some experimental noodling with virtual drums and discordant synths [more inside]
ming's theme [more inside]
more synth-laden breakbeat - quite fruity in places [more inside]
moody layered synths and breakbeats [more inside]
breakbeat electro-funk [more inside]
Dub synth techno. [more inside]
More noisy electro/break bitmuxing. (beta mix)
Virgil's The Aeneid and Coronet Films' The Powers of Congress sampled over a breakbeat, with some chopped-up classical music thrown in. [more inside]
Found this on an old CD, but it's about as good as anything else I've done so I'm sticking it out there. A simple, upbeat jungle-technoy thing with layered breakbeats and a nasty synth lead dominating the second half.
A breakbeat/big beat spy song -- one part Propellerheads ripoff, one part Space Ghost nonsense. [more inside]
Mix Master Mike frequently samples the intro to Killing In The Name for his sets. I decided to sample the outro, where Zach de la Rocha is yelling "ALL OF WHICH ARE AMERICAN DREAMS". The bass line is spliced out of Evil by Interpol since Carlos Dengler has got some crazy tone. This is a pretty slow jam, so it borders on the line between hip-hop and dance. Enjoy.
A little noisy, a little groovy. It's got breakbeats, wailing guitars and nasty feedback. It reminds me of a cross between Moby and Flying Saucer Attack, hence the name. There are a lot of interesting automation things going on here.
I like them so much. However, when I eat hot cheetos I get crazy.
A friend told me all I ever write is ambient stuff (ie) and since she's right but I don't want to admit it, I wrote this. The title comes from a PBF comic I glanced at while trying to think of what to call it. What do you think? Should I stick to my day job?