For song #4 in my Unu Kanto Po Semajno project, I assembled clips from a BBC Sound Effects CD in a rhythmic way. It's a duet! Possibly NSFW.
This is another arrangement of a video game, but this time I wrote the original, as a Nintendo-compatible authentic chiptune, and then later turned it into this by improvising on piano, and sending it to my dear friend Jeff to play violin over it. My job BEST JOB OF WORLD.
The classic bluegrass hymn. [more inside]
It's almost December, so it's time for this classic holiday song, originally by the Pogues with Kirsty MacColl! [more inside]
OK - not exactly a sing-along and not exactly the kind of song you can imagine a sing-along happening to, but there is something to be said for the harmony established between two voices in a song, even if they are not singing in tandem. This is, indeed, one of those songs where I think that kind of love-in has been achieved, at least sonically.
Pretty excited about this one. This was a weird kinda experimental duet I wrote a long time ago and I'm finally starting to mess around with it for reals. It features my lovely and talented friend Pat. As per usual, I could always use some advice. Tricky stuff starts around 1:07. [more inside]
Quick lo-fi recording of the Morecambe and Wise classic closing song, introduced in about as near to a music-hall style as I can manage. Featuring me, my uke, and a whistling verse. (Twice.) Video is here. [more inside]
When my daughter was 6 we had fun recording a Beatles tune. 6 years later I have a 6 year son who also loves the Beatles.
My housemate and I take a little break from finals. Jonathan Coulton cover! Enjoy! [more inside]
Another older piece I composed, in 2006. It uses a sort of minimalist, pseudo-metric modulation that, even though the tempo stays the same throughout, creates a kind of time-warpy impression. [more inside]
Beatles cover recorded with my 6 year old daughter a few years back. Voice is a bit pitchy throughout but give me a break, I was only 40 at the time.
Lately I've been in a mood to sing vintage romantic standards in a very straight up way. Some day I want to do a version of this song inspired by Anita O'Day. This ain't it. You can still feel free to dance, though! [more inside]
hubris in E major [more inside]
just to stay in touch
watching the river flow, I stumble upon some memories - more vivid than others.
Improvised trio. Guitar, keyboards, doorbell. When you've got a pebble in your shoe, you can't look at the stars.
Another excerpt of a previous too long post. Tired of playing over improvised and random changes, I brought the Ellington tune to Olivier. I played the rhythm track, he played the melody, then I managed to play a solo. Hope you like it.
I had this vague melody a year or so ago, and at the time it was starting to become a song about riding my bike at night, drunk. I stuck it on the backburner until after I saw that Johnny Cash bio-pic, where they sing that June Carter duet "Time's a Wastin'" together, (which they never did in real life.) So then I got this idea to write a nice country duet like that, but instead of it being all happy and fresh-new-relationship-let's-consummate-it kinda thing, I wanted it to be about people that hated each other intensely. People that were sick and tired of seeing each other everyday for years and years. Then, for an added twist, I forced my lovely wife to sing the harmony part. We actually do like each other, though.