Made of 100% post-consumer reverb.
A rerecording of an ode to a dead shopping mall, in a Penny Lane or Kinks-like mode. My dad sat in on tuba. [more inside]
This song explores verbal and musical “quanta”. [more inside]
So I got the guitar to MIDI to work using my VG99. [more inside]
Why didn't we all get another thousand years with you? Well I guess I know. Goodnight my friend.
A campy, '60s-superhero-show theme for a video game I recently scored! [more inside]
Usually heard as 'Charleston Gals' in old-time circles these days, this was originally a minstrel-era song. [more inside]
When it's time to move
By G. Swain Buckley, 1860. Solo fretless banjo. [more inside]
This is a short song I wrote to accompany my brother's ad for his new iphone game. (Bivball is the name of the game). Fun project with short turnaround. It's a little clunky, but on the one millionth listen it suddenly levels up to "pretty good" (try it, you'll see). Comments welcome. Thanks for listening.
This song uses the mathematics of Pythagorean tuning to unify its melody and rhythm. [more inside]
The quiet, guitar-based song in this run, all about what it feels like to watch your friends leave town forever for shinier places. [more inside]
Another one! [more inside]
A song about Huntsville, AL, for the City Songs challenge. [more inside]
A fun one by James Buckley, 1860. Solo gourd banjo, eAEG#B tuning. [more inside]
I wrote this with my brother back in 1993 on a night we were thrown out of home and had no where to go. We spent the night sleeping on the steps of McPherson library in Philadelphia. [more inside]
The next from Earth and Sky. [more inside]
Yet another Frank B Converse piece from 1865, trying to get the hang of playing a banjo and foot tambo at the same time. Audio straight from the iPhone. [more inside]
I put together a short EP (I'm calling it Earth and Sky) that loosely orbits around two maybe-related stories. This is the opening track. [more inside]
One more 1865 banjo tune for the city songs challenge trifecta! This is another Frank B. Converse composition. Fretless banjo and tambourine, a bit of reverb for extra stateliness.
Guitar riff by CarrotAdventure
Another 19th century banjo tune for the City Songs Challenge, this one from Frank B. Converse's New and Complete Method for Banjo With and Without A Master. [more inside]
To Don Joyce. Acoustic.
Resonator and baritone uke, trying to channel Willie Nelson though maybe via John Darnielle a little it turns out. [more inside]
For the May/June/July Music Challenge, billiebee and I collaborated on a Joni Mitchell cover. [more inside]
Hard feelings, othertronics. [more inside]
Retro, funky, electro
I had been looking for an excuse to use a few ableton live effects (namely a resonator on a vocoded vocal track). I figured I'd try it out on this weakerthans song. [more inside]
This song combines two elements: a water motif in the top staff and a context-free grammar in the bottom. [more inside]
An old Merle Travis song that I learned years ago when I first started getting into bluegrass. Another chance to break in the new resonator guitar, and do some fun chorus harmonies. [more inside]
A solo clawhammer banjo recording of a traditional old-time tune. [more inside]
Brief remix of the Kim Possible clip.
Final mix. My on & off again pop Combo, Buzzie. I posted the live rough from the session back in Feb, and "we" finally got it done. [more inside]
I went and bought my first resonator guitar yesterday, a Gretsch Honey Dipper (evidence), and this seemed like a good tune to try and break it in on. [more inside]
A late Father's day rap song for my late father. [more inside]
Prickly noises. Handclap nation othertronics [more inside]
Twitter joke that turned into an actual country song an hour later. I'm in Huntsville with nothing but my ukulele, so this didn't get the full band treatment I'd otherwise do, but it works pretty well like this.
I got a new headset mic (like for Skype calls) and wanted to test it out. Not bad! Anyway, happy BBQ and Beer day tomorrow, if you're in the US! Or hell, even if you're not!
An ode to Havana in a mongrelized "guagancó" rhythm. It's badly sung in Spanish, and awkwardly played using congas, bongos and a batá. I've included my original lyrics in Spanish and an English translation. [more inside]
This song explores the relationship between linguistic dependencies and musical dependencies. [more inside]