Not quite a song about a city, but about a specific room in this old mining village in the Cascades of Washington. Features baritone guitar, slide guitar, bowed guitar, pump organ. Also a rerecording of this song. (By the way, any advice on how to record electric guitar on the cheap would be appreciated. At the moment I am just putting my ZoomH2 microphone in front of an amp.) [more inside]
A synthed out, vocoded take on Beck's extremely non-synthy song off of Sea Change, as an excuse to fiddle around with Reason 8. [more inside]
Short and sweet. A song about aeroplanes overhead with minimal vocals. Live rehearsal recording by Sredni Vashtar
This one has maybe the most tracks of any song I've ever made. [more inside]
threeants' lovely cover of Chicago reminded me of this version of another song off that same album that I recorded ten years ago, and made me realize I never posted it to Music. So here it is! [more inside]
Felt inspired to throw together a cover of an old favorite for the May/June challenge. [more inside]
A proof of concept. This was our first complete take at this at rehearsal a couple weeks ago. My prog tribute project, The Yes Men. All live, recorded in the garage by John. [more inside]
Not sure how to describe this one, but I sampled a lot of disparate stuff and used some found sound I have.
A catchy tune about two guys who take a twin engine plane out for a joyride and crash into the Great Salt Lake. Proper title TBD. [more inside]
The only song I have ever written & recorded start-to-finish while living on a boat. Thanks to the Carnival Imagination for having slack enough security that I was able to sneak onto the showband keyboard after-hours to record this (2006)
My quick little take on Evening Prayer Blues by Deford Bailey. I originally came to this by way of Bill Monroe, Mike Compton and Alan Bibey mandolin arrangements of it. [more inside]
A structured improvisation for double bass, piano & tabla. Feat Kimberley Shepherd - piano, Kazuko Sato - tabla. Co-written with Kimberley Shepherd. [more inside]
A song for a departed friend. [more inside]
A short piano solo! Minor key, triplet feel, maybe a little jazzy, better suited to Halloween than early spring, but what can I do? It's a free download at BandCamp complete with suitably batty artwork. [more inside]
A little tune about toxic masculinity with a splash of Star Trek. [more inside]
Dancing is for squares. [more inside]
your ghost is very beautiful, but visits far too often [more inside]
A full-length extended version of the 10 second snippet that I had previously made for the game, Double Dragon Neon. I wrote the full version recently after my car was broken into, and I was visited by a very friendly and helpful LA County policewoman. [more inside]
#newwave is the only #truwave [more inside]
Another Beastie Boys Remix [more inside]
This started out as a Beepbox loop. (The mp3 arbitrarily fades out after 2 times around. The original will loop in-browser for as long as you let it.) I think it sounds pretty okay.
Long considered a forgotten masterpiece, this meeting of master jazz artists took place almost 50 years ago in Munich, leaving the audience speechless. Features Skrillex on the Wobble Bass, James Moody on flute, and Lalo Schifrin on piano [more inside]
So griphus and I were watching 1973 cult classic The Wicker Man and my brain got thinking about Rocket Man and, well, here we are.
slightly improved. Or slightly different. Not sure [more inside]
I have, in my possession, a VHS tape which holds all the Christmas specials that aired on that particular year which my folks thought to record all the Christmas specials they could manage with their state-of-the-art VCR. Bless their souls. There's a lot of Rudolph, some California Raisins, and even some Garfield. These are the ghosts of my Christmas past. The specter that looms largest, however, is some Disney business called "Babes in Toyand." There is no way to porn-parody that title; like all good dog-food, it makes its own gravy. That's not why the film haunts me, tho. What haunts me is this exchange: [more inside]
This is a wacky one. Skip to about the 3min mark for the really silly part. [more inside]
[Radioactive] remix of Low, by Juicy J (feat. Young Thug + Nicki Minaj), sequenced with that earwormy single by Envisage Komodos: If you can't get a radio single out of your head, turn it into a happy house track and put Juicy J on it. I used a clean version to make it enjoyable for all. Complete with filter sweeps and a half-time dubstep outro.
entropy wins [more inside]
return of the digitech rds 1900 through additional delay
i for one, can't wait to see how this story ends ...
Carbon 7. Recorded March 9th 2013, the night comet Pan-Starrs first became visible to the naked eye in the northern hemisphere. [more inside]
The vastness of making electronic music is really overwhelming to me, so I'm trying to just get over that and create some things.
a slight respite
This song started as a joke, and then I ended up liking it and working it up a little more. I used it as the closing to an essay on social media and phones I wrote (that originally started as a comic about Facebook). That sounds complicated, but the song is simple.
more monotron abuse with a beat
I think the term remix is a big put off for many people and, if measuring according to the number of remixes out there that are just so standard dance-floor filler, it's understandable why there is such a stigma attached to this word. But there are moments of light shooting through when a producer or gifted musician manage to 'reconstruct' a song rather than just 'remix' it. Likely that's where the term 'rework' has started to become used more and more often.... to set them apart. Whatever you want to call it - here is one such track that differs significantly from the original in all it's stunning rework/remix glory. Kudos to Japanese producer Shintaro Haioka for this gift to Ummagma.
When you live in a country where something called a 'melting pot' falls into play, you sometimes don't detect marked differences in sounds and influenced within the larger meld of rock music (maybe it's a little clearer for pop music - I'm not sure)... In any case, here is one track created at the foothills of Ukraine's Carpathian mountains... You may hear a distinct Carpathian whistle and even gamma in this song. I think it gives the song a distinct and tasteful 'ethnic' flavour. This is 'BFD' by Ummagma and I hope you will enjoy it.
in which i attempt to play a monotron duo as a real instrument
in which i abuse the mod feature of an ancient digitech rds 1900 just because i can and there's no one to stop me
Posted an early version of this before. Think I'm calling it done. First minute is pretty spacey and then a song appears, so if you listen have a little patience i guess.