Free-form dark instrumental jam. Bass, guitar, keys, programmed drums, traffic noise. [more inside]
It is tradition among my people to collect 8-bit chiptune soundtracks that contain brilliant music, and learn and arrange them so that others may find joy in their melodic beauty! [more inside]
Who Hit John tries our hand at this old standard. [more inside]
Ok, so here's my spin on another old song. This Walter Donaldson/Gus Kahn composition was first featured in Florenz Zeigfield's 1928 Broadway musical Whoopee, starring Eddie Cantor & Ruth Etting, who took the song to #2 on the charts. In 1955, Doris Day starred in a biographical movie about Etting called "Love Me or Leave Me" & her updated rendition became a giant hit. Flash forward to 1967... Nina Simone turned this hokey old Ziegfeld tune into a completely reworked masterpiece of piano & voice (download link is at bottom). My own version (heard best live, I think) is definitely inspired by Nina's, but it could never compare to hers -- I just do my own thing & try to make it my own a bit. It's a fun song to do... audiences seem to love it. Incredible basswork once again provided by bass God Chris Conner.
Happy Sunday, hive mind! Well, I haven't been performing jazz much since moving to the Bay area. I'll confess, I've missed my musicians in LA (see song title) & just haven't found my niche/comfort zone up here yet. For a while, I was commuting down South to work on a CD but it got to be too difficult... so my musical life has been in limbo & this year I REALLY hope to change that. If you folks say you'd like to hear more mp3s, I do have some. And hey... if there's someone out there who would seriously like to collaborate with (or hire) this chick singer... I'm all ears and open to advice. I also take requests! :) I miss singing for people... (Incredible basswork courtesy of the fab-u-lous Chris Conner, my dear friend)