I think the term remix is a big put off for many people and, if measuring according to the number of remixes out there that are just so standard dance-floor filler, it's understandable why there is such a stigma attached to this word. But there are moments of light shooting through when a producer or gifted musician manage to 'reconstruct' a song rather than just 'remix' it. Likely that's where the term 'rework' has started to become used more and more often.... to set them apart. Whatever you want to call it - here is one such track that differs significantly from the original in all it's stunning rework/remix glory. Kudos to Japanese producer Shintaro Haioka for this gift to Ummagma.
Synthpop, Electronica, Indietronica, Electro bliss by the earful and here for the taking. Although it will be a while until this track will be published on any official release, you might enjoy this sneak preview.
Inspired by a friend's photos of the ocean.
This downtempo "weirdo-falsetto" number is a track by Clearspeaks featuring edlundart. The music was written and produced by Clearspeaks while I wrote the lyrics and vocal melody. I also performed the vocal and created the vocal snippets used in the background, similar to what I did on "elevate."
A subdued synthetic rock/instrumental track by me. If you like Sigur Ros, you might like this.
Picture yourself experiencing an earthquake in slow motion. The eerie calm beforehand leading up to the main event itself. Relax and let yourself live through this instrumental story all the way to the finale. Sprinkled with memories of "Close Encounters of the Third Kind."
A hauntingly mellow groove highlighted by Sylvia Plath's "Mushrooms" as performed by the poet herself.