebud, AB.
Again, but with electric slide guitar. [more inside]