Voices, echoes, splices
I wrote & recorded this song on the day after Xmas, 2016. It's an electronic experimental groove with some serious rage behind it. Hope it's as cathartic to dance to as it was to make! [more inside]
Windows 2000 logoff sound and Phife Dawg
A new take on a classic midi
A loud, frenetic jam in F#, dancing between half-time/double-time, with synth slap bass!
i. Sitting ii. Changing iii. Standing iv. Spinning
When it's time to move
Trying some further electronic stuff.
A fast tempo is ceremonially relieved by a slow tempo
Short, rhythmic, jazzy
Different synths, different arps, different drums
This is one spacey tangent-filled whirlwind of an electronic mix, slicing elements of Ummagma's original version of 'Lama' into a whacked factory of digital sound - not for the light hearted when it comes to electronica, but certainly worth the trip :)
By Robotic Storm Cloud. Composed in 2000 or so (!) using wave editors and Sonic Foundry Acid. Crazy samples, drum loops, the works. [more inside]
Kiev-based electronic instrumentalist Dunaewsky69 (a.k.a. Oleksandr Gladun) is one of Eastern Europe's most productive DJs. Otherwise dubbed as the "electronic pilot", his most recent EP "Termination Voice" was nominated for the Qwartz Electronic Music Award. This is his latest remix for Ummagma "Lama". This remix is a departure from the original Ummagma version of "Lama", but hopefully you can also appreciate this remix. [more inside]
An extremely challenging experimental noise-scape with massively overdriven synth loops. [more inside]
Something about bridges or something [more inside]
Deconstruction and rebuild of office house dub 3.3.3 aiming for an inspiration somewhere between Boards of Canada, Nurse with Wound, Aphex Twin and proto-punk Nico/Velvet Underground. This is intentionally very experimental, abstract, noisy, tweaky, melodic and glitchy. [more inside]
Chill experimental NASA and vintage 70s porn dub. (Safe for work.) [more inside]
Intricate filtered organ and cello sounds. [more inside]
cowbells, beautiful summer day, cow goes nuts. it's mad cow meltdown in under 2 minutes. [more inside]
I don't really remember how I made this...it was several weeks ago now...but I think it's old tamborine and piano samples; plus, bicycle spokes? and dowel rods maybe? yeah, it's made of stuff. [more inside]
A bunch of bored Intro to Music History undergrads, coerced into making some weird sounds. [more inside]
this one...is actually..."pretty"... [more inside]
made with small wooden boxes and bicycle spokes. Very dancy, if you dance kinda funny. [more inside]
my friend found and hacked a dollar-store musical toy duck...and this piece is made of the awful and fascinating sounds we made with it. [more inside]
A few of you wanted to know when my band Voodoo Economics's next album came out. Welp, it's out. It's called 'Nighttime Sabbaticals'. Here's a track from it. [more inside]
Continuing with my beat-oriented theme of late. Autechre-like, but they're still 1,000 times better than I am. This one's noisy and glitchy, just the way I like it.
A curious alien has snatched one of our spacecraft from orbit and sent back a very strange signal...
There's a way in at the back. It sounds better inside.
High dynamic range and distortion wrapped in a a heartbeat-like 73 BPM.
Something a spacecraft might hear on the edge of the solar system
A mellow, trippy piece with a discordant edge. File under "dark ambient for stoners."
2 minutes and 30 seconds of crap
A dark, drone/noise piece that develops slowly
A relaxing drone; noise waveforms are dominant again
Extra dark and ominous; uses mostly noise waveforms instead of sine waves
Exceptionally resonant bass channel with two layers of percussion on top [more inside]
Dark ambient work with an industrial undertone and extreme use of reverb [more inside]
Dark and moody. Lots of reverb. This is my fourth generative piece.
Six layers of sound, created completely from scratch in the Operator soft synth, sent through a filter delayed return track
Second generative piece; bassy pad and six layers of percussion
This is a short IDM-esque style electronic piece written in the fall of 2008. I was largely inspired by the idea of Klangfarben melodie, and tried to incorporate a lot of tone colors in the piece, especially by experimenting with modulating the LFO rates of the synthesizers to different degrees to create many different "colors" of the same basic sound [more inside]
Endcaps of warbling drone punctuated by bass stabs, and a middle section of high rhythmic complexity [more inside]
Some experimental ambient textures and layering. Contains samples from Hulk Hogan & The Wrestling Boot Band, Unique Ason, Detroit Grand Pubahs, Björk, Four Tet, Morgan Freeman, and Busy P. Also some sampling of dirty audio jacks. Title from Fadhil al-Azzawi (Iraqi Poetry Today).
Squeezed in on the last day of the challenge, this is a modern snake charming piece. It's ambient/experimental/electronic. Complete with rattlesnake sample.
A little noisy, a little groovy. It's got breakbeats, wailing guitars and nasty feedback. It reminds me of a cross between Moby and Flying Saucer Attack, hence the name. There are a lot of interesting automation things going on here.
Experimental electroclassical hip-hop track. First one to name the classical piece I lifted for my main brass sample gets a lollipop. (Hint, I play it in entirety in incredibly high-pitched, fast motion near the end of the track).
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