Guitar solo. Been listening to some Red House Painters.
Deep and brooding delays and saturated distortion galore with epic resolve. [more inside]
Another set from some recent recording - two Irish hornpipes on guitar and octave mandolin. [more inside]
Another rough mix from a recent bout of recording. These are two tunes I played during the summertime wedding of two good friends. [more inside]
Another tune from the Black Ox project a friend and I wrote and recorded.
So I've been consumed with learning Irish traditional music for the past year, and was finally able to trek down to VA to see my old pal Ian and have him help me record a few sets of tunes. This rough mix is so far my favorite of the bunch. [more inside]
A piece I wrote and recorded with a friend as part of an instrumental post-rock project.
Impossible Bookings is a collaboration I kinda sorta foisted upon cicadaverse, who initially posted the instrumental version of this track 6 months ago. I put words to what he'd created, we each reworked what we had into shorter form, he remixed my vocals and added to the instrumentation...then life happened to us both. We caught up recently after a few months off, remastered it, and called it good. [more inside]
Turns out my version of the serenity prayer involves a lot more quantum sci-fi and psycho-killer imagery. Been working on this for a good while, trying to figure out how to program drums for a slow 6/8 time. Pretty happy with how it finally came together, but I'd love some pointers. Still worried it's a bit too saturated, but that's kinda my MO. Lyrics in the fold. [more inside]
It's been a while since I posted anything, so here goes with a slightly off-kilter, folksy, moody vocal and guitar piece.
Digging back into some old ambient/noise/drone ideas. Synth, guitar, and bowed cymbal. [more inside]
Guitars, synth piano and drums, in D Dorian. Sort of post-goth.
Quasi-rock song with awkward, loping rythm, questionable tuning, and lyrics to nowhere. Utilizes the f word. [more inside]
As long as I am posting moody, folksy songs with voice and guitar...here's another one!
Punk, metal, jazz, slack, folk and noise. This pretty much typifies the grab bag that was my band, Big Ghost. Like trying to get Pavement and RHCP to agree on California rock. It's a mess, but it was our kinda mess. [more inside]
A mix of some guitar, some electronic dancey stuff and spoken word by my son.
First song written and recorded since I moved to Napa. Spooky grungy punk that maybe doesn't reflect my sunny new locale. Written about my drummer's frustration with dating, online and otherwise. Lyrics in fold. [more inside]
A little finger style Elvis Medley. As slow as I could manage.
A song written for my 4 month old daughter. [more inside]
I'm happy to present my collaboration with not_on_display: this is our version of a neat little tune that was included in The American Songbag (a 1927 folk song collection by Carl Sandburg); the song there was itself derived from a late 19th-century song by William S. Hays. [more inside]
Quick song recorded this morning on Music Memo with (automatically added) bass and drums, and some synthesizers and (fair warning) voice-cracking singing. [more inside]
I had a great time collaborating with billiebee on a cover of this traditional folk song/sea shanty. The goal was to record a simple arrangement that was different from the more lively covers out there -- to borrow billiebee's phrase, a gentler version. I'm hoping our rendition highlights the lovely melody of the song. [more inside]
"Maybe I could be the one they adore—that could be my reputation." I had The Wallflowers' "Sleepwalker" in my head earlier and decided to learn the chords and record it. [more inside]
"Something inside me's changed—I was so much younger yesterday." I learned and recorded this cover of Hailee Steinfeld's "Starving" in a half hour one afternoon last month. [more inside]
All rock instrumental...no vocals... [more inside]
This was running through my head in the shower this morning. Instead of forgetting it like I usually do, I actually sat down and wrote it.
Instrumental country death song
Sad slow self-pitying muted acoustic thing! [more inside]
The old-time tune "Spotted Pony", played at a jam session at the 2016 Portland Old-Time Music Gathering. [more inside]
Strident acoustic guitar rhythm and some vocal harmonies. [more inside]
I wrote this instrumental fingerstyle song half a life ago, but I wanted to try out the electric piano and drum set that I bought recently, so I pulled it out of the vault. [more inside]
Piano, guitars and drum Instrumental, some unresolved tension. [more inside]
Better Than Ezra's "Good" is one of my all-time favorite songs. [more inside]
(voice of announcer from Star Wars Episode 1 Podracer for Nintendo 64) it's a new lap record [more inside]
Instrumental w/guitar solo Feat. Sam Ferguson - drums
In the past couple of weeks, I found myself going back to a piece that I'd started working on a few years ago -- probably because it's in a slower triple meter that's somewhat calming for me. This is a condensed one-minute version, featuring piano and guitar, for the 60 Seconds and Under #2 MeFi Music Challenge. [more inside]
Short acoustic number. Background light rail. [more inside]
Noisy guitar instrumental. Sort of melancholy. [more inside]
This is a cover of a song my dad wrote (that I actually found via combing through his post history on Metafilter after he died) [more inside]
Bluesy jam, guitars, slide, e-bow, harmonica & field recordings of a storm and a cattle auction. [more inside]
Guitars, some slide. [more inside]
I song I wrote in up-state new-york. Instrumental guitar as is often the case...
Jessamyn bought me a really nice sounding small guitar, twenny bux with all the trimmings! I'd also just bought a really sweet Yeti Blue mic off Craigslist for $25. What a bargain! So this is how I tested the two out. [more inside]
Short song about a night out at a bar. [more inside]
Some synth experiment from the vault...2nd half goes more analog...
I've tried a couple different things with this progression, finally found something I can live with. Rock guitar, drum machine, and all that jazz. [more inside]
the big synth at the beginning is live-performed on a Roland JX-8P on the patch called "Van Halen"!!!
A bit of a production experiment; rather than use a click track + programmed drums, I used a click-free guitar track as the bed, and layered performed keyboard drums on top. A slightly trickier process but thought it would result in more authentic feel/better pocket etc. An instrumental demo track based off Milton Nascimento's "Cravo e Canela". Recorded in the fall of 2015 in Rosebud, AB.
Continue to vent my frustrations of daily life through hard rocking guitar for now... [more inside]
Guitars under a slowed-and-pitched-down sample of NIN's 'something I can never have'.