I had a bit of fun with this: it's about a relationship gone wrong. I believe that the dual bass part is rhythmically interesting. Double bass and synth bass rhythmically intertwine and are coupled with a synth trumpet. There may be some Brian Eno influences a la The Drop. My album is available for $5 download at CD Baby: The Dividing Range. http://www.cdbaby.com/cd/theseedsofautumn
Another Improvisational thing from my new band Carbon 7. This one's a bit long, at 19 minutes. [more inside]
I'm doing an album this month, and this is the first thing I've recorded for it. I think the album will be mostly or completely instrumental, but we'll see. [more inside]
A jazzy version of the Inspector Gadget theme song. Apologies in advance if it gets stuck in your head. [more inside]
An original song by my old band, Selected Letters. Alto Sax, Oboe, Violin, Guitar, Bass, Drums, and a good mix of tight arrangement and improvisation. I miss this band a lot, but it was great while it lasted.
And now for something completely different... this is a somewhat experimental instrumental track featuring pulsing soft noise, soft organs and a distorted xylophone, fake sitar, and off-key distant "singing."
A big ol' composition kind of song. Just a little bit like "post-rock" I guess. As before but this time with multiple takes, stereo, and fun little stuff scattered all around. It's also my first project using Logic Pro, which seems to rock
Another excerpt of a previous too long post. Tired of playing over improvised and random changes, I brought the Ellington tune to Olivier. I played the rhythm track, he played the melody, then I managed to play a solo. Hope you like it.
Hi, This is not what you can call a song : rather a collection of recordings pasted together. As in the Real Book, some standards are included. But this track also includes sounds taken from the real world, like a street scene, or rehearsals. It is a deliberate effort to try to match apparently unrelated recordings, from different sources. The Real Book, paradoxically, features charts for some idealistic land. Here, I wanted to use sounds both from the inside (music) and from the outside (raw field recordings) to see how ironically they are related and to provide some contrast. What you're about to hear : a saxophone playing Don Quichotte, a late night Dulcinea, two versions of a standard, and guitar comments.
I was in Amsterdam in 1995 and found an old Billie Holiday bootleg CD. Years later I found an interesting sample on there and imported it into the totally awesome audio program....SoundEdit16. Stretched it, pulled it, squished it, doubled it and looped it. This is the end result in all of its 16bit glory. I originally released this under the name Skycraft. By "release" I mean I burned 10 copies in 1999 and gave it to Ray at The Quaker Goes Deaf in Chicago and a bunch of friends. 10 Blank CDs cost a lot back then.
i just finished moving my pile of equipment from the garage into the house for winter, and to celebrate i did a special mix of the latest song from the project mentioned here to share with y'all.
Done when I was at school a couple of years ago and had access to players. That's me on flute and bass (not at the same time–haven't mastered that one yet!).
This is just an improv jam from a rehearsal with my old band. It's a little bit funky, a little jazzy. Overall it's just a really fun groove IMO. The recording quality is not the greatest but it's not too bad. It features me on drums, my buddy Dan on guitar and another guy named Jonathan on keys. Enjoy.