From the 12-21-14 Carbon 7 session Inter-Sol-Stice. We went from meeting every couple of months down to 1 or 2 a year, & I fell behind in mixing, so this was somewhat of a forgotten session. A minor epic at 18 minutes, but it holds together. [more inside]
my friend Kyle Butler and I, recording as Kiltertolks. Improvisation, guitar, piano, field recordings/samples, computer generated sounds. [more inside]
Another improvisational recording from 3-9-13, the night comet Pann Starrs 2013 first because visible in the Northern Hemisphere. We recorded in celebration of the celestial event. [more inside]
As in comet. Carbon 7, doing the free-form space jazz thing, again. [more inside]
Carbon 7. Recorded March 9th 2013, the night comet Pan-Starrs first became visible to the naked eye in the northern hemisphere. [more inside]
Carbon 7 doing our mellowest, jazziest thing yet. Joined again by flautist Fred Mitchim. Kept to a pretty sleek 9 minutes. [more inside]
Carbon 7, plus guest Fred Mitchim on the flute. Making it up on the spot, as usual. [more inside]
A quick sort-of-improv on the Rhodes for this month's challenge. Playing it through my ProCo Rat for a little oomph. [more inside]
A team of astronomers using the Atacama Large Millimeter/submillimeter Array (ALMA) has spotted sugar molecules in the gas surrounding a young Sun-like star. [more inside]
Carbon 7 again -- This was the opening salvo at our Solstice show last month. 10 minutes-worth of us making it up as we go. Recorded live at the Carousel Lounge. [more inside]
Sure, the world could end Friday. Or Saturday. Or some other Friday 100,000 years from now. 7 minutes of instrumental contemplation, as it flowed in from the sky, last May. [more inside]
I had this riff knocking around for a while and I decided to do what I sometimes do, which is just slather overdubs on it, and different changes, and let it go wherever the hell it wants to. That's what happened here, only things got a little out of hand. Like Topsy, it just growed. It made me smile, so I thought I'd post it. Rough as a badger's arse, but it has a certain loony charm. Parts of it will probably turn into a song eventually, but this version is it's own thing... [more inside]
Another Carbon 7 song from our recent show at the Carousel Lounge. [more inside]
A spontaneous 20-minute creation by Carbon 7. The first song from our first live show a couple weeks ago. We tripped a breaker at 20:44 or it would have gone longer. [more inside]
In which we jam out on our axxxes. I have temporarily given up even naming these... things. Another long spontaneous session by Carbon 7, my space-rock improvisational trio. [more inside]
Turn off the lights, hit record and just play. [more inside]
Another Improvisational thing from my new band Carbon 7. This one's a bit long, at 19 minutes. [more inside]
A spontaneous composition by my improv trio, Carbon 7 [more inside]
My new psychedelic improv trio, Carbon 7. We're making it up as we go along. [more inside]
Part 3 of a live 27 minute improv. This is the final 12 minutes. [more inside]
Minutes 6 thru 15 of a 27-minute improv, in which Fred Surprises Dennis and I by singing the melody to Within You, Without You, by The Beatles, followed by a musical conversation. [more inside]
(Intro edit). This is the first 6 minutes of a 25 minute improvisation that won't all fit in a 10 mb file. [more inside]
Extended glitchy soundscape, recorded live using today's Google "Les Paul" Doodle and some hardware effects.
an improvisation on my smart phone, recorded in the breakroom during my lunch break at work [more inside]
Improvised song collaboration. I adore the outcome of this moody song. My friend Mark is on vocals, I was on guitar. Bass and piano were added later by me. We literally made this up as we recorded it. Never have made-up, almost gibberish lyrics sounded so meaningful. [more inside]
Welcome to Teen Island (Season One). We here at MTV started this reality show with the best of intentions. But things have gone horribly, horribly wrong. [more inside]
piano, double bass, a rhodes piano and a mellotron wander around a bit. [more inside]
a free improvisation - trumpet, double bass and percussion. slightly groovy near the end. sort of. [more inside]
I have a new song ! Inspired by the numerous posts I've had the pleasure to listen here, I've added a tech touch to my music. My butterfly has decided to rebel against nature and has gained a synthetic voice... but fortunately, he soon gets rid of it and returns to real life.
just to stay in touch
watching the river flow, I stumble upon some memories - more vivid than others.
acoustic guitar, wood, steel, glass, and some rice.
a swarm in a small room.
