Song four from Creature Of Habit. [more inside]
Smooooth, sloooow reggae featuring a dreamy brass/ebow instrumental break, "sensitive" percussion, a falsetto bridge, and a sweet guitar solo at the end. [more inside]
Pensive piano interspersed with electronic outbursts and a broad, burbling middle section. [more inside]
Whispy male vocals and plenty of air for dream-weaving delicately frame this ethereal song. While "Photographer" is one of Ummagma's more melancholy songs, it's far from depressing. This one stands in the light. Features male vocals by Alexx Kretov (Ukraine).
A trace of various examinations of questions I have had about melody, beauty, tradition. This is not the degenerate case, but rather it is about the degenerate case. [more inside]
Instrumental. We used electric and nylon guitars, glockenspiel, electric bass, and a drum set [played by 2 guitarists, so don't judge]. Criticism [aside from the drums] welcome. [more inside]
An ode to women featuring guitars, piano, melodica, and lap steel. [more inside]
This is an angry, broody, dark, but pretty song. I'm proud of it, I think it's one of my best! Includes a pretty sweet xaphoon (!) solo by yours truly, plus background vocals by my wife. [more inside]
I wrote this after attending a concert late last year. Just finished (?) the recording. It's kind of a tribute to the musician I saw -- maybe you can guess who it is? Either way, it's a track that features guitars, pianos, fretless bass, vibes, drums, vocals and a lap steel part in the chorus that I'm really satisfied with. [more inside]
This is a quiet, meditative, minimalist instrumental piano piece, with occasional visits by vibes, fretless bass and lap steel guitar. You might want to play it somewhat loudly to hear some of the softer notes. Do you think it's finished, or should I add something? [more inside]
This track switches between three time signatures, and features an intro with a style of singing I guess one could call very vaguely eastern. It's a slow and gentle affair with softly distorted ebowed guitar, piano, and xylophone. It also includes a guitar solo in which a single note is played repeatedly. And lyrics that are pretty silly. [more inside]
Layers of soft guitar distortion with pseudo-indian instruments thrown in, under a falsetto vocal over a deeper background vocal going through a guitar amp. I'm kind of proud of the lyrics, which are about staying true. [more inside]
Back in either middle school or high school, in music class, I wrote my very first melody with a classmate named Mathias Knutzen. The assignment was to take a text from one of our books and create a song with it. We chose Robert Frost's poem and came up with this pseudo-jazzy tune. I always liked it, so I kept the "digital chord sheet" around and played it from time to time. More than 15 years later, here now is a brand new recorded version -- complete with brushed drums and falsetto background vocals. [more inside]
Spur-of-the-moment lo-fi live cover of the Radiohead song off Hail to the Thief, to which I added a couple of equally rough overdubs and some reverb. The guitar is out of tune and poorly played, but the vocal melody tweaks are kind of fun. [more inside]
The proverbial seeds of this song were planted when I visited Savannah, Georgia at the beginning of the month and found myself captivated by the ubiquitous plant life named in the title. Later, when I was working on lyrics and couldn't think of a second verse, my bandmate Mel reminded me of a dream my friend Kathy had in which I killed a guy and hid him behind a couch. The end result may be disproportionately creepy, but I rather like it. [more inside]
modular, snap-tite interlock pop. A song about recording alone.
A short, lyrically strange new song partly based on a dream. [more inside]
I was walking around in the garment district at night on valentine's day years ago, and spotted a beautiful woman walking alone across the street. Despite being glamorously dressed up, she looked like she had lost all faith in men. She was carrying a heart-shaped balloon and huge flowers. This song is sort of about that. [more inside]
A maudlin love song from an old man to a young woman. Written in 2001. Part of my Old Songs project. [more inside]
Part of my Old Songs project. A moody tune from 1999 about the terminus of a relationship. [more inside]
Part of my Old Songs project of making lo-fi recordings of songs I wrote many years, and, sometimes, decades ago. I have come to the inexorable conclusion that in the years between 1996 and 2000, I was either quite depressed, or unexpectedly skilled at feigning it in song [more inside]
Glitchy dark beats, with distorted synth and a little hardcore mixed in. [more inside]
An atheist's song about the nature of politics and religion in the U.S.
