A poppy ditty about a girl's good fortune thanks to yours truly.
Here's another song by drowsy, my one-person band, and once again daja sings guest vocals. Voice and autoharp and nothing else, recorded live to four track cassette (but we only used two of the tracks).
How many autoharps is too many? 'Cause this song has four. (more info in the first comment.)
drowsy, my autoharp-driven one-person-band, briefly expands to two with daja's guest vocals on this song. Pure pop bliss in two minutes or less. Served up winsome and bitter, just the way you like it.
A pop-rock song about bypassing the supermodels and going straight for the solid girls. Tried to write it catchy, melodic and rockin. Feedback would be much appreciated.
Dan and Leland are an acoustic duo blending great guitar playing and vocals with melodic songwriting and thoughtful lyrics.
This one is a few years old; I'm playing and singing everything. The drums are loop-based but everything else is 'live'.
A Metafilter exclusive! This is the studio version of my contribution to the meficomp. It's the second track from my new album, which is available now.
This is a demo that my friend James Burnham and I co-wrote and co-produced last month in Cubase. The harmonies fall apart a little in the end, but I thought it was worth posting. We'll probably re-mix it soon. I'm singing; James programmed. - Tyler Massey
The final song from The Olivers' slap-happy EP. Complete with bald-faced Beatles and U2 references. Listen, Comment, Favorite, and Add To Playlist. Enjoy!
A cover of the first verse and chorus of the Gnarls Barkley song, primitively recorded live a while back when I had a cold. My wife was really into the song and I recorded this for her as a goof, but it came out kinda good.
An unapologetically cheesy Michael/Janet Jackson style 90s epic pop song. I just got a new main synthesizer (Yamaha Motif XS) and per tradition, when I get a new piece of gear, I write a new "demo song" with it. Everything you hear is coming out of this insane keyboard in one pass, no external processing! DON'T hit play if you're opposed to sugary Teddy Riley style swing, you'll be nauseated. I'm an equal opportunity nostalgist! :(
The opening track from my upcoming LP. Handclaps, ooh bop bops, fiddles, and flutes.
Lyrically naughty, musically atmospheric. Features guitars, vocals, brushed drums, African thumb harp, clothes hangers, and a shy half of a fake symphony orchestra.
This is the closing track of my debut LP, Steve Goldberg and the Arch Enemies, to be released 4/20/07.
My wife accidentally broke a vase. This song resulted. It was recorded in a couple of days inbetween other projects. I used no clicktrack, metronome or drum beat, so the timing is nice and loose (in a good way, I hope). It's short, so listen twice!
The Fourth installment by The Olivers, my band with Afroblanco and a few other guys. (Previously 1, 2, 3.) This is another fairly earnest pop-rock song that we think is pretty hot, but without your opinions, we have no real way of knowing, now do we? We thank you all for any thoughts or suggestions you might have.
By drowsy, my one-person band. Pop music with autoharp and drum machine!
The first song off of The Olivers' EP Cleveland Panda Rampage, though the third one to post. (Previously (1, 2)) Afroblanco and I play in a band together. This is a song, well, not about the noble '80's director so much as inspired by his cheesy yet touching brand of passionate sincerity. As always, we want to hear from the people/spambots. Especially the spambots. Thank you.
Another one from the Retrospective. Written when I was 15, I always considered this song to be a more or less blatant ripoff of Lush's “For Love.” The original lyrics were even more painfully awkward than these are, and I was stuck for years on how to improve upon them, but desperation finally took precedence over inspiration: I was literally scribbling them at stop lights on my way to the studio. Not a creative high point, then, but the production is among my sharpest. To their credit, the Science Park line-up of that time made a huge impact.
This is a live version of a song I did with Video, a band I'm no longer in.
In the late '90s, I was the main guy behind an electronic art-pop band called Science Park. After suffering a nervous breakdown in the winter of 2000, I disbanded the group and retreated from the music industry for six arduous years. Now thirty, I've just issued a 15-year retrospective of my life in sound and have re-committed myself to my life's work with a raft of new projects. "Ascension Island" was first issued on a Japanese 7" single on Motorway Records in 2000, and later on my album Disinformation (Obscure-Disk). A tale of love, espionage, and violence always just out of sight, it features my trademark drifting electronics, shortwave radio interceptions, and cool, clean singing. Enjoy.
Okay, so that's not me singing or playing the guitar. But it's the first song I ever wrote. My good friend Sarah Kenvyn then did a bit of a rewrite, wrote some music, and recorded it. Thanks, Sarah!
The second song to post from our new EP. (Previously) This is my band with Afroblanco and some other guys. We're called The Olivers, and are giddy for your comments, snarky or otherwise.
If I was to describe this song with sarcastic overtones, I would say this is a regular run-of-the-mill ageispolis techno song. Well, it's not. This song is anything but typical of what I usually produce. Vocals, emotion, melody, structure... christ, what's gotten into me!?
