Little ditty about young love, the joys of suburban Massachusetts in autumn, and the allure of all those wonderful things behind the counter at drugstores. [more inside]
An instrumental track that went under the working title "pseudo-eastern." Most prominently features guitars, lap steel, fretless bass and programmed sitar sounds. The subtle percussion is a spinner ring kind of like this one, run through a healthy dose of reverb. [more inside]
Another entry in my recent demo series of posts. I posted a not-quite-done version of the track here, featuring piano and overly heavy drums. It's a song about the old classic video game "Snake". I'm sure I'll revisit the "proper" recording some day, but in the meantime, this is a nice performance. [more inside]
This is the demo I recorded for this song posted earlier. I slapped some kind of distortion effect over it to approximate the feel I wanted in the final version. Although it's too hazy-sounding and the vocals are nearly unintelligble, I really love a lot of things about this recording. It sounds like some kind of important uncovered secret to me. Anyway, this post is part of an "evolution of my songs" series I started here and here.
As a follow-up to this post, here is the demo I recorded for the song I posted a long time ago here. As before, the idea is to share something about the evolution of my songs for anyone who might care.
A demo that I later recorded and posted here. I'm posting this as a contribution along the lines of what others have done before me -- providing a window into my songwriting. Plus, I wouldn't be surprised if some prefer this version.
Or "Hooray for the Humans" a meditation in Post-Apocalyptic Folk-Rock! Every now and then, someone favorites (or unfavorites) this little line, which I dropped as a comment on a great post about the world after humans. It's actually the opening line to a song I've been mean to post forever. Here's the cleanest version I've got so far. [more inside]
Elliott Smith cover for cortex's compilation.