I'm happy to present my collaboration with not_on_display: this is our version of a neat little tune that was included in The American Songbag (a 1927 folk song collection by Carl Sandburg); the song there was itself derived from a late 19th-century song by William S. Hays. [more inside]
My entry for the May/June 'City Songs' challenge. [more inside]
Why is the world about to fall in love all over again? Why will we be marching hand in hand? Why are the ocean levels still rising up? It's a brand new record for 2015: MetaFilter's cover of They Might Be Giants' classic album, Flood!
It's well known that Radiohead went to Bob Dylan for inspiration on the title of Subterranean Homesick Alien; it's less well known that they actually lifted the song structure and lyrics themselves from this rare demo recording. [more inside]
Time for a short break from the creepy. Turns out, all that needed changing was one word, and this was actually a bit of Mississippi Delta Blues in disguise--mostly because nobody in Mississippi has ever heard of the word "drivel." Sit back on your front porch with a cool glass of lemonade for this one. [more inside]
This is a cover of a Ryan Adams song off his album Demolition. Unashamedly cheerful and bouncy, even if I have no idea what it's actually about. Video is here. [more inside]
This is a dark folk song about Depression-era New Orleans. It's a collaboration between my wife and I.
Lofi acoustic waltz version: piano, drums, harmonica, solo vox. The song adapts surprisingly to 3/4 time. [more inside]
A little rough, a little raw. Just a little old-time blues instrumental.
Another tune from the same recent Medicine Bone show as this one, with special guest Ken Kawashima on harmonica. Video at YouTube and Vimeo.
Inspired by this MeFi thread, I wanted to see if I could write a song using only the famous chord progression seen in "Don't Stop Believin'", "With Or Without You" and about a zillion other songs. This was the result. It's also a sappy love song, because those are fun to write. [more inside]
Sorry, a little late for 4:20 bros [more inside]
A cover of the great song by The Magnetic Fields, recorded by myself but for a cover band that is beginning to form called the Magnetic Feel-'er-uppers. Features Bb stairwell guitar, whistling, and harmonica/harmony.
As it's Valentine's Day, here's a song about love. Well, kind of about love. Actually it's about the end of love, as it fades due to age and fatigue, and the death of romance. Errr...happy Valentine's Day! [more inside]
Solo harmonica uptempo version of a classic Christmas tune. [more inside]
A Dirty Curls song about girl on girl crushing.
An apocalyptic Dirty Curls songs about vibrators and the end of the world.
Am Irish-styled song about a girl for a brass quartet, harmonica, and a big bass drum. [more inside]
Four hours until dawn, and things are getting hairy. [more inside]
Sometimes an invitation scrawled on a bathroom stall leads to unexpected horror. Actually, pretty much always. It always leads to horror. You should just ahead and expect horror. [more inside]
Living Room Internal Mic Dub Soundsystem! [more inside]
Whimsical number about a famous historical character. Sending this one out to Jessamyn. [more inside]
A song about the pleasures and disappointments of meeting somebody new. [more inside]
A St. Patrick's Day song from my pierced and tattooed puppet, Sailor Martin. [more inside]
A cover some friends and I will be performing at a cabaret here in New York in a couple weeks. [more inside]
Sailor Martin find true romance. A song featuring ukulele, harmonica, wooden sand-filled egg, tambourine, and a duet between Sailor Martin and himself. Song 14 in the RPM challenge. [more inside]
A raucous garage-band blues number, featuring ukulele, tambourine, and harmonica. Entry number 9 into the RPM challenge is a song about a mean woman. [more inside]
My 6th RPM song for Sailor Martin. A close harmony country song about love and deception. [more inside]
Third RPM song for my puppet Sailor Martin. Ukulele, harmonica, and a whole lot of inappropriate. [more inside]
Take a trip through clinical depression with this spicy new single from the Jimmy "Pharmacy" Walgreen Jazz Happening, featuring Dr. Herbert Grosowitz and his Passive-Aggressive Harmonica. (Thanks, SongSmith!) [more inside]
This song has a feel I haven't easily been able to reproduce since recording it. I can barely play the song live. Despite some horrific essing, probably my favorite home recording.
Not so different from anything else I've done, but I'm proud of the production of this one. [more inside]
A very short song with guitar and harmonica from late last year. Sorry you'd have to turn the volume up quite a bit - I tried turning it up in Garageband, and it didn't seem to sound quite the same. Also, don't know what I'm doing! [more inside]
Here's one with me singing and playing the harp. [more inside]
Crazy drunken hootenanny, with myself on the saxophone. My friends' band, A Million Kittens Inc.
I've decided to work some more on two previous posts to create a more enjoyable tune. I wanted to include some kind of march too. I think I'm through with this white butterfly now.
I have a new song ! Inspired by the numerous posts I've had the pleasure to listen here, I've added a tech touch to my music. My butterfly has decided to rebel against nature and has gained a synthetic voice... but fortunately, he soon gets rid of it and returns to real life.
It's nice to be at home with some guitars at hand. I wanted to participate to the challenge, but this tune has nothing to do with water. To me, it evokes a procession of hens in a courtyard, near and around a drowsy rooster. Images of aimless loopsided wanderings, long seductive dances. What is the rooster dreaming of ? just another bunch of hens I guess. Then he awakes suddenly. Too bad this wasn't the theme of the challenge. Enjoy.
which stands for : guitar flute harp flute guitar. Last year my sister gave me her old dell inspiron 3800. I installed audacity on it and was in for multitrack recording. Actually, I didn't know that I could listen to the previous tracks and recording at the same time. So I recorded the first four tracks trying not to lose the tempo and then moving the track so it fitted with the rest, adding layer by layer. By the time I recorded the solo I had managed to listen to the background. Composition is not too ambitious, it was just a matter of testing.
Everybody who plays guitar has probably done this at one time or another. Here's my version.
Thanks to two class cancellations due to ice storms in the Capital, I was able to arrange and record this Valentine's day treat. Imagine Huey Lewis, baritone, with a banjo.