Acoustic guitar and voice. Pretty straight as far as my memory of the proper song goes. [more inside]
I'm happy to present my collaboration with not_on_display: this is our version of a neat little tune that was included in The American Songbag (a 1927 folk song collection by Carl Sandburg); the song there was itself derived from a late 19th-century song by William S. Hays. [more inside]
I had a great time collaborating with billiebee on a cover of this traditional folk song/sea shanty. The goal was to record a simple arrangement that was different from the more lively covers out there -- to borrow billiebee's phrase, a gentler version. I'm hoping our rendition highlights the lovely melody of the song. [more inside]
Lately I've been in a mood to sing vintage romantic standards in a very straight up way. Some day I want to do a version of this song inspired by Anita O'Day. This ain't it. You can still feel free to dance, though! [more inside]
Spur-of-the-moment lo-fi live cover of the Radiohead song off Hail to the Thief, to which I added a couple of equally rough overdubs and some reverb. The guitar is out of tune and poorly played, but the vocal melody tweaks are kind of fun. [more inside]
from Bizet's opera Carmen. Recorded with pianist Andy Kraus in the heat and humidity of a DC summer. [more inside]
If I only had wings, I would fly to you... If I had chains, I would pull you to me... Just open up my heart, you'll see that it's dark and heavy with my love to you... Late last night, we wanted to capture the intimacy and quiet sparkle of this old song ... Hope it brings you a moment of peace and loveliness... [more inside]
Ok, so here's my spin on another old song. This Walter Donaldson/Gus Kahn composition was first featured in Florenz Zeigfield's 1928 Broadway musical Whoopee, starring Eddie Cantor & Ruth Etting, who took the song to #2 on the charts. In 1955, Doris Day starred in a biographical movie about Etting called "Love Me or Leave Me" & her updated rendition became a giant hit. Flash forward to 1967... Nina Simone turned this hokey old Ziegfeld tune into a completely reworked masterpiece of piano & voice (download link is at bottom). My own version (heard best live, I think) is definitely inspired by Nina's, but it could never compare to hers -- I just do my own thing & try to make it my own a bit. It's a fun song to do... audiences seem to love it. Incredible basswork once again provided by bass God Chris Conner.