A new take on a classic midi
A loud, frenetic jam in F#, dancing between half-time/double-time, with synth slap bass!
i. Sitting ii. Changing iii. Standing iv. Spinning
Just a short random sampler improv with a bit of guitar and recorder (of the plastic flute-type variety.) [more inside]
My wife Nadine decided to do a little reorganizing in the kitchen a week or so ago. I pitched in, but set up my handy little Tascam DR-05 to record the resulting racket... [more inside]
I hope remixes are ok here...I purposely used a minimal amount of the original song. It's an experimental remix of White Lies by ODESZA.
Loops of slow disorienting guitar noises, and other sound wierdness. Sections fade in and out of one another, building and cresting. I picture it akin to an adult version of riding on Willy Wonka's fucked-up boat ride. [more inside]
When it's time to move
An experiment in writing songs without choruses. [more inside]
A creepy sound collage by my old old old band Haunted Housewives. Closing track from 1995's Worm Temper Tantrum Terrors cassette. [more inside]
Trying some further electronic stuff.
Carbon 7. Recorded March 9th 2013, the night comet Pan-Starrs first became visible to the naked eye in the northern hemisphere. [more inside]
"Just watch me": noisy & dubby
A fast tempo is ceremonially relieved by a slow tempo
Short, rhythmic, jazzy
Different synths, different arps, different drums
There is always that belief out there that musicians often self-create bad situations in their lives so that they have something to write about. ;) Well, here is one track that actually was written as an apology after a lovers' quarrel :) Oh yeah... [more inside]
Inspired by the flames in her brain. Sculpted on an ipad , on the bus , over a few days.. Feedback always welcome
This is another sparse, experimental piece. A solo synth arpeggiator is cycled through a given set of notes and cut off at random before the next iteration off the cycle begins. Because of the simple chord progression & the patch's programming to produce an ostinato on the last-played note in the sequence, and because the sequence is always cut off at certain rhythmic intervals, a specific set of tones is isolated, creating a short, diatonic tone row. The separation between iterations was randomized to create space and add interest.
A psychedelic trance inspired by scrambled eggs and geometry. [more inside]
When the radiant bliss of classical music comes to enter the realm of dream pop ambient downtempo, something serene yet pensive may be the result, as in the case of this track. Initially when we composed this track, there were lyrics and vocals, but then our computer blew and somehow the vocals didn't survive. Today it is an instrumental.
Since music is a powerful force capable of evoking an endless array of images to one's mind, this represents just the diverse dynamic space, vocal free, to be a canvass for whatever the listener can dream up. This is for dreaming, after all :)
What happens when you let your seven year old son take over your home project studio for a few minutes? Turns out, you get experimental electronic fun (with help from dad). [more inside]
This is one spacey tangent-filled whirlwind of an electronic mix, slicing elements of Ummagma's original version of 'Lama' into a whacked factory of digital sound - not for the light hearted when it comes to electronica, but certainly worth the trip :)
If you are anything like me, you sit in awe during all the 'musical moments' laced throughout any Fellini film (music composed by Nino Rota). Combine that with the unexplainable excitement during those lively Balkan snippets of any memorable scene of most Emir Kusturica films… that is what this song feels like… to me anyways.
I got in a car crash about a month back. No one got hurt but it was still kind of scary (I had my 13 month old in the car and she was screaming and crying) and afterwards, it was really depressing/distressing. It was really hard to get to work and I couldn't go anywhere and then there's the money I had to borrow to fix the car. [more inside]
This track makes it a lot easier to imagine how the classical work of J.S. Bach could be meshed into a dreampop track, something that is rarely seen or at least, that is rarely pulled off well (The Verve and The Farm come to mind as other successful cases of this happening). [more inside]
More experimental ambient sketching. Inspired by a sunset I saw today.
First song off my new EP, strange psychedelic pop, maybe a little scary [more inside]
Music I wrote while searching for Minsky's The Society of Mind. A kind of experimental Baroque for piano. [more inside]
Been playing around with synthesis recently - this is the first thing I've made that I'm relatively happy with. [more inside]
The pulsing drive of this tune unquestionably has a swaying effect and, taken together with this song's layers and subtleties seems to make all the difference. Sway sway sway!!! [more inside]
If you were to roll up some element of Brian Eno, Robert Fripp and Bill Nelson, and paint it with a slight shoegaze ethereal hue, this might be what you would get… Enjoy this Ummagma track! [more inside]
Space rock is a term that is often over-used for various psychrock tunes, but it is dead on for this track from Sounds of Sputnik. Or space post-rock or even space post-rock shoegaze. Looking forward to your take on that.
By Robotic Storm Cloud. Composed in 2000 or so (!) using wave editors and Sonic Foundry Acid. Crazy samples, drum loops, the works. [more inside]
Post-rock always seems embedded with the sense that something is dire; however, shake it up a bit to get a kind of post-rock indie shoegaze vinaigrette and Sounds of Sputnik is likely what you would come up with. This is Ambiguous Sense of the Future.
A very short prelude with three variations built from that and each other. Experimental work for piano. [more inside]
Kiev-based electronic instrumentalist Dunaewsky69 (a.k.a. Oleksandr Gladun) is one of Eastern Europe's most productive DJs. Otherwise dubbed as the "electronic pilot", his most recent EP "Termination Voice" was nominated for the Qwartz Electronic Music Award. This is his latest remix for Ummagma "Lama". This remix is a departure from the original Ummagma version of "Lama", but hopefully you can also appreciate this remix. [more inside]
Another early (and small) piano piece of mine but this time more experimental having moved from just atonal in a Stravinsky/early Prokofiev style to a more Cage/Feldman-like aesthetic. [more inside]
An extremely challenging experimental noise-scape with massively overdriven synth loops. [more inside]
Something about bridges or something [more inside]
This is a experimental punk rock song. If you like late Black Flag and early Public Image Ltd stuff you would like this song.
It is a experimental electronic rock song. Check it out.
Deconstruction and rebuild of office house dub 3.3.3 aiming for an inspiration somewhere between Boards of Canada, Nurse with Wound, Aphex Twin and proto-punk Nico/Velvet Underground. This is intentionally very experimental, abstract, noisy, tweaky, melodic and glitchy. [more inside]
Chill experimental NASA and vintage 70s porn dub. (Safe for work.) [more inside]
"Waves of Waves" explores the sounds which constantly and invisibly lap at our feet, as observed from one particular vantage point on the Westside of Los Angeles. The piece reveals the simultaneously fragile and expansive nature of territories and communities. [more inside]
A live performance of a "reconstruction" of a Zola Jesus song performed at Sonic Circuits Broken Mic Night. [more inside]
A one-off structured song that I recorded in 2010 unlike most things I make... -Yair O
Intricate filtered organ and cello sounds. [more inside]