New track recorded today in Ableton. Solo, original, home recording. First attempt at playing with vocal delay (delay delay). [more inside]
So much music, so little time. Even in the mind of the remixer, likely that expression would sound something like "So many remix options, so little time"… which is why we're lucky there are so many different great remixers in this world (yes, there certainly are a lot of terrible ones too)… But here we have a wonderful remix by Brazil's Mind Movies of Ummagma's track 'Lama'. Certainly do hope you will enjoy this vision too.
A mix of cultures often results in something beautiful - interesting art, world views, beautiful babies and intriguing music. And you don't have to be from either of those cultures to appreciate how wonderful this can be. This song represents a melange of two cultural infusions - from Canada and Ukraine. This is Ummagma. Enjoy. [more inside]
Words can only be twisted so many ways, but the same words can sound to a host of melodies. That's what happens when you dabble in the world of remixes too, such as this one by Ummagma. Really impressed with the transformation from the original track. [more inside]
Imagine if you could depict a season through music. This track would be somewhere between the blossoming bliss of spring and the hazy threshold of summer, when you are just itching to dance your butt off. This is indietronic.
What might be the outcome of taking a rather dreamy pulse-based trance inducing track, stripping it back, adding an addictive disco electronic undertone and phasing ghost-like vocals here and there (and rather rare)…? Have a listen and then you will know :)
Eastern European countries are home to remarkably sounding native folk music, and it is particularly welcome when any element, or even remnant, of that is mixed in with any form modern music. What a grande fusion it can be. That is what we feel happened with this song.
When you dig the original of a song so much that you can't imagine how anybody could possibly ever dissect it and re-embody it in an alternate format, sometimes you are pleasantly surprised when indeed someone comes along who capably does just that - with flair, good taste and a handful of cards up their sleeve, dealt ever so cleverly within the remix they have created. That's what we're talking about with this Sounds of Sputnik take on Ummagma's 'Lama'.
Synthpop, Electronica, Indietronica, Electro bliss by the earful and here for the taking. Although it will be a while until this track will be published on any official release, you might enjoy this sneak preview.
This is one Ummagma track that has been totally turned on it's head, taking what was a dreampop folkrock-ish track and utterly transforming it into an whirling electro-dance track with traces of vocals from Shauna McLarnon. One slight change from the previous version. [more inside]
This is one Ummagma track that has been totally turned on it's head, taking what was a dreampop folkrock-ish track and utterly transforming it into an whirling electro-dance track with traces of vocals from Shauna McLarnon. [more inside]
an infectious, pounding cover of the Paul Simon classic.
This song is not exactly new (it's only slightly younger than Forwards/Back), but I didn't properly finish recording it until tonight. The levels/panning in a couple places could maybe use a little more tweaking to help everything in the mix stand out, but it's correct enough for now.
Mostly instrumental. (I'd keep the repeated line, but replace the wordless vocal bit with some horns if I had access to any, and have them carry on through the rest of the song.) Much, much more guitar layering than I usually do. Strangely (?), I think my favorite parts of the song are skittering electronic bits of the drum track and the bass line.
Another laptop song. I'm not sure I like the vocal melody enough that it will will stick. I didn't really "write" it so much as I made it up on the spot several weeks ago at an open mic just after I'd finished the words (which I do like) and the backing track (which I also quite like). I get the feeling I'll get annoyed with it in six months and go back and make up another melody (which has happened several times before). It's the only song I know of about a thief who steals weather.
Beep beep beep. The main keyboard line in this song and much of the chord structure started life as a guitar part. This is the first thing I wrote that uses nothing but my laptop. I was watching it snow, and the basic idea(s) for the song just sort of ... popped in there.
The oldest song I've written that I'm still willing to play, think about, work on, etc., etc. It's also changed rather radically from its even shorter original form, and it's gone through a couple lyrical rewrites. It grew a beat about six months ago. I think this is probably the final form structurally and lyrically, but I'd probably work on it more if I thought I could improve the sound quality significantly.
This track is part 2 of a 23 minute mega mash up with a steady beat and some obscure samples. When I played this set live, I was happy to see people breakin' to it. Cool! http://www.albertoforero.com
This track is part 1 of a 23 minute mega mash up with a steady beat and some obscure samples. When I played this set live, I was happy to see people breakin' to it. Cool! http://www.albertoforero.com