Semi-ambient modern synth pad instrumental with minimalist electronic bass, reversed electric guitar, and some pretty and deliberate vinyl crackle-ish soft static noise and a gentle mix of treated samples. Maybe sort of cinematic? [more inside]
Piano, guitars and drum Instrumental, some unresolved tension. [more inside]
Acapella sample, killer synth, creepy fembot vocals. A song about hats.
Mix Master Mike frequently samples the intro to Killing In The Name for his sets. I decided to sample the outro, where Zach de la Rocha is yelling "ALL OF WHICH ARE AMERICAN DREAMS". The bass line is spliced out of Evil by Interpol since Carlos Dengler has got some crazy tone. This is a pretty slow jam, so it borders on the line between hip-hop and dance. Enjoy.
Egret's (of the Reddish variety) are musically inspiring. This track is divided by two tempo changes (see if you can spot them!) and is thus in three parts. I figure a bird as cool as the Reddish Egret deserves a musical trilogy. Also, the high-pitched vocal sample is actually a rendering of the last note Thom Yorke sings on the opening track of The Eraser.