In the event of encountering wild foxes be encountered in the mountains (see yt vid), my repertoire now includes a tune for them.
short/minimal arrangement of a handful of acoustic samples [more inside]
I bought an old Steinway upright recently, on which I've been making pieces like this, which I call "naturelles." Three more naturelles on Bandcamp, here: https://raygull.bandcamp.com/album/naturelles-1-4 [more inside]
In honor of Clyde Davenport, who passed away this week at the age of 98, one of the fiddle tunes he played, although not particularly in his style. [more inside]
An autumnal fingerpickin' instrumental.
I've always known "Black and White" as a fiddle rag, but it turns out it was composed for piano in 1908. When I was a kid, it was one of about a dozen tunes my dad and I played together (over, and over, and over) with him on guitar and me on fiddle. In a total coincidence (no, really) my band decided to record it for our upcoming album “High on the Hog”. I never played it quite like that with my dad, but looking back it's fun to imagine I was practicing for this. [more inside]
Henry King's Reel, a fiddle tune written by Trevor Stuart of Haywood County, North Carolina. [more inside]
A seasonally-appropriate fiddle tune, with solo fiddle triple-tracked but otherwise unprocessed. The fiddle is in DDAD tuning, which I like a lot. [more inside]
Long time no tunes! A simple tune on the classical guitar, sketched out after my daily struggle to learn Chopin & Satie songs. Birds, for interest.
A traditional fiddle tune, recorded live at the Rainspout festival in Yachats, OR, November 2015. [more inside]
Percussive acoustic guitar through tape echo, with processed vocal. I don't know what you call this kind of music.
Acoustic fingerstyle blues instrumental. My first effort at writing a riff blues, and also my first effort at recording. Completed as a final assignment for a Berklee Music MOOC. [more inside]
Not the old-time tune you may be thinking of. Fretless banjo with a percussion loop. (As it happens, Garageband's Jazz drum kit instrument has a rattle that sounds a lot like a jawbone.) [more inside]
Solo stroke style arrangement on a fretless minstrel banjo. Another quickie from Briggs Banjo Instructor, 1855.
Instrumental on fretless minstrel style banjo, played more or less as arranged by Phil Rice in his 1858 banjo instructor. [more inside]
This just sort of happened.
Just a quick little doodle from this year's RPM Challenge album. And, yes, this is my first MeFi post. Be gentle.
another piece on 12-string acoustic. [more inside]
instrumental on 12-string acoustic. [more inside]
Mrs. Archivist and I are collaborating on musical project. Recording includes acoustic and electric guitars, synths, traps, accordion, and cello. [more inside]
Traditional old-time fiddle tune in D, instrumental clawhammer banjo & guitar. [more inside]
An instrumental track that went under the working title "pseudo-eastern." Most prominently features guitars, lap steel, fretless bass and programmed sitar sounds. The subtle percussion is a spinner ring kind of like this one, run through a healthy dose of reverb. [more inside]
Acoustic guitar instrumental cover of a very popular song, I won't mention the artist, perhaps a commenter can spill the beans :) Recorded in two parts.
A little upbeat piece I came up with one day mucking around with some friends - not the greatest recording quality, the microphone I used was actually one of those headsets that I clamped over the guitar. Still its one of my favourites, hope everyone gets into it.
Another acoustic, instrumental tune. This is the first track I've made in GarageBand (my Ubuntu machine died hard last week).
A short, chilled-out acoustic tune.
Early morning front porch music... [more inside]
My friend and I play a lot of acoustic music around local coffee shops in town. Here's one of the many mandolin tunes we wrote in my living room last summer. I'm on mandolin and my friend is playing backup guitar.
Just A quick instrumental all mixed in the Gopher Hole done with my acoustic guitar.
This is one that I put together thinking about the time I was working down in Jupiter, Florida. I was sitting on the fender system of a bridge fishing, watching the pelicans diving in the water doing some fishing of their own. They were so close to me that I could feel the breeze as they passed by me. Watching them and the sail boats in the inlet inspired me with this instrumental. This song I recorded about a year ago and thought that it might fit into the "bridge" music challenge.
