We made an EP.... here's the title track. Featuring Sredni Vashtar's usual swirls and loops and noises, it was one of four songs recorded and mixed late last summer in South London [more inside]
A song by Bummed, a shoegaze-influenced band my friends and I have been working on. I'm on vocals! [more inside]
Listen, a song by Sredni Vashtar. Recorded, as usual, at rehearsal. The loop drones throughout and the guitar and bass are sparse and simple.
Here's an old song from Sredni Vashtar, revamped, restructured and recorded at rehearsal a few weeks ago [more inside]
Powerful swirling and driving full sonic force, enveloped in a mishmash of postrock, shoegaze, and noise rock. [more inside]
Noisy, swirly rock song recorded at our band rehearsal a few weeks ago. Apologies for the bum notes and obvious errors. [more inside]
Brain Zaps is a song by my new punk/garage band, Brain Zaps. Every band needs a song about their own name. It's the last song from our set at the Town Hall Hotel in Newtown. I'm the singer. The logo was designed by Michael Skattum.
This is a song from my band Blackwolf Beach. We are from Baltimore, MD. I think we sound like punk/melodic hardcore/noisey stuff. There are two other mefites in this band! Josher71 plays guitar and sings sometimes, and petulantbeard plays drums and sings sometimes. I play guitar and sing sometimes. [more inside]
By Robotic Storm Cloud. Composed in 2000 or so (!) using wave editors and Sonic Foundry Acid. Crazy samples, drum loops, the works. [more inside]
An extremely challenging experimental noise-scape with massively overdriven synth loops. [more inside]
Deconstruction and rebuild of office house dub 3.3.3 aiming for an inspiration somewhere between Boards of Canada, Nurse with Wound, Aphex Twin and proto-punk Nico/Velvet Underground. This is intentionally very experimental, abstract, noisy, tweaky, melodic and glitchy. [more inside]
To be played extra loud.
A trace of various examinations of questions I have had about melody, beauty, tradition. This is not the degenerate case, but rather it is about the degenerate case. [more inside]
This is the last track thegreatbigmulp and I did for the February "make an album in a month" challenge. [more inside]
This is a thing Mulp and I just did. HELP!!! [more inside]
Lucid dreaming heartbeat house. Field recordings and textures recorded within the last week here in Seattle. [more inside]
Some lighthearted dance music for Daleks, from an unusually fertile period in 2009.
The second preview track to my upcoming album. [more inside]
This is a chopped up awful tv show. 53 points if you can figure out what the show is. This is a solo piece, BTW.
You and I, and he, are all who have this key [more inside]
my friend found and hacked a dollar-store musical toy duck...and this piece is made of the awful and fascinating sounds we made with it. [more inside]
Mulp and I worked on this yesterday. He played bass, synth, guitar + vocals. I did the programming, mixing + vocals. It's a rough mix, but a fun start to a new project. It features mostly instruments modded or repaired by me incidentally. [more inside]
More noisy electro/break bitmuxing. (beta mix)
So there was this awesome ask.MeFi post, "For Grigori I sold goat" -- A Christmas Mystery. [more inside]
This began as an improvised piece involving a Poly Evolver synth, a Memory Man pedal, and an iPhone running Moog Filtatron. Then I decided to bury everything in noise, fuzz and tape flutter until it became nigh-unlistenable. Enjoy!
an improvisation on my smart phone, recorded in the breakroom during my lunch break at work [more inside]
An improvisation on an instrument programmed using the csound DSL for audio synthesis, running in real time on a nokia n900 smart phone. [more inside]
Welcome to Teen Island (Season One). We here at MTV started this reality show with the best of intentions. But things have gone horribly, horribly wrong. [more inside]
Noise and feedback. Swirling, swirling, swirling! [more inside]
Cruising down the LA river from Griffith Park to East Side while utterly stoned on a sunny afternoon on a low key adventure past huge graffiti, booming lowriders, homeless camps and a surprising amount of nature.
Some noisy, synth-driven ambience from my new album, Never a chance.
In the spirit of David Tudor's Rainforest pieces, but the wrong animal is singing. [more inside]
Remix/remaster of "this is what it sounds like when you shrink a lowrider down and go cruising around for circuits to listen to on in a motherboard and then there's an earthquake" for better bass and mixdown. [more inside]
this is what it sounds like when you shrink a lowrider down and go cruising around for circuits to listen to on in a motherboard and then there's an earthquake
Piano, voice, glitch, noise.
Me and MeFi's own Minus215Cee. I play the squishy trumpet and scratchy electronics toward the right, he plays the sharp sax toward the left. [more inside]
A new synth program still in progress at the time. I hit 'record' only to consider various knob twiddlings, instead it turned out to be a complete solo. [more inside]
A recording of live synthesis made in Da Vinci park. [more inside]
A performance with a synth made using the supercollider programming language [more inside]
George Rekers, one of the founders of Focus on the Family, needs love and self acceptance. This love song is made with his own words, as recorded by a journalist shortly after he was seen with an escort at an airport (along with some simple synthesizers). [more inside]
A short song with some talking. Two tracks of ukulele, a drum loop, one canned organ blast, distortion. It's 8 degrees outside and the song reflects that. Recorded by The Grandma Sylvias, January 2010.
Some shifting noise and randomness. [more inside]
Just some music I just made just now. [more inside]
HTEETH remix of Carpet of Sexy vaguely referencing the MC5 [more inside]
a song by my band, fm campers. don't really know where this falls, genre-wise... electronic rock noise-pop? [more inside]
Spoken word/ambient noise piece stolen from and dedicated to e.e. cummings on this day, the near midpoint between his birthday and deathday.
There's noise in the chain. [more inside]
A "disgruntled" version of a song I've been playing with for a while. Wrote the 'actual' song, but ended up preferring this nasty explosion of multi-tracked vocal and noise to the acoustic version.