Ethereal wave is what they call this genre, but you can definitely sense elements of early 4AD-era postpunk, darkwave, shoegaze and postpunk here. The mood is a bit heavier and there is an outpouring of philosophy, moral and emotional reaction. Enjoy! [more inside]
Perhaps the most Cocteau Twins' inspired song by Ummagma to date, this song also features a strong pulse-driven effect inspired by Pink Floyd. Need I say more?
I once herd the term "sound track for angels" and having Lisa Von H on vocals has certainly brought a sound track to reality!
If you ever thought that there was no place for a little drum n' bass in the world of shoegaze and dreampop, hopefully this song will prove you wrong :) Somewhat of a feel like Stereolab, Broadcast and Lush rolled into one. [more inside]
The ethereal with the ethical and ironic - that sums this sum up at the superficial plane, but there is so much more depth to this Ummagma track. Definitely one of the more Cocteau Twins inspired deliveries, this song is laced with a pulsation more rooted in Pink Floyd. Another track in the style of early 4AD. Whirrrrrllll.. [more inside]
This remix of the track "Lama" does not outright flip the original version on its head, though it does dress it in a murkier shade of darkgaze (darkwave). The bright dreamy element from the original version spills over into this version too, so as to not detract from the original point of this song in the first place. I hope you enjoy it. Your feedback is most welcome.
A love for the golden 4AD era, Pink Floyd and the likes of David Sylvian have all been woven into the thread of this music. "Lama" was both inspired by these bands and reflects their contribution to a new generation of musicmakers. Looking forward, but knowing where our roots lie… I sincerely hope you will all enjoy this Ummagma track. [more inside]
It's funny how sometimes it takes all but a few minutes to write a song, while the development of another song can really stretch out. This was one of those stretches - "Risky" was a song that was written "in chunks" - the basic instrumental bit was written in Kyiv, Ukraine before a big move to western Ukraine and then to Canada, where the rest was written & recorded before finally being dragged back to Ukraine, where it was properly mixed and mastered. The time span from start to finish: 5 years. All that moving around was us, by the way, not just the tracks bouncing around in cyber space. Thus is the history of this track. I'm posting the lyrics too if anyone wants to have a go at them or "sing along" …. yeah, right… any feedback is welcome. Peace. [more inside]