So Afroblanco and I have a band together with some other guys. (I am on guitar, he on doumbek and other percussion.) Here is the first of a few songs to come over the coming weeks. Cheers.
A slow bouncy pop song from my old band, New Blind Nationals
A bouncy pop song from my old band New Blind Nationals. This song always reminded me of The Promise Ring
Here's an unfortunately prescient political power-pop tune I penned in '02, as recorded by Detroit's own rock foursome LISBOA at our (then) modest home studio in our first collective foray into DIY recording. RIFYL: The New Pornographers and dudes/lady-dudes in that vein. Honky tonk piano (emphasis on the "honky"), a Hammond, some e-Bow, a little vibraphone, and a few too many "nah-nah-nah-nahs," but whaddya gonna do, right? Hope you dig it, friends.
True story. Kid owes drug dealers money, so he tells them his aunt is on her way home from cashing her tax refund check. She is gunned down on her porch in front of spouse and kids.
The Archers of Loaf meet the Bay City Rollers in this humble contribution to the grand tradition of cheeky break-up tunes. Terrible puns abound, but you've been warned. From LISBOA's 2003 EP Either Origami, available here for five lousy clams. Crank it up, friends.
These are the greatest days, and this is optimism rock from The Forget.
Putting the "b" in "subtle," Detroit's LISBOA pens a political power-pop tune that pulls no punches. Alliteration is always awesome. Sounds like: Kansas City's best (i.e., only) Cheap Trick cover band meets Propaghandi at an after-hours bingo parlor. In drag. Dig the horns, dudes and lady-dudes.
Another slice of power-pop rock from LISBOA's self-produced 2005 LP Live from the Grand Hotel Abyss [iTunes link], with a title indirectly inspired by a mefi thread of all things! By the way, you should totally pick up a copy of the mefi compilation CD: it features another track from LISBOA as well as a bunch of great tunes from some genuinely talented mefites, too. Plus, proceeds go to, you know, the kids.
I wanted to end the 23rd Century song posts on an upnote, so here ya go. This is also our Queen tribute, so be ready for my bad Brian May impersonation. Sorry for posting so much, I hope it hasn't been too irritating.
Another track from the new 23rd Century Album, and because you demanded it, one more song after this one. You can DL the whole album for free from our website.
A song from a recording session I did with my brother's band (He's the singer). The band is called Beautiful Blonde Pineapple!
The second to last song I plan to post here, this one was intended to be fun, not work. Thanks very much for the kind words on the previous songs, everybody!
The second song from the new 23rd Century album. This one is written by The Platypus.
The first song off of the new 23rd Century album - "Will The Moon Explode In...The 23rd Century?" The entire album (and our first album, as well) can be downloaded here.
Running with the unofficial Christmas Comes Early themea one-off from 2004, perfect for a mythical antichristmas album.
It's getting to be time to put together the Christmas mix tapes! This was recorded by a band I was in in 1991. Our new guitar player, Michael Cox, brought us the song so he sings lead. I'm one of the girl background singers (heard best toward the end) and might be playing a tiny bit of guitar (I don't remember for sure), and I know I played some jingle bells near the end of the track (What Christmas song doesn't have bells?). It's a goofy singalong sort of holiday tune. I like it a lot. I wish I had a better quality copy, though. We recorded this song along with another batch of demos, in time to get airplay on KNDD's local music Christmas show that year... then promptly broke up before even completing all the tracks as a band, though I went in to the studio later to finish. C'est la vie.
Thanks for all of the great feedback you guys have given so far on my other songs. This song is one I worked with my friend Andy on. He is playing acoustic guitar which I then chopped up quite a bit.
Hey all, this being my first post, I'll go ahead and explain the situation, for the sake of future songs. I write the music in FL and my friend Dave from back home in TX does the vocals in this yet unnamed project. We're still trying to acquire a sound, so we're knocking simple stuff out of our system first. This song is our (poorly mixed) cliche love song, only about a MySpace stalker. The amount of cheese should make you smile.
A calm and smooth falsetto song with lyrics lifted from an emergency first aid poster (with some additions turning it into a love song). Features guitar, bass, piano, and electronica-style rhythmic vocal snippets.
me, my guitar, and a computer microphone. Simple but sweet.
Julia / you've got a lovely uvula / I wanna take you to Florida / so please say yes We'll start a family / play lots of D&D / and watch the Goonies / on VHS
As long as songs about colored dinosaurs are on the front page, I thought I'd add mine. This song is about 8 years old (hence the junky analog recording). It's about a little orange dinosaur I loved when I was a kid.
This was inspired by Senator Barack Obama's courageous stance against 8th grade graduations, which I heard about on NPR's Wait Wait, Don't tell Me back in August of 2005.
A dancey synthpop song about the romances of hipsters.