Ever had that feeling when you wake up, that today seems just like yesterday? And as the day goes on, you just confirm that it is just like yesterday? And as the week goes on you realize that it is always the "Same Shit Different Day" routine? Well this is my version of that same feeling but said with a different twist. "HERE WE GO AGAIN" This version is ruff and unfinished but I wanted you to hear it anyway. I hope that you enjoy it. **Randy Curtis**
It's nice to be at home with some guitars at hand. I wanted to participate to the challenge, but this tune has nothing to do with water. To me, it evokes a procession of hens in a courtyard, near and around a drowsy rooster. Images of aimless loopsided wanderings, long seductive dances. What is the rooster dreaming of ? just another bunch of hens I guess. Then he awakes suddenly. Too bad this wasn't the theme of the challenge. Enjoy.
As fresh as possible, in a slightly different mix than my previous upload, to give some more presence to the tune. The rhythm track was under electronic dust somewhere on my drive. I had recorded it without bothering to turn off the radio, so it is heard at the quietest moments. I've added a melody and a solo, as well as some percussion, but it's still a very tiny addition. Flaws included.
Two short and very meditative improvisations from some time ago.
I wrote this maybe four or five years ago. No words, just fingerpicked acoustic guitar. Minor, kind of moody.
Four years ago, I was trying to feel what it's like to be able to improvise. These are three takes over the same short chord cycle : take 2, 1, 3. My conclusion is : to improvise, you have to be able to wait.
I knew I had to play the flute. I found a bundy on ebay, and when I received it, began to play right away. This recording features guitar, flute and harmonica. Improvisation as usual, raw bossa vamp as background, no composed melody as such. Could have been longer without the telephone.
which stands for : guitar flute harp flute guitar. Last year my sister gave me her old dell inspiron 3800. I installed audacity on it and was in for multitrack recording. Actually, I didn't know that I could listen to the previous tracks and recording at the same time. So I recorded the first four tracks trying not to lose the tempo and then moving the track so it fitted with the rest, adding layer by layer. By the time I recorded the solo I had managed to listen to the background. Composition is not too ambitious, it was just a matter of testing.
hi, Sometimes you're just looking for something as peaceful as possible. Sorry for the unavoidable flaws.
hi, it's raining outside, I just wanted something warm. Short and improvised.
Rough arrangement of Imogen Heap's "Hide and Seek" for the steel-string guitar. I put this together about a month ago, after the SNL "Dear Sister" sketch introduced me to the song.
A little something my girl and I put together.
hi. This is actually my first attempt at improvising over a vamp. It was recorded with a 500 mhz computer and a webcam. First track recorded first, then played through the speakers so as to allow me to improvise over it, and then the whole recaptured by the webcam again. Hence the muddy sonics. The computer had trouble to play and record at the same time : results in clicks. On the whole.. I like it. Listen to my next post to compare with a cleaner version. Sometimes the rawer the better.
Actually this song is not my own. I was just wondering... may I point to a beautiful song by providing my own rendition here ? It was written by Silvio Rodriguez.
A quick snippet, to keep you entertained while a proper song is ready. This one was recorded for a TV program here, some time ago.
Fingerstyle arrangement of a trad tune, features backing violin by Gretchen Lohse.
This break I've been multitracking a few songs to pass the time, and this is today's creation. It's pretty simple, but it's a riff that I've had on my mind for a while, and this is the latest incarnation. Even though it's all one acoustic guitar, I'm trying to edge more towards an instrumental post-rock type thing than a coffeehouse thing (not like this is real post-rock, it's just a collection of layered one-takes)
Someone asked for more rockabilly. This is a song written by some friends, Los Esquizitos, performed and recorded here by us, with a drum track laid by their drummer.
Fingerstyle arrangement of the trad tune. Looks like it was transposed down a step during conversion. Link to mp3 inside.
Small song I did for a weekly TV show in Venezuela.
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