I am one of those people who, when I listen to a remix of any given track, set the bar really high and I'm pretty much hoping for a total transformation of the song into another creature, so to speak. That is exactly what happened with this recreation of Ummagma 'Kiev' when put in the hands of master Swedish remixer Copycat. I hope you enjoy the result just as much.
A love song transcending space and very much linked to a time, a feeling of weightlessness. I'll let the lyrics speak for themselves: Cosmic lover Made up my mind I’m not going home This is where I’ll stay With you Long as you’ll be here So will I In our space In our space Orion is closer Now than ever Get to know the universe Around us I can feel your movement When I see you Every morning Every moment Every motion Whenever we drift away
So much music, so little time. Even in the mind of the remixer, likely that expression would sound something like "So many remix options, so little time"… which is why we're lucky there are so many different great remixers in this world (yes, there certainly are a lot of terrible ones too)… But here we have a wonderful remix by Brazil's Mind Movies of Ummagma's track 'Lama'. Certainly do hope you will enjoy this vision too.
A mix of cultures often results in something beautiful - interesting art, world views, beautiful babies and intriguing music. And you don't have to be from either of those cultures to appreciate how wonderful this can be. This song represents a melange of two cultural infusions - from Canada and Ukraine. This is Ummagma. Enjoy. [more inside]
Words can only be twisted so many ways, but the same words can sound to a host of melodies. That's what happens when you dabble in the world of remixes too, such as this one by Ummagma. Really impressed with the transformation from the original track. [more inside]
In honor of tomorrow's blu-ray release, I recorded a new take on the classic Lynch/Badalamenti theme, "Falling," from Twin Peaks. [more inside]
Eastern European countries are home to remarkably sounding native folk music, and it is particularly welcome when any element, or even remnant, of that is mixed in with any form modern music. What a grande fusion it can be. That is what we feel happened with this song.
Dreamweaving is a game that is often best played in the musical realm and this song is a perfect case in point. Skipping, wishing, gazing, tripping, and flight. It's all here. [more inside]
Synthpop, Electronica, Indietronica, Electro bliss by the earful and here for the taking. Although it will be a while until this track will be published on any official release, you might enjoy this sneak preview.
This is one of the better (at least one of the favourite) Ummagma tracks out there to date and currently the subject of a whack of forthcoming remixes. Stay tuned! [more inside]
Eastern Europe has long been known as a mysterious place when it comes to music, spanning multiple genres, including music with a particular ethno-folk component. This is one of those songs. Well done Ummagma. [more inside]
I love it when one talented artist can take the work of another talented artist, creatively metabolize it, and then craft output that is impressive in it's own right. This remix takes a quirky electro approach to Ummagma's track 'Lama'. Hope you enjoy it. [more inside]
Actors are always celebrated for their chameleonic ability to change characters and roles. Ummagma possesses this quality, among a small number of shape-shifting bands currently out there. This song is very different from anything else created by Ummagma. Hope you enjoy this. [more inside]
Perhaps the most Cocteau Twins' inspired song by Ummagma to date, this song also features a strong pulse-driven effect inspired by Pink Floyd. Need I say more?
This is one Ummagma track that has been totally turned on it's head, taking what was a dreampop folkrock-ish track and utterly transforming it into an whirling electro-dance track with traces of vocals from Shauna McLarnon. One slight change from the previous version. [more inside]
This is one Ummagma track that has been totally turned on it's head, taking what was a dreampop folkrock-ish track and utterly transforming it into an whirling electro-dance track with traces of vocals from Shauna McLarnon. [more inside]
The ethereal with the ethical and ironic - that sums this sum up at the superficial plane, but there is so much more depth to this Ummagma track. Definitely one of the more Cocteau Twins inspired deliveries, this song is laced with a pulsation more rooted in Pink Floyd. Another track in the style of early 4AD. Whirrrrrllll.. [more inside]
For some of the best things in life, intensity builds as anticipation kicks in. That is what this Ummagma track is for me - with layer on layer, building a sort of icicle/sand castle that never melts or washes away. It just builds and then takes flight. I hope you will feel the same. Of course, there is that The Smiths thing happening - happy music, depressing lyrics. Rightly so. Spot on - have a read. [more inside]
Reminiscent of the Peter Gabriel and Deep Forest contribution to the film "Strange Days", this Ummagma track offers an eclectic earful of modernity meets tradition, complete with Carpathian whistle and balanced out with successive male and female vocals. [more inside]
A while back, Ian Baird (A*Star, Spring Clock Wonder) did an awesome remix of Telling You (T.Y. Ian Baird Remix) by SPC ECO, Dean Garcia's main musical project since leaving Curve. Fortunately, he would eventually remix our song "Lama" by our duo Ummagma. Hope you enjoy this upbeat track.
A love for the golden 4AD era, Pink Floyd and the likes of David Sylvian have all been woven into the thread of this music. "Lama" was both inspired by these bands and reflects their contribution to a new generation of musicmakers. Looking forward, but knowing where our roots lie… I sincerely hope you will all enjoy this Ummagma track. [more inside]
It's funny how sometimes it takes all but a few minutes to write a song, while the development of another song can really stretch out. This was one of those stretches - "Risky" was a song that was written "in chunks" - the basic instrumental bit was written in Kyiv, Ukraine before a big move to western Ukraine and then to Canada, where the rest was written & recorded before finally being dragged back to Ukraine, where it was properly mixed and mastered. The time span from start to finish: 5 years. All that moving around was us, by the way, not just the tracks bouncing around in cyber space. Thus is the history of this track. I'm posting the lyrics too if anyone wants to have a go at them or "sing along" …. yeah, right… any feedback is welcome. Peace. [more inside]