This is one of two plus songs written by mistake/default around iphone wake-up tones. Y'know, you wake up at some godawful hour with that godwaffle loop in your ear and eventually you're going to make something of it. I mean...you'd hope, Godwaffles. You'd hope. [more inside]
An experiment in writing songs without choruses. [more inside]
When the radiant bliss of classical music comes to enter the realm of dream pop ambient downtempo, something serene yet pensive may be the result, as in the case of this track. Initially when we composed this track, there were lyrics and vocals, but then our computer blew and somehow the vocals didn't survive. Today it is an instrumental.
Since music is a powerful force capable of evoking an endless array of images to one's mind, this represents just the diverse dynamic space, vocal free, to be a canvass for whatever the listener can dream up. This is for dreaming, after all :)
This track makes it a lot easier to imagine how the classical work of J.S. Bach could be meshed into a dreampop track, something that is rarely seen or at least, that is rarely pulled off well (The Verve and The Farm come to mind as other successful cases of this happening). [more inside]
The pulsing drive of this tune unquestionably has a swaying effect and, taken together with this song's layers and subtleties seems to make all the difference. Sway sway sway!!! [more inside]
Post-rock always seems embedded with the sense that something is dire; however, shake it up a bit to get a kind of post-rock indie shoegaze vinaigrette and Sounds of Sputnik is likely what you would come up with. This is Ambiguous Sense of the Future.
it's so high-pitched and quirky. [more inside]
A collaboration with non-mefite Riadsala, who sometimes records bass for me. This is a pretty strange track, with a lot of effects going on, with a weirdish tempo change into the chorus which is backed by something in the vein of guitar shredding. [more inside]