This short (1:16) instrumental ditty is what happened when I started learning a new recording platform that came with loops of instruments I'd always wanted to play or include on my recordings: pedal steel guitar (I was super excited about this especially -- I've wanted to work with pedal steel for a really long time), baritone guitar, and mandolin. And did I mention the bossa drums? Not sure if I went overboard but I had fun and liked the result. [more inside]
I'm happy to present my collaboration with not_on_display: this is our version of a neat little tune that was included in The American Songbag (a 1927 folk song collection by Carl Sandburg); the song there was itself derived from a late 19th-century song by William S. Hays. [more inside]
Quick song recorded this morning on Music Memo with (automatically added) bass and drums, and some synthesizers and (fair warning) voice-cracking singing. [more inside]
Another song recorded with Music Memo providing the drums and bass (NSFW). [more inside]
This was recorded by the band I'm in (Ghost Flowers) on August 1, 2013, at our practice space before the actual practicing-of-songs started. It's a thirteen-minute variation on one chord, has nice ebbs and flows, and has a steady mid-tempo beat. [Not part of my "Unu..." series, just filler while I juggle four songs of that at once.] [more inside]
Wrote and recorded this a couple of years ago. This is where I left it, a couple of notches or more away from perfect... but it's got some good things about it, including a really messed up (in a good way) guitar solo. [more inside]
Only three tracks left until we've finally finished the full album of OK Computer. The idea here is pretty simple--since we've made basically every other track super creepy, it was time to make the creepiest track on the album something completely different. Presenting rock and/or roll. [more inside]
the fourth song effort in my album month efforts. an excellent example of my need to stop making dense songs and fill out that thirty minutes.
An incomplete mix of a song I'm working on about a bear who joined the Polish Army (the subject should sound familiar). [more inside]
Is this Metal? Inspired by this MeFi post about Metal and this MeFi post about Metal as a catalyst for world peace, I set out to write and record this instrumental over the weekend. Rough edges are OK in Metal, right? You should probably turn this up as loud as it will go.
I had a few hours to myself this morning and wrote this song. [more inside]
When I'm in a prolonged songwriting funk - which I am now - it can sometime take a cover of a favorite tune to snap me out of it. Let's hope this does. [more inside]
This is an angry, broody, dark, but pretty song. I'm proud of it, I think it's one of my best! Includes a pretty sweet xaphoon (!) solo by yours truly, plus background vocals by my wife. [more inside]
A tune about an odd man who used to roam around my neighborhood as a kid. He wore a crown sometimes. Featuring chococat on drums. [more inside]
No, seriously. Just for fun, I decided to do this cover song to test out some drum stuff. Thought I'd share this while I work on some new songs...
Dark sounds for an old barn. [more inside]
we wrote this song at our space a week or so ago. [more inside]
Two chords: Em and G. But don't worry. You're not part of the Zombie Bot Army. Because Frog and Toad are. And they're staying up all night drinking and having snacks at a bar with PB. [more inside]
The first finished recording for my band's new album. [more inside]
Just another folk-rock song about Jorge Luis Borges. [more inside]
Doo doo doo, doo doo doo, la la la, la la la la. The new hit single from Steve Goldberg and the Arch Enemies. A chamber-pop meditation on time, aging, and death. [more inside]
This started as a weird tune with pseudo-Indian wailing/cat meowing vocals, guitar feedback, and a one-note sitar solo. It still has those elements, but the track ended up being an almost radio-friendly, catchy (?) pop-rock thing. [more inside]
Back in either middle school or high school, in music class, I wrote my very first melody with a classmate named Mathias Knutzen. The assignment was to take a text from one of our books and create a song with it. We chose Robert Frost's poem and came up with this pseudo-jazzy tune. I always liked it, so I kept the "digital chord sheet" around and played it from time to time. More than 15 years later, here now is a brand new recorded version -- complete with brushed drums and falsetto background vocals. [more inside]
A short, lyrically strange new song partly based on a dream. [more inside]
I was walking around in the garment district at night on valentine's day years ago, and spotted a beautiful woman walking alone across the street. Despite being glamorously dressed up, she looked like she had lost all faith in men. She was carrying a heart-shaped balloon and huge flowers. This song is sort of about that. [more inside]
A characterization of a rich womanizing pimpy kind of guy. [more inside]
This is some kind of punk, and my girls, (wife and her best friend) did the vocals. This is fun! Enjoy!
Rehearsals : three tunes that we (a big band) were to play on stage in a small jazz festival in Millau, Aveyron, southern France.
The Great Big Mulp + snsranch + collaboration = Hell Yea!
The new album is more or less finished, so I thought I'd offer you guys another sneak peek. A shoot-from-the-hip rock song - Let's drink to the things that died too soon.
One of my bands, The Man So Cool, did some recording a couple weeks ago for a demo disc. We're still working on final vocals and proper mixes, but this is a pretty good rough mix of one of the songs. Links to the other three songs can be gotten over yonder.
I just noticed the music section here and decided to toss this up for a little feedback. It's the first cut I did with a new trio, and we're still trying to decide what direction we should take: get crazy composing for the studio, or write simpler stuff that can actually be performed by three people. So far the studio stuff seems to hold up better.