Me and my Swedish guitar player friend Gus are working on a jazz guitar/bass duo project. In this rehearsal recording we play one of the easiest jazz songs ever written and still somehow manage to fuck it up (NFSW, some swear words at the beginning). Also, the furnace is running for pretty much the whole take. Sorry about that.
A campy, '60s-superhero-show theme for a video game I recently scored! [more inside]
I had a bit of fun with this: it's about a relationship gone wrong. I believe that the dual bass part is rhythmically interesting. Double bass and synth bass rhythmically intertwine and are coupled with a synth trumpet. There may be some Brian Eno influences a la The Drop. My album is available for $5 download at CD Baby: The Dividing Range. http://www.cdbaby.com/cd/theseedsofautumn
An improvisational rendition of the classic Finnish folk tune on piano and bass, folk jazz style. [more inside]
I'm neither a jazz writer nor a jazz singer, but that didn't stop me from trying. It's part of an album I'm gradually releasing online. [more inside]
A tango-influenced setting of a hundred year-old poem by Trumbull Stickney, "Mnemosyne" is the title track of our new CD, recorded by Ljova and the Kontraband (music by Ljova, sung by Inna). Mnemosyne is the Greek goddess of memory, and this is a song of nostalgy and of memories that turn color like autumn leaves yearning for rebirth with a vibrant song in the spring.... We've long been looking forward to sharing this song with you all. [more inside]
jazz tune. also, "jazz" tune. [more inside]
Ok, so here's my spin on another old song. This Walter Donaldson/Gus Kahn composition was first featured in Florenz Zeigfield's 1928 Broadway musical Whoopee, starring Eddie Cantor & Ruth Etting, who took the song to #2 on the charts. In 1955, Doris Day starred in a biographical movie about Etting called "Love Me or Leave Me" & her updated rendition became a giant hit. Flash forward to 1967... Nina Simone turned this hokey old Ziegfeld tune into a completely reworked masterpiece of piano & voice (download link is at bottom). My own version (heard best live, I think) is definitely inspired by Nina's, but it could never compare to hers -- I just do my own thing & try to make it my own a bit. It's a fun song to do... audiences seem to love it. Incredible basswork once again provided by bass God Chris Conner.
Happy Sunday, hive mind! Well, I haven't been performing jazz much since moving to the Bay area. I'll confess, I've missed my musicians in LA (see song title) & just haven't found my niche/comfort zone up here yet. For a while, I was commuting down South to work on a CD but it got to be too difficult... so my musical life has been in limbo & this year I REALLY hope to change that. If you folks say you'd like to hear more mp3s, I do have some. And hey... if there's someone out there who would seriously like to collaborate with (or hire) this chick singer... I'm all ears and open to advice. I also take requests! :) I miss singing for people... (Incredible basswork courtesy of the fab-u-lous Chris Conner, my dear friend)
Not really jazz, not really anything Clint would like. But it does blend the Spighetti Western sound with a mellow jazz bass. It's just for fun, I hope you like it.