Sample reduced synthetics, atonal feedback, and other fancy marginally (ir)relevant musical gibberish. It's loud, and isn't that really all you wanted? [more inside]
High dynamic range and distortion wrapped in a a heartbeat-like 73 BPM.
A collaboration with non-mefite Riadsala, who sometimes records bass for me. This is a pretty strange track, with a lot of effects going on, with a weirdish tempo change into the chorus which is backed by something in the vein of guitar shredding. [more inside]
I did this about 7 years ago in my old apartment on W. Fullerton in Chicago. I used to play under the name Skycraft. It has a break I lifted from Little Miss Lover and then I chopped it up in ProTools. Guitar played through ring modulator into an amp covered with aluminum foil. Enjoy.
Volts, volts, volts!