December's release from Sredni Vashtar, staying with the slow, epic, moody sound for the time being.
The latest release from our band. A sort of woozy, after hours lament for something lost.
I'm not dead, you're dead. Hey everybody! Hey! There's a body. Sex Creates Monsters. Track two off of the in Out's new EP, "Half-Vaxxed". It's my first appearance on an in Out record since 1998, and it's about the weirdest thing Todd's ever helmed over his legendary crew of outsiders in Boston. Six songs. All outmastered with an iron fist in a marshmallow. All six inner planets tilted way out of axial alignment. Alert local civil authorities e.g. college radio stations. Thank you for your support. We're the in Out. We still exist.
A change of pace. [more inside]
Kind of a slightly twee sadgirl pop song, of the very trans variety. [more inside]
In the grand tradition of posting the same song multiple times, here's the final version of Adrenaline Hangover (previously, previouslier)
The 2nd track on my latest album (also posted over at Projects.) A pandemic project, of all original music by myself & my partner, Molly Doris-Pierce. This one is a bit of a favorite of mine. Vocals, guitar, organ, bass guitar, drums.
A stompy, Floyd-y thing with downbeat lyrics that hopefully end on a note of optimism.
"So who are we but stories And who's truth be told?"
In the grand tradition of posting all our releases here, I present our latest track, Riding Out. As always, this is a song that has floated around for a few years (even surfacing on MeFi music in a much rawer form just over five years ago). Now we've done a version we're really happy with. More music here - thanks for listening.
The evolution of a song. How a shimmering instrumental evolved... [more inside]
We're trying to release a song a month this year and are kicking things off with 'Ten'. [more inside]
Made this somewhat experimental ambient-ish piece last night, feeling a tiny bit of hope about the world. It's based on slowed-down samples of a hang-drum, with a keyboard part doing most of the rest. [more inside]
it's a thing that sounds like new order, the feelies and lcd soundsystem
A song that dates back many years and many arrangements. [more inside]
Collaboration time! Here's a weird sad dog song that's alt-rock af with my friend and artist Sarah Cosico on harmony vocals. [more inside]
What a difference (or not) six years makes. 'A New Flame' is, well, a new version of our earlier song, simply entitled 'Flame'. [more inside]
It's been a while but I'm back with an evolving sound (and a changing voice). My new "official" single, "Time," is a midtempo, mysterious, moody alternative rock song with rich vocals. [more inside]
This one clatters along at a breakneck pace. Recorded about four years but I just felt the urge to throw a bit more guitar into the mix. Sredni Vashtar is a three piece that gigs occasionally in South London.
Well, it's really not the right time of year for this, but it fits my mood today. [more inside]
There may be historical inaccuracies. More of the same from a 90s bedroom. [more inside]
One man band home recording from the 90s. [more inside]
I think I wrote and recorded a Gin Blossoms song? I'm pretty happy with how it came out, but I don't know if I can take any credit. This is just me channeling the 90s. I guess I should ask for advice about how to manage the ceilings when using limiters. (more inside) [more inside]
Just a little song from my weird little indie folk heart. Actually reworking something old and the first thing I've recorded in a while, since I was pretty tired from the whole process of putting out my first EP in January. Also...stuff?...has been happening to my voice because I am trans and recently started testosterone therapy, I really notice the change in how my voice feels and I certainly hope others can hear it too!
A more completed version of the song I posted a couple of weeks ago
A work in progress, think drop nineteens mixed with modern indie pop
Song written with my old band, Big Ghost, about unseasonable New England weather. Bit of an oldy but goody, I threw together this recording to send to my old bandmates on the east coast as I live in sin in California. Hope you enjoy. If you can, please help me with toning down the harshness while keeping the excited sound. [more inside]
Another weird, haunting indie folk song from yours truly! There is also a weird, haunting music video located here. This is all part of my first official release, which I am super excited about, under my stage name MK Ellison.
So I feel like I owe a thank you to MeFi Music--this is the first place I started putting all my works in progress, even when it was just iPhone voice memos. Getting a few thoughtful comments was really encouraging and lovely. Then I graduated to better home recordings on SoundCloud and here, and today I put out this "official" first single everywhere. Yet another intense, moody alternative folk song with a real guitarist this time. [more inside]
Pretty proud of the vocals. This is a weird one, but my most haunting song yet. I had an image of a supernatural, quiet kind of nightmare where the narrator has a horrible premonition that something is coming for her, tries to run away, but cannot get far enough.
It's been a while since I posted any of my new songs here. What do you think of my kind of new direction (and quality of the recording)? Alternative folk-ish, acoustic song with clean vocals, guitar, mandolin, harmonies. Sounds happy but the lyrics are not. [more inside]
That is, I just got an electric guitar for the first time and it features heavily in my new song, "Georgia." Catchy, moody indie folk/folk rock tune.
This is one of two plus songs written by mistake/default around iphone wake-up tones. Y'know, you wake up at some godawful hour with that godwaffle loop in your ear and eventually you're going to make something of it. I mean...you'd hope, Godwaffles. You'd hope. [more inside]
I wrote the lyric melody 25 years ago and placed it to new music tonight [more inside]
This is the only advice I have for new parents these days. Had to salvage this song from a lost-when-near completed track, so the mixing is what I could work with, but I'm pretty happy with it. Enjoy! [more inside]
Almost ten years old: Came across one of my favorite songs from my band Big Ghost. One of our first attempts at home recording with drums. It's about backyard baseball, magic tricks, social anxiety and flirting. [more inside]
Not sure if I can do it justice, but I have loved this song every since I first heard Seven Swans in my college days. Light, soulful cover of a modern classic. I've messed with the harmonies a little, so some of the chords are more dissonant (but in a watery, calm way, not a harsh way, if that makes any sense).
Post of the week...intense acoustic folk song. Guitar, vocals, piano.
Content Warning (inside the fold) [more inside]
I love this song. Cover with guitar, piano. From her 1995 album Wrecking Ball, which Wikipedia calls "career redefining."
Post of the week! This is a new (and improved?) version of a song I posted quite a while ago (as "Drinking all day"). Light, airy, one-chord country song with moody lyrics. Added second guitar part, violin, harmony vocal. I think I'm getting somewhere with my recording capabilities--what do you think? Any thoughts on the mix?
Another fuzzy, rather lo-fi outing for Sredni Vashtar... [more inside]
Moody, jazzy little tune that explodes towards the end. About the delicious dread of falling in love when both people have baggage. This is my second big attempt at faking swing drums, so pointers would be helpful. As per usual, I started out wanting a sparse mix but it got away from me a bit. [more inside]
I like it again. This is the piano track I posted before (now without the synth, and with vocals and backing vocal harmony) but I think I've mostly solved the problem that to me the whole thing felt kind of lifeless. (At least I felt confident enough to replace the old track with this on SoundCloud, hope that was wise.) What do you think?
Wrote a new song that I still like, unlike the last one I posted! Textured, mellow, summery indie/country with guitar, percussion, strings, vocals.
One of the few times when the melody and the lyrics arrived simultanesouly. I was adding my wife as an emergency contact to my phone and it came to me that this was a new kind of relationship ritual. [more inside]
Flowing, dark piano and atmospheric synth. TBH I've been tinkering with this for so long that I'm not sure if I like it anymore. (It's like the "if you a repeat a word enough times it doesn't even sound like a word" effect--I don't hear what I once heard in it.) But I really liked the piano part when I first came up with it. What do you think?