I've been cranking out a lot of songs almost involuntarily lately and many of them seem to sort into a genre I think of as "Tragicomic Americana," a traditional mode of American blues, country, and folk songwriting that ruminates on heartbreaks and losses exaggerated to such dramatic extremes, the effect becomes darkly comic, like Hank Williams's "There's a Tear in my Beer," for example. Well, FWIW, here's my latest attempt to make a minor contribution to that grand tradition... [more inside]
Tides and lilts, ebbs and flows. Something romantic, yet superfluous permeates 'River Town', with a spacious element opening up for sweepingly dreamy female vocals. At least that's how we see this Ummagma track. [more inside]
In the spirit of "Superstar" by legendary art-punk band Sonic Youth (who were covering The Carpenters chart-breaking track), here is 'Back to You'. Sonically similar, but content-wise very different. No superstar imagery from the perspective of a groupie here. Just some self-searching and hopefully grounding elements. [more inside]
Whispy male vocals and plenty of air for dream-weaving delicately frame this ethereal song. While "Photographer" is one of Ummagma's more melancholy songs, it's far from depressing. This one stands in the light. Features male vocals by Alexx Kretov (Ukraine).
A very crap-quality song I wrote using three chords on a synthesizer keyboard and a terrible singing voice. Anyone who knows me knows that this entire thing is a massive satire, so don't take the lyrics or the cheesiness at face value. On second thought, I am probably even more cheesy than this song tells. [more inside]
A song written and recorded today in one go. Can you guess what it's about? [more inside]
Keyboard != Drum Kit