In the past couple of weeks, I found myself going back to a piece that I'd started working on a few years ago -- probably because it's in a slower triple meter that's somewhat calming for me. This is a condensed one-minute version, featuring piano and guitar, for the 60 Seconds and Under #2 MeFi Music Challenge. [more inside]
I felt like destroying something so I destroyed this tune.
I song I wrote in up-state new-york. Instrumental guitar as is often the case...
Some synth experiment from the vault...2nd half goes more analog...
Spun off an old Brian Eno song, "Zawinul/Lava". [more inside]
Continue to vent my frustrations of daily life through hard rocking guitar for now... [more inside]
Not my usual Genre but this fit my mood tonight. Just heavy guitar rock instrumental at heart...
Just some techno-sounding non-sense I was playing with...
Last episode (or is it? see below for details) of Creature Of Habit. [more inside]
Just wrote this tonight...just your average guitar melodrama...
Just an experiment of guitar electronic fusion I've been playing with. I'm planning on doing an album-full of these types of songs soon.
Spent the last year learning to program and had no time for music. Finally got a job and a new-ish life so I thought it's time to get back to some things I enjoy. This one is different from my normal thing though I suppose I'v'e always had an attraction to analog merging with electronic. Maybe thanks to new order/joy division??? Though this doesn't sound anything like those.
Song four from Creature Of Habit. [more inside]
Part three of the serial instrumental, Creature Of Habit. [more inside]
Short acoustic guitar instrumental I came up with last night. Recorded into my phone in two parts: main part & random notes added part (for spice).
Guitar instrumental. Some slide. GarageBand on the drums.
This track is part of a project that heavily features Swamp XT, a virtual synthesizer by one H. G. Fortune. Working playlist title is "Succubus/Incubus", but I'm looking for other ideas. [more inside]
Finally finished my latest project, VOIDBREAKER. Ominous space synths, gritty breakbeats and a consciously gritty production. This is the fourth track from the EP just released on Spotify. [more inside]
So I took my Jazzmaster to Lefkas, and this was the result. [more inside]
It was snowing and what better to do than mess with the arpeggiator? [more inside]
I just loaded up Ubuntu Studio with some soft synths, and recorded this CarrotAdventure-inspired piece. It came out sounding like a game show theme, hence the name. [more inside]
Piano solo. This opens none too gently at about 138bpm and covers a lot of territory inside three minutes. It should flow nicely into its companion piece, Turquoise Migration. [more inside]
Another noodl-ey instrumental - the ingredients of this one are a guitar driving a synthesizer and a multiFX over a bed of soft-synths and drum emulator(s).
A short instrumental I wrote on the bass in 1989, but never got around to recording until now. This is song #1 in my series "Unu Kanto Po Semajno" where I plan to record approximately one song per week during 2016. This song covers the period January 1 through January 8.
noodling around and playing with a guitar synthesizer and effects.
Have a merry Synthmas with this peaceful electronic soundscape from the Men's Snarehouse. [more inside]
A dashed-off not-quite-synthwave instrumental that rolls around for a bit but doesn't really go anywhere. [more inside]
An upbeat synthwave / retrowave instrumental. [more inside]
A traditional fiddle tune, recorded live at the Rainspout festival in Yachats, OR, November 2015. [more inside]
I am aiming for "grand, yet subdued". I see all sorts of magnificent people and dignified creatures parading slowly by. [more inside]
Instrumental with big tunes and riffs, and a driving cadence that's perfect for cycling (especially if the weather should force you to ride indoors). Bandcamp download (with artwork).
Percussive acoustic guitar through tape echo, with processed vocal. I don't know what you call this kind of music.
The P is silent. Like the space between the notes. [more inside]
Glitch, please. [more inside]
I don't like the look of those clouds. Better bring in the funk so it doesn't get rained on. But you can leave the noise outside. [more inside]
Space has long been a stimulator for creative outlet in nearly every sphere of human activity, music being no exception. In this track, it is clearly front and centre, whether it for you brings an association with the cosmos or you internal realm. Happy listening.
Music seems to 'feel' so much better when you sit back and just listen to music, without thinking about the pigeon-holes that have been slapped on a song or even your own temptation to categorize it into this or that genre. This is something I've always believed but recently it occurred that the same goes for the song-writing process. Much better to feel free of genre-related limitations. This Ummagma track was one such track that was written free of the need to pigeon-hole. [more inside]
Usually heard as 'Charleston Gals' in old-time circles these days, this was originally a minstrel-era song. [more inside]
This is a short song I wrote to accompany my brother's ad for his new iphone game. (Bivball is the name of the game). Fun project with short turnaround. It's a little clunky, but on the one millionth listen it suddenly levels up to "pretty good" (try it, you'll see). Comments welcome. Thanks for listening.
Piano solo: short, mostly melancholy and dark, but...
A piano composition written a while ago at the end of autumn for the first snowfall. The changing of seasons; the coming winter; delight in the sounds of children playing in the fresh fallen snow. [more inside]
Finished my online web dev course. It was time to relax and take a break from writing code...
This one has maybe the most tracks of any song I've ever made. [more inside]
A short piano solo! Minor key, triplet feel, maybe a little jazzy, better suited to Halloween than early spring, but what can I do? It's a free download at BandCamp complete with suitably batty artwork. [more inside]
your ghost is very beautiful, but visits far too often [more inside]
#newwave is the only #truwave [more inside]
This is sketch I did in MIDI of another instrumental song
So I've uploaded the track for 'Beautiful Moment' here, but I also want you to have the track ''Talk to Her'', so grab it here. The first is laced with male vocals, while the second is an instrumental with guitar trickery reminiscent of Robert Fripp or Brian Eno or even Bill Evans a bit.
Dance-Rock Late-70's-type Instrumental. Maybe if Thin Lizzy and the Talking Heads were commissioned to write the theme song to CHiPs? The only lyrics are "B'doo deh du" and "Bah-Bah-Bah-Bomp!" [more inside]