Turns out my version of the serenity prayer involves a lot more quantum sci-fi and psycho-killer imagery. Been working on this for a good while, trying to figure out how to program drums for a slow 6/8 time. Pretty happy with how it finally came together, but I'd love some pointers. Still worried it's a bit too saturated, but that's kinda my MO. Lyrics in the fold. [more inside]
Another quick 'jazz' tune recorded during the week.
Made famous by The Andrews Sisters in 1949, here I use a beautifully understated jazz guitar version by Pizzarelli and Vignola as backing. It's been a long while since I recorded something to post, so I hope you enjoy it!
An arrangement for solo electric guitar.
old/well-loved song. been meaning to throw this up for a while. jazzy ditty about the internetty world. needs a competent brass bit if anyone's interested. [more inside]
I'm doing an album this month, and this is the first thing I've recorded for it. I think the album will be mostly or completely instrumental, but we'll see. [more inside]
Lately I've been in a mood to sing vintage romantic standards in a very straight up way. Some day I want to do a version of this song inspired by Anita O'Day. This ain't it. You can still feel free to dance, though! [more inside]
Rehearsing some totally new Gershwin torch songs. Well, not new for the Gershwins. They're pretty dead. New for me, though. :) [more inside]
Back in either middle school or high school, in music class, I wrote my very first melody with a classmate named Mathias Knutzen. The assignment was to take a text from one of our books and create a song with it. We chose Robert Frost's poem and came up with this pseudo-jazzy tune. I always liked it, so I kept the "digital chord sheet" around and played it from time to time. More than 15 years later, here now is a brand new recorded version -- complete with brushed drums and falsetto background vocals. [more inside]
Imagine a truck full of fruit, hauling ass down a long, winding road. It's driver, eyes red and glowing with hate, oblivious to the trail of oranges and grapefruits he leaves behind... [more inside]
Yes, it's Disney, with some nice jazzy guitar as background courtesy of Adrian Holovaty...I tried to add a few touches of my own, I hope you enjoy.
I'm jumping back into music with both feet right now, so here's another rehearsal recording for your listening pleasure. This sweet tune was introduced by Nat King Cole back in 1952. You young whippersnappers probably remember it from elsewhere though. Sigh. [more inside]
Back to practicing new repertoire with my freakishly adorable guitarist Barry. Yay! Sooo, here's a pretty straight and peppy little version of an old standard tune by Fats Waller. [more inside]
Forgot to upload this last track from my friend Matt and I. Instrumental, two acoustic guitars. [more inside]
Solo guitar. One quick and dirty take, recorded with the windows open. [more inside]
jazz tune. also, "jazz" tune. [more inside]
A big ol' composition kind of song. Just a little bit like "post-rock" I guess. As before but this time with multiple takes, stereo, and fun little stuff scattered all around. It's also my first project using Logic Pro, which seems to rock
Rehearsals : three tunes that we (a big band) were to play on stage in a small jazz festival in Millau, Aveyron, southern France.
Another excerpt of a previous too long post. Tired of playing over improvised and random changes, I brought the Ellington tune to Olivier. I played the rhythm track, he played the melody, then I managed to play a solo. Hope you like it.
My favorite jazz standard, done as a solo acoustic guitar piece. Apologies for the audio clipping at 2:02. (For some reason, the MeFi audio preview is playing it in a lower key and slightly slower; I'm not sure how to fix this, so I'll leave it as is.)
Hi, This is not what you can call a song : rather a collection of recordings pasted together. As in the Real Book, some standards are included. But this track also includes sounds taken from the real world, like a street scene, or rehearsals. It is a deliberate effort to try to match apparently unrelated recordings, from different sources. The Real Book, paradoxically, features charts for some idealistic land. Here, I wanted to use sounds both from the inside (music) and from the outside (raw field recordings) to see how ironically they are related and to provide some contrast. What you're about to hear : a saxophone playing Don Quichotte, a late night Dulcinea, two versions of a standard, and guitar comments.
The Smoke Alarm Sessions, cont'd. I've been learning Caravan. I love the way Ellington did it a lot. Nowadays so many people play it very straight ahead, & I think that gets boring. So we experimented. At first Barry tried to put a funk beat behind it, but I'm not sure about it. On the second chorus I was thinking that since I've been to Egypt I should use that as inspiration to experiment with different melodies. I think in the future I'll probably take that a lot further, I kind of liked the feel. So, we'll see.
4/10/07 rehearsal recording in LA. Trying out some new repertoire... well, new for me. This adorably sweet little song was written in 1928. I decided not to put any kind of modern spin on it, but to just sing it slow and straight. (Guitar by the always adorable Barry Zweig.)
This is a very rough recording (of quite possibly my favorite ballad ever) from a rehearsal in LA a year or so ago. I was working on possible CD repertoire with jazz guitarist extraordinaire, the oh-so-adorable Mr. Barry Zweig. (Written in 1942 by Bill Carey & Carl Fischer, You've Changed has been beautifully recorded by Dexter Gordon, Billie Holiday, Nancy Wilson, Ella Fitzgerald, Sarah Vaughan, Nat King Cole, Kay Starr, Diana Ross, Charlie Shavers & Eva Cassidy, among others.)
mudpuppie, slathered in milk duds.