the latest experiment in creativity...
Two of my favourite bands in the world are Stereolab and Cocteau Twins and another band whose music I find greatly inspiring is Pink Floyd. This song is a pure project of this triangular love for these three bands. Enjoy!
When Sonic Youth surprised the whole world by pulling off the most amazing cover of a song by The Carpenters ever (I couldn't really fathom listening to any of the originals, to tell the truth), who would've thought what a big impact their version of 'Superstar' would have had. Still to this day, this songs is constantly referenced whenever people speak about Sonic Youth. Here's presenting one track with a similar vibe. 'Back to You' by Ummagma [more inside]
If psychedelic space rock can be sparkly, this song would be the epitome of that dynamic.. Or shimmery or glistening or whatever. Glitter is in the eye of the beholder.
Sonic Youth has been a big influence on many modern-day bands and Ummagma is definitely one of them, as is evident from one listen to "Back to You". The hazy gazey sounds here build into a kind of intentional dreamscape. [more inside]
When a musician, who has self-recorded and mixed everything (brilliant) he (she) has ever put out, eventually takes to creating a remix, the output can be somewhat spectacular. That is what happened when San Francisco shoegaze darkwave wonderkind Jane Woodman jumped into her very first remix for Ummagma 'Lama'. Hope you enjoy the output.
Powerful swirling and driving full sonic force, enveloped in a mishmash of postrock, shoegaze, and noise rock. [more inside]
In the spirit of "Superstar" by legendary art-punk band Sonic Youth (who were covering The Carpenters chart-breaking track), here is 'Back to You'. Sonically similar, but content-wise very different. No superstar imagery from the perspective of a groupie here. Just some self-searching and hopefully grounding elements. [more inside]
Ethereal wave is what they call this genre, but you can definitely sense elements of early 4AD-era postpunk, darkwave, shoegaze and postpunk here. The mood is a bit heavier and there is an outpouring of philosophy, moral and emotional reaction. Enjoy! [more inside]
I once herd the term "sound track for angels" and having Lisa Von H on vocals has certainly brought a sound track to reality!
Some songs take you on a trip (and bring you back), while others just send you drifting endlessly and blissfully. For us, this song belongs to the latter, building layers of layers of sound and effects - like new galaxies being opened. [more inside]
If you ever thought that there was no place for a little drum n' bass in the world of shoegaze and dreampop, hopefully this song will prove you wrong :) Somewhat of a feel like Stereolab, Broadcast and Lush rolled into one. [more inside]
The pulsing drive of this tune unquestionably has a swaying effect and, taken together with this song's layers and subtleties seems to make all the difference. Sway sway sway!!! [more inside]
Imagine a carefree diva singing in a non-chalent way as she looks out the window of the passenger side during a road trip. The soundtrack to her ride is based on an indie rock slide-guitar laced tune, which builds in intensity throughout the ride until bang - confusion and collision. That is this Ummagma song in a nutshell, message and all. [more inside]
This instrumental explores not only ambiences and walls-of-sound seemingly inspired directly by cosmic travels, but also features electronics, samples, drones, and beautifully melodies peppered with a lot of dissonance, creating sonic tapestries perfectly suited for reflecting, reading an Arthur C. Clarke (or Isaac Asimov) book and taking a journey through the stars. This is Sounds of Sputnik.
Whispy male vocals and plenty of air for dream-weaving delicately frame this ethereal song. While "Photographer" is one of Ummagma's more melancholy songs, it's far from depressing. This one stands in the light. Features male vocals by Alexx Kretov (Ukraine).
Post-rock always seems embedded with the sense that something is dire; however, shake it up a bit to get a kind of post-rock indie shoegaze vinaigrette and Sounds of Sputnik is likely what you would come up with. This is Ambiguous Sense of the Future.
Soundscapes are part of the fabric for various genres of music and this song creates one merging several genres, yet is still hard to put your finger on.
This remix of the track "Lama" does not outright flip the original version on its head, though it does dress it in a murkier shade of darkgaze (darkwave). The bright dreamy element from the original version spills over into this version too, so as to not detract from the original point of this song in the first place. I hope you enjoy it. Your feedback is most welcome.
A love for the golden 4AD era, Pink Floyd and the likes of David Sylvian have all been woven into the thread of this music. "Lama" was both inspired by these bands and reflects their contribution to a new generation of musicmakers. Looking forward, but knowing where our roots lie… I sincerely hope you will all enjoy this Ummagma track. [more inside]
It's funny how sometimes it takes all but a few minutes to write a song, while the development of another song can really stretch out. This was one of those stretches - "Risky" was a song that was written "in chunks" - the basic instrumental bit was written in Kyiv, Ukraine before a big move to western Ukraine and then to Canada, where the rest was written & recorded before finally being dragged back to Ukraine, where it was properly mixed and mastered. The time span from start to finish: 5 years. All that moving around was us, by the way, not just the tracks bouncing around in cyber space. Thus is the history of this track. I'm posting the lyrics too if anyone wants to have a go at them or "sing along" …. yeah, right… any feedback is welcome. Peace. [more inside]