Just a little song from my weird little indie folk heart. Actually reworking something old and the first thing I've recorded in a while, since I was pretty tired from the whole process of putting out my first EP in January. Also...stuff?...has been happening to my voice because I am trans and recently started testosterone therapy, I really notice the change in how my voice feels and I certainly hope others can hear it too!
So I feel like I owe a thank you to MeFi Music--this is the first place I started putting all my works in progress, even when it was just iPhone voice memos. Getting a few thoughtful comments was really encouraging and lovely. Then I graduated to better home recordings on SoundCloud and here, and today I put out this "official" first single everywhere. Yet another intense, moody alternative folk song with a real guitarist this time. [more inside]
It's been a while since I posted any of my new songs here. What do you think of my kind of new direction (and quality of the recording)? Alternative folk-ish, acoustic song with clean vocals, guitar, mandolin, harmonies. Sounds happy but the lyrics are not. [more inside]
That is, I just got an electric guitar for the first time and it features heavily in my new song, "Georgia." Catchy, moody indie folk/folk rock tune.
Post of the week...intense acoustic folk song. Guitar, vocals, piano.
Post of the week! This is a new (and improved?) version of a song I posted quite a while ago (as "Drinking all day"). Light, airy, one-chord country song with moody lyrics. Added second guitar part, violin, harmony vocal. I think I'm getting somewhere with my recording capabilities--what do you think? Any thoughts on the mix?
I like it again. This is the piano track I posted before (now without the synth, and with vocals and backing vocal harmony) but I think I've mostly solved the problem that to me the whole thing felt kind of lifeless. (At least I felt confident enough to replace the old track with this on SoundCloud, hope that was wise.) What do you think?
Wrote a new song that I still like, unlike the last one I posted! Textured, mellow, summery indie/country with guitar, percussion, strings, vocals.
Here is the much improved, finished version of a song I posted before in "help me describe this." Expansive, trance-like, sort of indie folk song.
This is a complete reworking of a song I posted before (17) which is now...prettier? Mellower? Flows more? What do you think of my new direction? [more inside]
It's been a while since I posted anything, so here goes with a slightly off-kilter, folksy, moody vocal and guitar piece.
Vocal and guitar, one rough take, one track, melodic and intense two minutes and thirty seconds
This piano part and vocal melody have been rattling around in my brain for a while--finally wrote some lyrics and fleshed it out a bit.
I'm happy to present my collaboration with not_on_display: this is our version of a neat little tune that was included in The American Songbag (a 1927 folk song collection by Carl Sandburg); the song there was itself derived from a late 19th-century song by William S. Hays. [more inside]
I had a great time collaborating with billiebee on a cover of this traditional folk song/sea shanty. The goal was to record a simple arrangement that was different from the more lively covers out there -- to borrow billiebee's phrase, a gentler version. I'm hoping our rendition highlights the lovely melody of the song. [more inside]
A quick and simple acoustic recording of a simple song about love.
I turned four years worth of voicemails from my brother into this song, and I gave it to him for his 39th birthday. [more inside]
A Rob Ford-inspired tune from the earlier days of Crackgate [more inside]
Listening to some old songs of mine, I came upon this one from 2004. It's a rather sweet, romantic little thing written about a depressing period in my relationship at the time. [more inside]
Pretty sloppy/quick recording.
While the term space rock is kicked around quite often these days, there is something else out there: space pop. This song epitomizes that term, as reflected in the title itself. Poppy, spacey and ethereal trip to the cosmos. [more inside]
Well, this is my cheater because Let Down is my song. But it is turning out to be difficult, so I've been working up a few others to play when I get pissed off at Let Down. [more inside]
A quick, funky Vocal House piece I made last year. Brass, bass, and beats, for your dance floor needs.
For Section III (Track 4) of The Wasteland, I finally take to the microphone for narration, with my own spin. This movement is entirely a capella, and with two small exceptions, all effects were manipulated by me in realtime. [more inside]
Little acoustic ditty I wrote a while back. Forlorn love, all that. [more inside]
Made famous by The Andrews Sisters in 1949, here I use a beautifully understated jazz guitar version by Pizzarelli and Vignola as backing. It's been a long while since I recorded something to post, so I hope you enjoy it!
Submission for this month's "record a track before you put on your pants in the morning" challenge. I sat down in my underwear at 7:35am to put together a song about what might have happened if I had sat down without my underwear. [more inside]
A bunch of bored Intro to Music History undergrads, coerced into making some weird sounds. [more inside]
This is my best shot at singing an a capella Brazilian cowboy song. [more inside]
This is a song from my 1993 release, The Big Off, redone with vocals only for this month's MeFiMu Challenge. El cheapo pitch shifter in effect. Video at YouTube or Vimeo. [more inside]
A piece of pop fluff for the a capella challenge. [more inside]
This is a little something I cooked together earlier this summer for the fun of it. I never finished it, but thought it might be fun to share anyway. [more inside]
An ode to women featuring guitars, piano, melodica, and lap steel. [more inside]
Another cover song (you seem to respond better to those, anyway :P ), this time something as unoriginal as Evanescence (I know, all the emo kids are doing it...) Yet again, a recording from my vocal exam last week. [more inside]
umbú and I were born pretty close to each other, since this song was also #1 on the week I was born. For some reason, I pictured my version performed by some weird mix of Geinoh Yamashirogumi and Tokyo Jihen. [more inside]
I wasn't able to take lessons like I planned, but I thought I'd post my take on the classic Rodgers and Hart song anyway, after a long hiatus. Hope you enjoy! [more inside]
This is a cover of the jazz standard. I sing and play upright bass, and have a buddy on guitar. [more inside]
I wrote this after attending a concert late last year. Just finished (?) the recording. It's kind of a tribute to the musician I saw -- maybe you can guess who it is? Either way, it's a track that features guitars, pianos, fretless bass, vibes, drums, vocals and a lap steel part in the chorus that I'm really satisfied with. [more inside]
This is a love song I wrote for my girlfriend shortly after we met. [more inside]
All-vocal Talking Heads cover. [more inside]
What the hell is wrong with us?! [more inside]
No, seriously. Just for fun, I decided to do this cover song to test out some drum stuff. Thought I'd share this while I work on some new songs...
This track switches between three time signatures, and features an intro with a style of singing I guess one could call very vaguely eastern. It's a slow and gentle affair with softly distorted ebowed guitar, piano, and xylophone. It also includes a guitar solo in which a single note is played repeatedly. And lyrics that are pretty silly. [more inside]
It's amazing what you can throw together in about 4 hours with nothing but a Rock Band mic, 8 of yourself, and a pair of Stylophones. [more inside]
A verse from the AVB song Open My Heart (or at least as best as I could remember it) [more inside]
Continuing the theme of random a capella overdubbed stuff I have in my back catalogue, an old favourite [more inside]
Originally by man vs sun, recorded while just dicking around with a microphone. [more inside]
Easy, nostalgic, cinematic electronica. The challenging part was getting the robots to sing - not too mechanically, but not too uncannily either.
Layers of soft guitar distortion with pseudo-indian instruments thrown in, under a falsetto vocal over a deeper background vocal going through a guitar amp. I'm kind of proud of the lyrics, which are about staying true. [more inside]