A short instrumental piece (featuring synth) in which I basically have fun building from a loop. This is my entry for the MeFi Music challenge to submit music inspired by a MeFi post (I Saw This Thing On The Blue And...). Credit actually goes to three MetaFilter-related posts from last month: two MeFi posts by not_on_display and one MeFi Music post by ignignokt; they inspired me to create electronic music again after a decade+ hiatus. [more inside]
I'm happy to present my collaboration with not_on_display: this is our version of a neat little tune that was included in The American Songbag (a 1927 folk song collection by Carl Sandburg); the song there was itself derived from a late 19th-century song by William S. Hays. [more inside]
I had a great time collaborating with billiebee on a cover of this traditional folk song/sea shanty. The goal was to record a simple arrangement that was different from the more lively covers out there -- to borrow billiebee's phrase, a gentler version. I'm hoping our rendition highlights the lovely melody of the song. [more inside]
Classical guitar, pump organ, harmonies, friends far away. [more inside]
Home demo for a future studio recording. An atmospheric tune about driving at night through small-town Canada. Lyrics below the fold. [more inside]
Home demo for a future studio recording. A contemplative tune about a man working on the DEW Line in 1950s Canada, writing a letter home to his estranged wife. Lyrics below the fold. (Pardon the tentative lead vox, as this one's a tiny bit above my normal range and it's brand-new.) [more inside]
A catchy tune about two guys who take a twin engine plane out for a joyride and crash into the Great Salt Lake. Proper title TBD. [more inside]
A cover of the MGMT song. Just me on vocals, guitar, and bass. Inspired by a recording I have of Ben Lee playing this song live. [more inside]
A cover of the classic Five Stairsteps song, put together last week by a bunch of us around the country via Facebook, Dropbox, etc. [more inside]
"Christmas," written by Florence Dore, and also recorded by Fuzzy and the Posies. It's not a Christmas song -- or if it is, it's one of the bleakest. This cover is by me and my iPad. [more inside]
My new band. Our new song. Video link inside. Just watch the video. Hip-hop influence pop-dance weirdatude. [more inside]
I thought I had uploaded this 1998 live living room recording but I guess not. Yet another example of my old band's Bee Gees fixation. [more inside]
A short song about the positive and then the negative male relationships in my life. Features classical guitar, reverbed out bowed banjo, auto-tuning, synth, french doors slamming. This is the latest in a string of versions of this song, having trouble finishing it. [more inside]
This is a dark folk song about Depression-era New Orleans. It's a collaboration between my wife and I.
For some reason I entered the New Year feeling despondent, so I wrote this to cheer myself up. So I suppose it's a resolution. [more inside]
Are we there yet? [more inside]
Shorter, sweeter mix of this responding to some of the suggestions on the last one. Lost the first intro, cleaned up the drums, changed the harmonies slightly, brought up the melody guitars, and dropped in a blazing little guitar solo, even if I do say so myself! It's under three minutes now -- give it a listen! Now just have to figure out the B-side...
A four-part a cappella take on an old English nursery rhyme. The melody is traditional; the harmonic lines were written by my friend Laura, who also sings each line. This is our first attempt at this (her first performing, my first recording/producing) and I'm still trying to think of ways to make it better.
So Aimee Mann and Bruce Springsteen are in a bar discussing the greatness that is Living on a Prayer, but what they haven't noticed is that Toto are at the next table, and Sonic Youth just walked in the back... [more inside]
The (hopefully) final mix of Y&SF with all the problems fixed and Major Dundee's epic solo finally loud and proud before the last chorus. [more inside]
Final mix of the song I posted a couple of days ago incorporating a couple of changes suggested by uncleozzy. [more inside]
Today's espresso-driven shot of melodrama power-pop. Originally written around 1995, I think I finally nailed how it was supposed to sound. [more inside]
I wasn't at all happy with the first version of this challenge track that I posted. So I redid it, and now it makes me feel all sunshiney inside. [more inside]
The Byrds meet Gary Glitter at a party hosted by Teenage Fanclub. [more inside]
Someone suggested I re-record this with a heavier treatment. So I threw the kitchen sink at it. Guitars, guitars, more guitars, a cello section, some HEAVY guitars, harmonies and a bonus weather forecast. Don't let the quiet beginning fool you. [more inside]
Amped up version of a song I posted a few days ago. Gnarly guitars, Hammond organ, sweet harmonies, in a Television / Big Star / Matthew Sweet frame of mind. [more inside]
This is the first song I've ever recorded using real mics instead of my laptops internal mics. Also, first time I've played a bass. [more inside]
cortex was kind enough to let me borrow the lyrics from his song "The Bottom Falls Out of the Clouds" (which he wrote for the first ever MeFi Music Challenge), and allow me to set them to new folky/acoustic/lo-fi music for this month's challenge. [more inside]
I just listened to the man's Live in London album tonight, and decided to spend the rest of the evening hammering this out. [more inside]
This is an instrumental, and the "biggest" song I've ever tried to record. It has some really nice vocals by Leah Wilmoth (who sang in my last upload), and a CACGBC tuned guitar. Also a banjolele. I haven't heard it on speakers, yet. I would love to hear any thoughts on this piece. [more inside]
Rerecorded version of "'Til We're Dead" from my forthcoming EP. [more inside]
modular, snap-tite interlock pop. A song about recording alone.
Jumping in on Mediocre's thread asking for songs in need of lyrics, here's one. Recorded this quite a long time ago and never came up with any words. Listening back it sounds to me a bit like a cross between early 70's Beach Boys and "Your Mother Should Know" if that makes any sense.