It is tradition among my people to collect 8-bit chiptune soundtracks that contain brilliant music, and learn and arrange them so that others may find joy in their melodic beauty! [more inside]
A campy, '60s-superhero-show theme for a video game I recently scored! [more inside]
Retro, funky, electro
This one has maybe the most tracks of any song I've ever made. [more inside]
Dancing is for squares. [more inside]
Old slow acoustic thing. Live the snare. [more inside]
Even more (distorted) pump organ in your electronic music. [more inside]
Felt the need to make some beats while pulling an all nighter for work on Wednesday.
This was my submission to a project in which various artists covered songs from Nine Inch Nails' Pretty Hate Machine using at least one circuit bent or modified instrument (Soundcloud link). This one uses a reklus-modified Korg DDD1 and Monotribe (along with a sweet ring modulator he built).
Wrote and recorded this a couple of years ago. This is where I left it, a couple of notches or more away from perfect... but it's got some good things about it, including a really messed up (in a good way) guitar solo. [more inside]
My raffled request came, I am told, from ODiV, who wanted to hear the "Are You Being Served?" theme song. I hope this is the version he heard in his dreams (because it is, roughly, the one I heard in mine). [more inside]
For two flutes, piano and strings. The video version of the score was featured on Equestria Daily. [more inside]
Only three tracks left until we've finally finished the full album of OK Computer. The idea here is pretty simple--since we've made basically every other track super creepy, it was time to make the creepiest track on the album something completely different. Presenting rock and/or roll. [more inside]
I had a bit of fun with this: it's about a relationship gone wrong. I believe that the dual bass part is rhythmically interesting. Double bass and synth bass rhythmically intertwine and are coupled with a synth trumpet. There may be some Brian Eno influences a la The Drop. My album is available for $5 download at CD Baby: The Dividing Range. http://www.cdbaby.com/cd/theseedsofautumn
This song has been sitting around for most of the past year or so, unfinished and untitled, waiting for possibly a little more instrumentation (it's definitely a missing electric uke solo), some lyrics, and a re-recording of the drums with a real kit. I'm not good at playing fake drums. [more inside]
A creeping tune the style of Melody Nelson era Serge Gainsbourg. Darcy Hancock from the Vancouver band Ladyhawk lends a squalling guitar solo.
Very short hard rock NYE ditty. [more inside]
A minor-key, rondo-like composition for piano, bass, percussion, and various squelchy electronic bits. Hail the coming of Princess Luna! [more inside]
Deconstruction and rebuild of office house dub 3.3.3 aiming for an inspiration somewhere between Boards of Canada, Nurse with Wound, Aphex Twin and proto-punk Nico/Velvet Underground. This is intentionally very experimental, abstract, noisy, tweaky, melodic and glitchy. [more inside]
Chill experimental NASA and vintage 70s porn dub. (Safe for work.) [more inside]
Rap song. It's pretty short, so just listen to it. Mind your subwoofers.
This is from my newest band, the Dosages, from a gig we did last month, providing live musical accompaniment for bondage master Arisue Go, who ties up young ladies and suspends them from the ceiling. Hella gig, eh? There's a video (plus videos of two more tunes from the same show) here. [more inside]
Dub synth techno. [more inside]
A love song for my guitar. [more inside]
This instrumental track was originally named "Em wrong" because it came out of absentmindedly playing my guitar while watching tv and accidentally strumming an E minor chord incorrectly on the 3rd fret. The resulting song has an uneasy, mysterious vibe. [more inside]
An incomplete mix of a song I'm working on about a bear who joined the Polish Army (the subject should sound familiar). [more inside]
Lucid dreaming heartbeat house. Field recordings and textures recorded within the last week here in Seattle. [more inside]
Is this Metal? Inspired by this MeFi post about Metal and this MeFi post about Metal as a catalyst for world peace, I set out to write and record this instrumental over the weekend. Rough edges are OK in Metal, right? You should probably turn this up as loud as it will go.
Who Hit John tries our hand at this old standard. [more inside]
Meat Beat Manifesto-like breaks with cheesy porn samples. May not be safe for work.
I have no idea what this is, but at least zephyr_words sent me a great bass track for it.
More noisy electro/break bitmuxing. (beta mix)
An improvisational rendition of the classic Finnish folk tune on piano and bass, folk jazz style. [more inside]
Cruising down the LA river from Griffith Park to East Side while utterly stoned on a sunny afternoon on a low key adventure past huge graffiti, booming lowriders, homeless camps and a surprising amount of nature.
This is a cover of a song by one of my favourite bands, Eels. It's pretty typical of the band - slightly sad and thoughtful, with a lot that we aren't told. I'd been planning to record this anyway, but then along came the Transpo challenge, and this seemed to fit very well. [more inside]
Old-time fiddle tune performed by the usual gang at The People's Pint in Greenfield, Massachusetts. [more inside]
Remix/remaster of "this is what it sounds like when you shrink a lowrider down and go cruising around for circuits to listen to on in a motherboard and then there's an earthquake" for better bass and mixdown. [more inside]
this is what it sounds like when you shrink a lowrider down and go cruising around for circuits to listen to on in a motherboard and then there's an earthquake
Inspired by this MeFi thread, I wanted to see if I could write a song using only the famous chord progression seen in "Don't Stop Believin'", "With Or Without You" and about a zillion other songs. This was the result. It's also a sappy love song, because those are fun to write. [more inside]
A textural experiment in cords (not chords), where bows (not Bōs) are forbidden. [more inside]
This is an angry, broody, dark, but pretty song. I'm proud of it, I think it's one of my best! Includes a pretty sweet xaphoon (!) solo by yours truly, plus background vocals by my wife. [more inside]
Other acceptable responses would be "Moon Dog Highway," "False Moon Interstate," or "I'm Making Crap Up Because Titling Instrumental Pieces is an Exercise in Futility in the First Place" [more inside]
The opening track from our RPM 2010 double album, Demons of Gyrophonia & the Rotatable Tremulant All-Stars. [more inside]
I wrote this after attending a concert late last year. Just finished (?) the recording. It's kind of a tribute to the musician I saw -- maybe you can guess who it is? Either way, it's a track that features guitars, pianos, fretless bass, vibes, drums, vocals and a lap steel part in the chorus that I'm really satisfied with. [more inside]
My string trio playing one of our signature pieces by G.B. Viotti, the 1st movement to his 'Trio for 2 Violins and Cello' in Bb Major (Op. 19, 1). [more inside]
My return to the cumbia-step experimentations. This is crazy, hyper remix of an old cumbia song. [more inside]
I've been listening to a lot of boogie, funk and electro from the early 80s recently. This is my dubstep homage to those lovely genres. [more inside]