It's nice to be at home with some guitars at hand. I wanted to participate to the challenge, but this tune has nothing to do with water. To me, it evokes a procession of hens in a courtyard, near and around a drowsy rooster. Images of aimless loopsided wanderings, long seductive dances. What is the rooster dreaming of ? just another bunch of hens I guess. Then he awakes suddenly. Too bad this wasn't the theme of the challenge. Enjoy.
The Count Basie variation of the standard blues changes. Just two guitars, solo and rhythm.
As fresh as possible, in a slightly different mix than my previous upload, to give some more presence to the tune. The rhythm track was under electronic dust somewhere on my drive. I had recorded it without bothering to turn off the radio, so it is heard at the quietest moments. I've added a melody and a solo, as well as some percussion, but it's still a very tiny addition. Flaws included.
Two short and very meditative improvisations from some time ago.
Four years ago, I was trying to feel what it's like to be able to improvise. These are three takes over the same short chord cycle : take 2, 1, 3. My conclusion is : to improvise, you have to be able to wait.
Improvised trio. Guitar, keyboards, doorbell. When you've got a pebble in your shoe, you can't look at the stars.
I knew I had to play the flute. I found a bundy on ebay, and when I received it, began to play right away. This recording features guitar, flute and harmonica. Improvisation as usual, raw bossa vamp as background, no composed melody as such. Could have been longer without the telephone.
which stands for : guitar flute harp flute guitar. Last year my sister gave me her old dell inspiron 3800. I installed audacity on it and was in for multitrack recording. Actually, I didn't know that I could listen to the previous tracks and recording at the same time. So I recorded the first four tracks trying not to lose the tempo and then moving the track so it fitted with the rest, adding layer by layer. By the time I recorded the solo I had managed to listen to the background. Composition is not too ambitious, it was just a matter of testing.
In a cave, several hundred feet underground, a mysterious glow can be seen in the distance. Beyond the dark corridors, a strange music fade in as you're getting close. The spiders are here, tall as houses, moving gracefully, feeding their babies, chanting soft lullabies under the crystal dome of a large chamber. One of them approaches and weaves shining threads of sound. You're not really frightened. Actually you feel rather comfortable as you're listening to the friendly speech. Going back ?
hi, Sometimes you're just looking for something as peaceful as possible. Sorry for the unavoidable flaws.
hi, it's raining outside, I just wanted something warm. Short and improvised.
Another excerpt of a previous too long post. Tired of playing over improvised and random changes, I brought the Ellington tune to Olivier. I played the rhythm track, he played the melody, then I managed to play a solo. Hope you like it.
Hi, This is not what you can call a song : rather a collection of recordings pasted together. As in the Real Book, some standards are included. But this track also includes sounds taken from the real world, like a street scene, or rehearsals. It is a deliberate effort to try to match apparently unrelated recordings, from different sources. The Real Book, paradoxically, features charts for some idealistic land. Here, I wanted to use sounds both from the inside (music) and from the outside (raw field recordings) to see how ironically they are related and to provide some contrast. What you're about to hear : a saxophone playing Don Quichotte, a late night Dulcinea, two versions of a standard, and guitar comments.
hi, here's the sequel to my previous post, lo-fi vamp. During a jam with a friend, I unearthed the two chords vamp from my memory and we noodled a little bit around it. He recorded my rhythm guitar part and a solo, and said he could be working on it in order to add something more orchestral to these basic tracks. Well, he's got craft but my vamp now sounds like a soft porn movie soundtrack to my ears.
Inspired by this post about playing pi to 1,000 places on the piano, I thought I'd print out the notes and see if I could improvise something a bit more musical (if cheesy).
hi. This is actually my first attempt at improvising over a vamp. It was recorded with a 500 mhz computer and a webcam. First track recorded first, then played through the speakers so as to allow me to improvise over it, and then the whole recaptured by the webcam again. Hence the muddy sonics. The computer had trouble to play and record at the same time : results in clicks. On the whole.. I like it. Listen to my next post to compare with a cleaner version. Sometimes the rawer the better.
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