Here's my submission (finally) for the assignment I got for the Great Raffle Request Challenge a few years back. The request: "Record a song (cover or original) on an instrument you don't really know how to play." This one's for Secretariat! [more inside]
My entry for the May/June 'City Songs' challenge. [more inside]
Here's my entry for the MetaMeta challenge. It's a cover of dobie's track hypotech from a while ago, done with many acoustic layers. Thanks to dobie for actually sending me the lyrics too! [more inside]
A remix of an old acoustic cover of a Slipknot song. Glitched-out and re-sampled beyond recognition.
After flaking on too many challenges I was determined to get this one in under the wire, despite whatever life threw up in the meantime to distract me (quite a lot as it happens, but in a good way). [more inside]
For the Bowie challenge, finally. [more inside]
Acoustic tune for this month's challenge [more inside]
Minor variation on an old minstrel tune. Fretless tackhead banjo, marginally played tambourine and bones. [more inside]
A cover of Radiohead's H&D on resonator guitar in open G, for the minor/major challenge. I originally intended this to be a shitkicking country stomper but it turned into something quite different. [more inside]
Cover of Radiohead's "Karma Police" for the major/minor challenge. [more inside]
Vaguely medieval and dirge-like. [more inside]
I don't think it meets the bar MajorDundee set, but I gave it a shot. Adapted the words from Belladonna. Learned a lot! [more inside]
This song was inspired by our singer's video chats with her long distance beau. It is on the new Red On Strike album Her Own Little World, now available for download on Bandcamp. [more inside]
It's been five years since my last attempt at arranging Auld Lang Syne. I thought I might try to start a small fire under it this year. [more inside]
This is a super-rough demo of a song I wrote yesterday for the 'Has Been for Years' song fight. It's a gothic little waltz using a resonator guitar, told from the point of view of a trooper in the 7th cavalry who was killed at Little Big Horn while waiting to be relieved by Reno's troops. Recorded before I put my pants on, for the challenge. Video proof is here. [more inside]
Recorded onto an audio cassette in about 1982 from a radio/cassette player with built-in mic. As a bit of a laugh between recording our more earnest efforts at Irish folkmusic (posted earlier here).The Early Puritans we called ourselves up there in Stockholm. Does it count as a September offering? [more inside]
I seem unable to cover songs (even those I hate) without making them sound completely earnest.
Tumbalalaika, a traditional Russian Jewish love song. Generally sung in Yiddish, presented here in English. [more inside]
This month's challenge isn't much of a challenge for someone who plays oldtime music anyway, but I figure I get extra points for recording this American Civil War era tune on my new gourd banjo. [more inside]
One for the 'traditional' challenge. [more inside]
Just a little carol we recorded for our holiday card. roll truck roll on dulcimer, firemonkey on trumpet and horn. [more inside]
Short, with improvised and awkwards chunks, various mistakes, and a outro that flirts with crashlanding. Peace.
cortex was kind enough to let me borrow the lyrics from his song "The Bottom Falls Out of the Clouds" (which he wrote for the first ever MeFi Music Challenge), and allow me to set them to new folky/acoustic/lo-fi music for this month's challenge. [more inside]
I basically put the words to Hallelujah to an acoustic chill rock guitar thing. and this happened. [more inside]
my take on the monthly challenge fairly faithful but with some harmonies. One take for guitar and vox, one take for harmony, no level altering (it needs it, it also needs the guitar rerecording, but no time!). Again recorded by singing and playing at my mac. One day I'll set up my recording gear!
For the April "two chords" Challenge. The two 3-note chords even share a note in common, so we're talking a total of five notes serving as harmonic accompaniment for this song. Played on the strumstick. There's a hoop drum, too, of indeterminate pitch. I posted a lo-fi, live version of this song to YouTube as well, direct from my 6-mat tatami room at home. You can see it here.
An entry to the amnesty challenge, trying out the "wrong" challenge. [more inside]
As requested by chococat, and featuring the great Karlos The Jackal on marimba and toy piano. [more inside]
My submission to the "a song sung in a language you don't speak" challenge. [more inside]
I wrote a country song awhile back but never got around to figuring out how it should end. The latest Mefi Music Challenge provided suitable inspiration. [more inside]
My attempt at the Metafilter lyric challenge [more inside]
A song about dying [more inside]
An acoustic demo I did a while ago for a Derailleur song called Superhero. [more inside]
Fellow wants to cross a bridge, but it floats up into the sky. Woman comes along but she turns into smoke. Fellow throws a fistfull of dirt in the air, gets a new idea, goes and does some other stuff. Then there's a happy ending. Written for the "bridge" challenge, but I reckon you knew that already. Guitar by Ken Kawashima, who can also be heard here and here. Lyrics inside.
watching the river flow, I stumble upon some memories - more vivid than others.
Written and recorded for the serpentine challenge now underway. My buddy Ken Kawashima brought in the North Mississippi blues riff and yours truly did the rest. Apologies to animal rights advocates, but some snakes were severed during the recording of this song. Had to be done. [lyrics inside]
A song by my band, the Notes and Scratches, kind of about Vivian Eliot and featuring a bunch of water. I sing and play the acoustic and the harmonium.
This is a slightly older song, released in '06, but I thought it fit the challenge. I wrote it shortly after moving to L.A. when I was awakened by a thunderstorm, and fell back asleep to some strange dreams... -Leland