6 posts tagged with Dreampop and folkrock.
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River Town

The themes of timelessness vs. something purely of the moment and also of mobility vs. immobility are somehow factored into the folds of this dreamy folkrock-inspired track by Ummagma. Whispy and somewhat ethereal. [more inside]
posted by Brodyaga on May 13, 2014 - 1 comment

River Town

Tides and lilts, ebbs and flows. Something romantic, yet superfluous permeates 'River Town', with a spacious element opening up for sweepingly dreamy female vocals. At least that's how we see this Ummagma track. [more inside]
posted by Brodyaga on Apr 11, 2014 - 2 comments

River Town

Sometimes various musical genres blend together to create something fresh and brilliant - the old with the new, analogue with digital, with styles and sounds intermeshing to create a new fabric. That is what we were after with this song, which has got to be the Ummagma song that leans most towards folk-rock. A little hiatus from dreampop. [more inside]
posted by Brodyaga on Apr 11, 2013 - 5 comments

The Road to Lees

The rustling of leaves, the sweetness of birdsong and the movement of blood within your body… all of these have conspired to influence the creation of this song. Hope you gather something natural from this.
posted by Brodyaga on Apr 7, 2013 - 3 comments

BFD

Reminiscent of the Peter Gabriel and Deep Forest contribution to the film "Strange Days", this Ummagma track offers an eclectic earful of modernity meets tradition, complete with Carpathian whistle and balanced out with successive male and female vocals. [more inside]
posted by Brodyaga on Apr 4, 2013 - 0 comments

Micro Macro

Indietronic ethno-ethereal fusion is how I would describe this Ummagma track, which is the first Ummagma song you've heard here with male vocals. I feel like this tune has a strong gypsy fusion lifeline running to it from some mysteriously brilliant source, call it what you will. :) Once again, any feedback is appreciated. We've also ventured into indietronic a little here.
posted by Brodyaga on Mar 29, 2013 - 1 comment

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