Guitar-based melancholy song with vocals. I've had this around for several years, and keep thinking I'll continue to dabble with the outro. I think it's time to just let it out. I wrote this after the breakup of a 7 year relationship. I like the lyrics, and the little solo, and many other things about it. The long fade-out ending is over-indulgent and a bit off-key, but imperfect as the song may be, it has heart.
Melodic, slightly exotic, wistful surf music from Hell. [more inside]
I think this is one of the catchier songs I've come up with in a while, though I never seem to be a good judge of that. At any rate, it's a short and simple track about intense love gone missing... or something like that. [more inside]
A collaboration with non-mefite Riadsala, who sometimes records bass for me. This is a pretty strange track, with a lot of effects going on, with a weirdish tempo change into the chorus which is backed by something in the vein of guitar shredding. [more inside]
A "drifty" and atmospheric song about life and death and love, complete with harp. [more inside]
This is a lazy pseudo-live cover of the Bruce Springsteen song, recorded on a whim a couple of years ago.
A quirky but perhaps oddly serious song inspired by that old Snake video game, written and recorded for the mefi music challenge.
This is an old song, not written for the mefi music challenge water theme, but the lyrics kind of fit, so I decided to upload it. I actually wrote this waltz about having a cold, but it sounds very "oceanic."
It was 1999, I'd just graduated from trackers to fruityloops, and I was listening to a LOT of Warp and Boards Of Canada, and I made this. It's still my favourite, despite being the first tune I ever completed. Tsk.
Most of my songs are sparse. This one is not! It's got "a lot of sound," and some bite. Does it kick buttocks? You decide.
Recorded at Sound Mind Recordings in San Diego. I'm not sure about the full band thing; I think when I redo it for my album it'll be all acoustic.
A cover of the first verse and chorus of the Gnarls Barkley song, primitively recorded live a while back when I had a cold. My wife was really into the song and I recorded this for her as a goof, but it came out kinda good.
Lyrically naughty, musically atmospheric. Features guitars, vocals, brushed drums, African thumb harp, clothes hangers, and a shy half of a fake symphony orchestra.
My wife accidentally broke a vase. This song resulted. It was recorded in a couple of days inbetween other projects. I used no clicktrack, metronome or drum beat, so the timing is nice and loose (in a good way, I hope). It's short, so listen twice!
Piano-based song written for my wife, for our recent wedding. As usual with my songs, it's slow and sparse. A lot of vocal layering going on, and some electric guitar to round things out in the chorus. Enjoy!
This downtempo "weirdo-falsetto" number is a track by Clearspeaks featuring edlundart. The music was written and produced by Clearspeaks while I wrote the lyrics and vocal melody. I also performed the vocal and created the vocal snippets used in the background, similar to what I did on "elevate."
A calm and smooth falsetto song with lyrics lifted from an emergency first aid poster (with some additions turning it into a love song). Features guitar, bass, piano, and electronica-style rhythmic vocal snippets.
Trip hop or something. At its core it is still a singer/songwriter sort of deal, but this features -- in addition to regular vocals -- opera samples, moaning girls, reversed strings, synth bass, subtle sustained guitar feedback, scratching, acoustic slide guitar, tambourine, crumbly noises, and whatever else. Includes the F-word right at the start, if that concerns anyone.
A little muted trumpet, a little harp, a little harmonies and a lot of existential angst
A song from a couple of years back which is still a favorite of mine. This one has heavier drums and more electric guitars than most of my tracks, but it's still a love song.
A pretty catchy melody, I think -- starts slow like most of my songs, but then picks up and becomes more of a rock track. Sample lyric: "Sleeping with you is still fiction, so missing it must be a contradiction." Features vocals, guitars, piano, drums, strings.
The city outside your bedroom window doesn't care if you're lonely. I guess this song is about the feeling of hopelessness. Slightly more uptempo than my previously posted songs, this one features slide guitar, non-slide guitars, drums, piano, strings, and guest appearances by Riadsala (bass) and kerry and casio (background vocal).
A slow and sad song I wrote and recorded after a breakup/separation a few years ago. Features a falsetto chorus and acoustic guitar, including an e-bow undercurrent.
A quiet, pretty song about online dating. Features guitars, vocals, and pseudo-orchestral touches.
Demo from my band's upcoming album. It's short, sweet, and sappy. Hope you dig it. Instruments: Guitar, Fender Rhodes, Sequential Circuits Pro-One, Floor Tom, Snare, Ride Cymbal, Beaded Curtain, Violin, Trombone, Cornet, Prepared Clarinet
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